9.1 | / 10 |
Users | 4.5 | |
Reviewer | 5.0 | |
Overall | 4.5 |
A Japanese farming village, constantly besieged and pillaged by an army of bandits, recruits seven independent samurai to defend it.
Starring: Toshirô Mifune, Takashi Shimura, Keiko Tsushima, Yukiko Shimazaki, Kamatari FujiwaraDrama | 100% |
Foreign | 89% |
Period | 29% |
Martial arts | 15% |
Epic | 13% |
Adventure | Insignificant |
Action | Insignificant |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
Japanese: LPCM Mono (48kHz, 24-bit)
Japanese: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English
Blu-ray Disc
Three-disc set (3 BDs)
4K Ultra HD
Region A (locked)
Movie | 5.0 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 5.0 | |
Overall | 5.0 |
Akira Kurosawa's "Seven Samurai" (1954) arrives on 4K Blu-ray courtesy of Criterion. The supplemental features on the release include archival audio commentary with scholars and critics David Desser, Joan Mellen, Stephen Prince, Tony Rayns, and Donald Richie; archival audio commentary with Japanese film expert Michael Jack; the documentary "Akira Kurosawa - It Is Wonderful to Create"; video interview with Akira Kurosawa and Nagisa Oshima; the documentary "Seven Samurai: Origins and Influences"; and more. In Japanese, with optional English subtitles for the main feature. Region-Free.
Criterion's release of Seven Samurai is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray is Region-Free. However, the Blu-ray is Region-A "locked".
Please note that all screencaptures included with this article are taken from the 4K Blu-ray and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc.
Seven Samurai made its high-definition debut with this Blu-ray release in 2010, which was sourced from a 2K master. The combo pack introduces an exclusive new 4K restoration. In native 4K, the 4K restoration cannot be viewed with Dolby Vision or HDR grades.
After viewing the 4K restoration earlier today, I spent several hours comparing it to the previous 1080p presentation, which I like a lot. I had a difficult time forming an opinion about the quality of the former because many things on it are done very well, but there are also a few that I think could have been managed better.
The film looks very clean and stable now. Virtually all transitions between the different segments look very even as well, so it is easy to declare that fluidity is improved. Density levels are fantastic, and even in areas with inherited small but noticeable fluctuations, the visuals look tighter. If you have a large screen, this is an improvement that you will easily notice and appreciate. Delineation, clarity, and depth range from very good to excellent. However, there are sequences, usually with panoramic outdoor footage, where delineation, clarity, and depth are not optimal. These are inherited source limitations that were also visible on the previous presentation. However, trained eyes will spot traces of light grain management, and in some areas, usually with panoramic footage, delineation and depth are impacted. How much? Not a lot, but because other areas look wonderful, it is easy to conclude that the raw 4K master is terrific, so it would have been better if these adjustments were avoided. Why were they made? To rebalance the visuals as best as possible. (For what it's worth, similar work was done on the previous presentation as well). Close-ups usually look outstanding, and better than they do in 1080p. The grayscale is fantastic. I think that this is another area where the 4K restoration offers easy to apprecioate improvements, though it must be said that the superior dynamic range of the visuals helps as well.
What is the final verdict on the 4K restoration, and should you consider an upgrade? While the 4K restoration could have been slightly more convincing, it gives the film a healthy and attractive organic appearance. I think that the most meaningful improvements become very easy to appreciate on a larger screen, so if you have one, consider an upgrade.
There are two standard audio tracks on this release: Japanese LPCM 1.0 and Japanese DTS-HD Master Audio 2.0. Optional English subtitles are provided for the main feature.
While I prefer the LPCM 1.0 track, I am not opposed to viewing Seven Samurai with the DTS-HD Master Audio 2.0 track. I just find the former to be very effective, though its native limitations are easy to recognize. I do not know if any improvements were made on it while the film was restored in 4K. If any were made, I could not tell. All exchanges are clear and the action footage has good dynamic intensity, but from time to time the audio can become a tad thin.
4K BLU-RAY DISC
While a few things could have been done differently, the new 4K restoration of Seven Samurai is a winner, and I think that the many fans of the film will be quite happy with it. This upcoming combo pack also retains all bonus features that were included on the first Blu-ray release of the film, which Criterion produced in 2010. If you plan to pick it up for your library, keep in mind that the 4K restoration is available only on the 4K Blu-ray. VERY HIGHLY RECOMMENDED.
StudioCanal Collection
1985
用心棒 / Yôjinbô
1961
椿三十郎 / Tsubaki Sanjûrô
1962
続宮本武蔵 一乗寺の決闘 / Zoku Miyamoto Musashi: Ichijôji no kettô
1955
宮本武蔵完結編 決闘巌流島 / Miyamoto Musashi kanketsuhen: kettô Ganryûjima
1956
宮本武蔵 / Miyamoto Musashi
1954
切腹 / Seppuku
1962
影武者
1980
新座頭市物語・折れた杖 / Shin Zatôichi monogatari: Oreta tsue
1972
座頭市あばれ火祭り / Zatôichi abare-himatsuri
1970
座頭市地獄旅 / Zatôichi Jigoku tabi
1965
座頭市喧嘩太鼓 / Zatôichi kenka-daiko
1968
座頭市果し状 / Zatôichi hatashi-jô
1968
座頭市御用旅 / Zatôichi goyô-tabi
1972
座頭市牢破り / Zatôichi rôyaburi
1967
座頭市と用心棒 / Zatôichi to Yôjinbô
1970
座頭市喧嘩旅 / Zatôichi kenka-tabi
1963
座頭市血煙り街道 / Zatôichi chikemuri kaidô
1967
座頭市千両首 / Zatôichi senryô-kubi
1964
座頭市血笑旅 / Zatôichi kesshô-tabi
1964