8 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Former musicians Jan Rosenberg and his wife, Eva, have left the city to avoid a civil war and now live on a rural island where they tend a farm. While the situation seems idyllic, the couple's isolation begins to wear on their relationship, and eventually the armed conflict that they've tried to flee arrives on the quiet island in the form of soldiers. Try as they might, Jan and Eva ultimately can't evade either the war or their own marital problems.
Starring: Liv Ullmann, Max von Sydow, Sigge Fürst, Gunnar Björnstrand, Birgitta ValbergForeign | 100% |
Drama | 81% |
War | 1% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.38:1
Original aspect ratio: 1.37:1
Swedish: LPCM Mono (48kHz, 24-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 4.0 |
Note: This version of this film is available on Blu-ray as part of Criterion's Ingmar Bergman's Cinema set.
It understandably may be well nigh impossible to choose an "all time greatest filmmaker" of the 20th century, if for no other reason than that personal
tastes differ, but I can't
imagine any "devoted cineaste" not having Ingmar Bergman at least near the top of their own aggregation. Criterion
has been feting
some iconic creative forces with expansive box set compendia of films, including Essential Fellini and
The Complete Films of Agnès Varda, but in terms of overall offerings and packaging extras, Ingmar Bergman's Cinema may
itself be sitting atop a list of finest Blu-ray collection offerings. Some of the films in this impressive collection have in fact had prior releases by
Criterion, as should probably be expected, but there are a fair number making their Blu-ray debuts. As tends to be the case with Criterion releases,
technical merits are also generally excellent, and the supplements can be very appealing.
Shame is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.38:1. riterion's kind of overwhelming insert book offers nice summations of each film's transfer attributes, and the relevant data points for this film are as follows:
Picture element: 35 mm interpositiveAdditionally, a brief text card at the beginning of this presentation offers a bit of additional information in that the digital restoration was accomplished in 2015. Randy was kind of underwhelmed with the quality of the standalone release, but in the latest iteration of my mantra "different reviewers means different opinions", I'm at least marginally more pleased with the look of things. I did notice at least a bit of the macroblocking Randy mentioned in his review, specifically in moments like the view of von Sydow's sweater back circa the 25 minute mark, but probably more noticeably in some of the smoky/misty scenes later in the film, but what actually caught my eye more than those anomalies were several signs of age related wear and tear, including quite a few noticeable (if admittedly minor) scratches, as well as what I'd call a somewhat digitally processed look overall. All of this said, contrast (which at times seems intentionally pushed) is strong, and Bergman's repeated use of close-ups helps to elevate fine detail levels materially.
Scanner: Scanity
Transfer resolution: 2K
Sound element: 35 mm optical track
Picture and sound restoration: Swedish Film Institute
Shame features an expressive LPCM Mono track in the original Swedish which perhaps offers a few more sound effects than one normally associates with Ingmar Bergman. The quasi-war setting offers occasional explosions and gunfire, as well as the cacophonous sounds of tanks roaring through villages or even soldiers on the march, but there's still often the spare, wintry ambience that seems to almost invariably suffuse so many of Bergman's soundtracks, where (in this case devastated) vistas can offer things like the wafting of wind and similar effects. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.
This disc offers the same supplemental materials as Criterion's standalone release does. Randy's review of the standalone release offers some
additional information.
If early 1968 saw Bergman at least toying with tropes of the horror film in Hour of the Wolf, a few months later he could be seen as taking on that era's prevalent anti-war sentiment in this intriguing but frankly often baffling film. Bergman is often accused of being almost deliberately opaque, and that perception will certainly be front and center for many viewers here, especially those less acquainted with Bergman's overall filmography. This has somewhat less lustrous video quality than many of the other films in Criterion's expansive Bergman set, but audio is fine and, also unlike several other films in the set but on the more positive side, this has some really excellent supplements, including a fantastic documentary on Bergman. Recommended.
(Still not reliable for this title)
En passion
1969
Riten / The Ritual
1969
Aus dem Leben der Marionetten
1980
Tystnaden
1963
Såsom i en spegel
1961
Efter repetitionen
1984
Hamnstad
1948
Till glädje
1950
Törst
1949
Skepp till Indialand / A Ship Bound for India
1947
Kvinnodröm
1955
Nära livet
1958
2003
Kvinnors väntan / Secrets of Women
1952
Kris
1946
Nattvardsgästerna
1963
Gycklarnas afton
1953
Vargtimmen
1968
Scener ur ett äktenskap
1973
1971