6.1 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Depressing tale about a world of the undead and a woman's trek to get home to her boyfriend's house.
Starring: Stark Raven, Flora FaunaHorror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080i
Aspect ratio: 1.35:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 (48kHz, 16-bit)
BDInfo verified
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region free
Movie | 2.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 5.0 | |
Overall | 4.0 |
Writer/director Scooter McCrae has some big ideas to help fill his filmmaking debut, 1994’s “Shatter Dead,” and he keeps all of them to himself. This is McCrae’s take on the zombie genre, only instead of flesh-munching monsters, the undead are basically the same as before, scattered across rural New York like homeless people, trying to live their best life without actually living. It’s a concept with promise, but McCrae is too busy trying to impress viewers with his Euro-cinema influences, going abstract with his collection of visuals and scenes. The movie opens with a bewildering moment that has nothing to do with the rest of the endeavor, and “Shatter Dead” doesn’t really improve from there.
Listed as a "Brand new restoration of the director's cut," "Shatter Dead" arrives on Blu-ray with an AVC encoded image (1.35:1 aspect ratio) presentation. A fresh pass with the original Betacam SP master tapes push detail as far as possible with this level of equipment, and as shot-on-video releases go, this is certainly one of the best ones I've encountered. There's a decent sense of texture on skin surfaces, which are abundant in the feature, and locations retain passable dimension. Colors are limited, but hues aren't painfully washed out, with adequate greenery and natural skintones. Delineation is acceptable. Damage isn't an issue.
The 2.0 DTS-HD MA sound mix deals with the no-budget nature of the production, offering reasonably clear dialogue exchanges emerging from amateur actors and equipment limitations. Music is satisfactory, with a clear synth sound. Hiss is present throughout the listening event.
"Shatter Dead" doesn't have an entry point. It all exists in McCrae's head, and he's not in the mood to invite viewers into the wilds of interpretive cinema. He doesn't leave enough clues behind to stay on this journey, making for a long wait to an underwhelming ending. Those interested in the shot- on-video movement of the 1990s might find more to inspect with "Shatter Dead," but casual viewers are left with a puzzle that's not worth solving, with this horror endeavor either too shapeless to stay with or too goofy to take seriously. Either way, McCrae is perhaps too ambitious with the picture, lacking a game plan to make it all come together.
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