7 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
On November 22, 1963, Mr. and Mrs. St. Cloud hear about the tragic assassination of the President of the United States, John Fitzgerald Kennedy. Consumed with paranoia and believing that WWIII is now inevitable, they take their small children Tina, Pam and Scotty and hide with them in their fallout shelter, never to leave it again. By 1993, the parents had died but their three adult man-children still live in the nuclear bomb shelter alone without any human contact.
Starring: O-Lan Jones, Jim Turner (I)| Drama | 100% |
| Dark humor | 14% |
| Musical | 7% |
| Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: LPCM 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.0 | |
| Video | 3.0 | |
| Audio | 3.0 | |
| Extras | 3.0 | |
| Overall | 4.0 |
That Paul Bartel's (Eating Raoul, Death Race 2000) "lost" film Shelf Life began as a stage play should come as no surprise.
The conceit for the film lends itself perfectly to the stage. On the event of President Kennedy's assassination, the St. Cloud parents do that only thing
that seems sensible to them: they take their three children forty feet below the surface into a bomb shelter they've prepared and have been stocking
for years. Once safely underground, the family is determined to wait it out until the forces behind the nefarious act have been dealt with. As such, all
of
the action of the film plays in within the shelter's small and claustrophobic confines. When the parents pass away soon after their sequestration
commences, the children, Pam (Andrea Stein), Tina (O-Lan Jones), and Scotty (Jim Turner) remain in the shelter, where the action of the film joins
them after 30 years of isolation.


After choosing to play the film, the following information appears on the screen:
This presentation of 'Shelf Life (1993)' is a reproduction of Paul Bartel's personal 35mm print that was donated to the Academy of Motion Picture Arts and Sciences after his death in 2000."

Sonically, the experience here is much the same as video presentation. Shelf Life is offered with an LPCM 2.0 stereo track that exhibits similar "as-is" qualities. The track is a tad muddy and a bit thin, but dialogue is clear enough as are the frequently injected musical elements from the record player, the odd over-the-air television program, and soundtrack selections. It sounds every bit like the untouched 2.0 source from which it originates. While imprecise, and though hissing and pops were sometimes detected, for what it is, it's an appropriate accompaniment for the film.


Paul Bartel has long been a favorite of mine, ever since seeing Eating Raoul at a young and impressionable age. It also sparked my being a lifelong fan of Mary Woronov, but that's a story for a different film. Since then, I've found much to enjoy in his unique and often subversive films. Shelf Life is no exception, deftly mixing comedy with concerning content as the audience bears witness to what has become of the St. Cloud family after so many years underground. The fact that the film has been, at last, presented in any capacity is a treat. With AV expectations held in check,Shelf Life comes recommended.
(Still not reliable for this title)

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