6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
A girl marked for death, must fight and steal to stay alive, learning from the most frightening man she knows-her father. An adaptation of Jordan Harper's award winning novel.
Starring: Taron Egerton, Ana Sophia Heger, Rob Yang, Odessa A’zion, David Lyons (IX)| Thriller | Uncertain |
| Crime | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 0.5 | |
| Overall | 3.5 |
She Rides Shotgun joins a rather odd and undeniably disquieting aggregation of films that includes Last Ride, Road to Perdition, and perhaps most saliently in this case Badland , wherein a father more or less abducts his own child for a perilous road trip. This particular tale might arguably have echoes of Leave No Trace as well, in that the father in this case, ex-con Nate McClusky (Taron Egerton) definitely wants to remain "off grid" in order to protect his estranged daugther Polly (Ana Sophia Heger in an undeniably impressive performance). If certain broad outlines and frankly even specific plot machinations in this film inarguably recall other efforts, She Rides Shotgun is propelled by some visceral performances even as it cartwheels to a probably unsurprisingly bittersweet conclusion.


Note: Screenshots are sourced from the 1080 disc in this package.
She Rides Shotgun is presented in 4K UHD courtesy of Lionsgate Films with an HEVC / H.265 encoded 2160p transfer in 2.39:1. This release
also includes a 1080p AVC encoded transfer in the same aspect ratio on a separate disc. As of the writing of this review, the IMDb has no technical
information available, but I was able to dredge up an Insta post by 2nd Unit Director Andrew Fletcher where he mentions using Sony Venice cameras. I
haven't been able to find anything authoritative on the resolution of the DI.
This is another digital capture that maybe works a bit overtime to try to look like film, with a really heavily slathered on digital grain field,
with observable chunkiness and a yellowish quality especially noticeable in some of the outdoor material. I of course completely understand the
budgetary reasons underlying decisions like this, but such a liberal use of the technology tends to often just draw attention to itself rather than
provide a seemingly "organic" viewing experience, at least in my jaundiced estimation. That issue aside, the presentation here offers
some typically excellent detail levels and a rather beautifully nuanced if subtly tamped down palette which gets some special emphasis in the 4K disc's
HDR grade (no Dolby Vision that my player detected). Even with HDR a few dimly lit scenes can be slightly murky, especially with a virtually scrim like
grain field further masking things.

Both the 4K and 1080 discs in this package feature a DTS-HD Master Audio 5.1 track. The film's emphasis on sweeping vistas and outdoor locales allows for regular and noticeable engagement of the side and rear channels for ambient environmental effects. This features another collaboration between director Nick Rowland and composer Blanck Mass (after Calm with Horses*), and the pulsing electronic score is also widely spacious throughout. Dialogue is rendered without any issues. Optional English and Spanish subtitles are available.

Both the 4K and 1080 discs in this package sport the same sole supplement:

Lionsgate didn't really seem to know what to do with She Rides Shotgun after it acquired the film, and rather unusually they sent absolutely no PR about this 4K release. Some passing mentions of the film during its evidently very brief theatrical exhibition perhaps understandably cast it as a neo-Western, though I think its sensibility is probably a good deal wider than that appellation might suggest. While undeniably rote in certain ways, any fan of Egerton in particular should be drawn to the film, even if they may end up being more generally impressed by Heger. Technical merits are solid. Recommended.
(Still not reliable for this title)

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