8.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Sherlock Holmes stalks again in contemporary versions of the classic detective stories, translated to 21st century London, where the world's first "consulting detective" advises Scotland Yard with the aid of his friend and comrade, Dr. John Watson, a soldier recently returned from deployment to Afghanistan.
Starring: Benedict Cumberbatch, Martin Freeman, Una Stubbs, Rupert Graves, Louise BrealeyMystery | 100% |
Drama | Insignificant |
Crime | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
Slipcover in original pressing
Region A (B, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 3.0 | |
Overall | 3.5 |
(Spoiler warning: This review assumes familiarity with the three prior seasons of Sherlock, as
well as the Christmas special subtitled "The
Abominable Bride". Newcomers take heed.)
After a three-year wait for Season Four of Sherlock—the longest gap to date between seasons of
the BBC's international hit—fan anticipation had built so high that some degree of letdown was
almost inevitable. It didn't help that the 2015 Christmas special entitled Sherlock: The
Abominable Bride teased a solution to the cliffhanger that concluded Season Three, only to retreat
back into secrecy at the end, relying on a narrative trick that left many viewers feeling cheated. Similar
tricks are deployed throughout Season Four by writer/producers Mark Gatiss and Steven Moffat,
but deeper problems stem from story decisions made in Season Three, when Sherlock's creators
chose to give John Watson's new wife, Mary, her own sinister back story. They thereby expanded Sir
Arthur Conan Doyle's perfectly matched duo into a lopsided trio, upsetting Sherlock's
narrative balance going forward. What role could the former assassin-for-hire play in the further
adventures of Sherlock and Watson, especially after Sherlock committed a public murder to
protect her?
Much of Season Four is devoted to restoring the balance of Sherlock's world, and to the writers'
credit, they do not take the lazy route of simply whisking Mary offstage into domestic bliss with
the new baby whose arrival was announced at the conclusion of "The Sign of Three" (Season
Three, episode 2). Their approach is more daring and creative, and it provides actress Amanda
Abbington with some of her best scenes to date, but the result too often buries the core of
Sherlock's detective story under dense layers of overlapping subplots. By the time Season Four
reached its third and final episode, ratings had dropped to the lowest in Sherlock's history. I
suspect, however, that the season will rise in fans' estimation upon subsequent viewings,
especially of the first two episodes, which are so packed with incident and nuance that they richly
repay further attention. The season's final episode remains a disappointment, for reasons
discussed below.
Sherlock continues to be shot on the Arri Alexa. Three different cinematographers worked on Season Four, but their work neatly replicates the clean and detailed imagery of Season Three, abandoning the period darkness that characterized "The Abominable Bride". Cool blues and grays dominate key sections of each of the three episodes, whether it's the London Aquarium in "The Six Thatchers", a sterile hospital ward in "The Lying Detective", or the corridors of Sherrinford in "The Final Problem". Scenes in Baker Street provide a contrastingly warm palette; bright flashes of color accentuate key scenes, like the red of the Aston Martin that leads the authorities on a wild chase in episode 2; and flashbacks are marked by mild desaturation. The image features deep blacks (essential during such sequences as the "nightmare" that opens episode 3), excellent shadow detail and reliably accurate contrast. BBC Video has mastered Season Four of Sherlock with an average bitrate of just over 28 Mbps.
Sherlock's latest season continues the lossless audio that began with Season Three, supplying each episode with an artful 5.1 soundtrack encoded in DTS-HD MA. Broad dynamic range gives full expression to several explosions, more gunfire than one usually finds in Sherlock, and the frequent shattering of glass, plaster and other breakables. An immersive surround field rapidly shifts the aural perspective to match the series' unique visual design and editing rhythms, which overlay and alternate images from multiple scenes and perspectives; the effect is especially unsettling in episode 2, where the distorted sound reflects the distortions of Sherlock's drug-addled mind. Dialogue is always crisply intelligible and properly localized. Composers David Arnold and Michael Price continue to work new variations on the series' familiar themes.
The extras can be found on disc 2. Warning: Almost every extra contains major spoilers.
As of this writing, it is unclear whether Sherlock will continue, but I hope it does, because "The
Final Problem" does not come close to supplying a satisfactory conclusion to a series that has
become a pop culture phenomenon. However much time may be needed to find openings in the
increasingly busy schedules of its two stars, Sherlock needs to get back to the kind of
investigations and adversaries that first won the show its fan base. As for Season Four, the Blu-ray treatment is first-rate and recommended, even if
the
season itself isn't Sherlock's best.
2010
2010
2012
2014
2016
2017
50th Anniversary Special
2013
2016
1943
1984-1985
2018
1996
1995
1948
2013
10th Anniversary Edition
2006
2009
Sherlock Holmes
1945
2019
2009
2018
1979
4K Restoration
1973
1988
1948