7.1 | / 10 |
Users | 4.3 | |
Reviewer | 4.5 | |
Overall | 4.3 |
It is the summer of 1593, and the rising young star of London's theatre scene, Will Shakespeare, faces a scourge like no other: a paralyzing bout of writer's block. While the great Elizabethan age of entertainment unfolds around him, Will is without inspiration on material. What Will needs is a muse--and in an extraordinary moment in which life imitates art, he finds and falls for a woman who draws him into his own dramatic adventure of star-crossed love. It all begins when Lady Viola, desperate to become an actor at a time when women were forbidden from such depravity, disguises herself as a man to audition for Will's play. But the guise slips away as their passion ignites. Now Will's quill again begins to flow, this time turning love into words, as Viola becomes his real-life Juliet and Romeo finds his reason to exist. Yet all is not well in Will's world. For even as the parchment begins to pile up, he's plagued by the fact that Lady Viola must marry the insufferable Lord Wessex.
Starring: Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Colin Firth, Ben AffleckRomance | 100% |
Period | 60% |
Drama | 58% |
Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.34:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English, English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 4.0 | |
Overall | 4.5 |
Every so often, a major awards season decision will send the general public, or at least those keyed into whatever
artistic
pursuit is being feted, into a frenzy of reactionary disbelief. In 1971, Broadway cognoscenti were atwitter (this was
obviously long before there was
the “real” Twitter) when the critics’ darling, seemingly overnight-legendary Stephen Sondheim-James Goldman musical
Follies cleaned up in most of the major Tony Award categories, but ended up losing the “big” award, Best
Musical,
to Two Gentlemen of Verona, a rock and pop version of Shakespeare's venerable classic. Gentlemen
was the Broadway follow up to Hair for composer Galt
McDermot, and while it was well received, it as a Joseph Papp Public Theater production, in a way the polar opposite of
the
glitzy, huge, and unabashedly glamorous (albeit decrepit—by design) Follies, and some of the Broadway ruling
elite couldn’t quite believe that this “bastard child,” a rock-inflected musical no less, had taken the big prize away from a
show that was written by the theater’s anointed Golden Boy of music and lyrics, and produced and directed by Harold
Prince, a
Broadway insider if ever there were one.
A generation later, much the same thing happened in the film world, when in
1999 Shakespeare in Love wrested the Best Picture Academy Award from the vigorous fingers of Saving
Private
Ryan, a film which not only bore the imprimatur of Steven Spielberg—filmdom’s analog to Broadway’s Hal Prince—but
which also had received rave reviews and was universally lauded as, well, the best picture in Spielberg’s long and
storied
career. How odd that The Bard should twice eclipse the seeming favorites to take home the prize! But in the case of
Shakespeare in Love, the decision is at least a little easier understand, at least if one takes into consideration
the fact that Hollywood loves stories about showbiz, and that ultimately is what Shakespeare in Love is, despite
the many (as in many) tangents adorning its central conceit. Shakespeare in Love rather brilliantly
recasts modern day Hollywood neuroses—including neurosis itself, as a matter of fact—as part and parcel of the
Elizabethan age. We therefore are privy to all sorts of shenanigans featuring showbiz “types” like the scheming
producer, the playwright who’s stumped for material (and who is in analysis for it), and the starry-eyed ingénue who
just wants her “big break”. Shakespeare in Love is often deliciously, even deliriously, funny, but it’s also
incredibly smart, benefiting from script doctor Tom Stoppard’s unmatched wordplay and a similar sort of “meta”
ethos Stoppard brought to his own iconic reimagining of Shakespeare, Rosencranz and Guildenstern are
Dead.
Shakespeare in Love is presented on Blu-ray courtesy of Lionsgate-Miramax with an AVC encoded 1080p transfer in 2.34:1. The film boasts an incredibly sumptuous production and costume design which both pop magnificently throughout this high definition presentation. Fine detail is really exceptional, to the point where individual pill can be made out quite clearly on Nurse's cowl, to give just one example. Colors are very vibrant, again especially noticeable in the film's gorgeous costumes. But flesh tones are also well saturated and accurate appearing, and the film also boasts a natural looking veneer of grain. Contrast is strong, if perhaps not quite up to snuff in a couple of the film's dark exteriors (the evening shots of Viola's house, one of which is included as a screencap to this review, being a good example). Otherwise, though, this is a sterling looking presentation that is sharp and clear and extremely well detailed.
Shakespeare in Love's lossless DTS-HD Master Audio 5.1 audio track is rather surprisingly immersive, considering the film's romantic comedy ambience. The bustling streets of London are awash in crowd sounds and fun (if perhaps a bit disturbing) ambient sounds like people regularly dumping their badpans out in the streets. The film also benefits immensely from the evocative underscore, which regularly utilizes actual songs of the period. A dance scene at Viola's house is a perfect example of this track's expressive capability, as it delicately reproduces the sounds of lute and recorder while also easily capturing the rustle of the women's thick dresses and the clomp of feet hitting the dance floor. Dialogue is cleanly presented and easily audible, and the track boasts excellent fidelity throughout all frequency ranges. There really isn't any LFE to speak of in this film, other than perhaps a couple of moments featuring fireworks.
I frankly wasn't quite sure how I was going to feel about Shakespeare in Love after not having seen it since it first came out. While I certainly enjoyed the film when it premiered, I may not have fully appreciated the wit and flash of its incredible screenplay, or at the very least I didn't remember how brilliantly smart the writing was. The good news is this film has aged remarkably well and while some might argue it's slight, a cursory review of the film's many sleights of hand with regard to Shakespeare and his legacy would argue rather forcefully otherwise. This Blu-ray offers spectacular video and audio and a nice array of supplements, and it comes Highly recommended.
Masterpiece Classic
2015
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1998
1967
2005
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1999
1953
1987
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1968
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Paramount Presents #42
1983