6.7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
When a scientist threatens to detonate a powerful bomb in the heart of London, Scotland Yard has just seven days to find him before it is too late.
Starring: Barry Jones, Olive Sloane, André Morell, Sheila Manahan, Hugh CrossThriller | Insignificant |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.0 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 0.5 | |
Overall | 3.0 |
John Boulting and Roy Boulting's "Seven Days to Noon" (1950) arrives on Blu-ray courtesy of Kino Lorber. There are no supplemental features on the disc. In English, with optional English SDH subtitles for the main feature. Region-A "locked".
The man who wanted to obliterate London
Presented in an aspect ratio of 1.33:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Seven Days to Noon arrives on Blu-ray courtesy of Kino Lorber.
The contrast levels are slightly higher than they should be, which is the reason why at times the film tends to look a tad harsher. However, because plenty of the action takes place at night the effect is often very easy to ignore. Depth and clarity range from good to very good, but in some areas less than optimal shadow definition obstructs native detail. (You will see 'thicker' than usual blacks). The overall balance is still good, but a proper brand new master will introduce some meaningful improvements. Also, there are a couple of rather large damage marks that pop up throughout the film, as well as some minor scratches and tiny black marks. Image stability is good. (Note: This is a Region-A "locked" Blu-ray release. Therefore, you must have a native Region-A or Region-Free player in order to access its content).
There is only one standard audio track on this Blu-ray release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
The audio is clear and easy to follow. However, you will hear multiple 'thumps' -- this is the only way I can describe the strange effect -- throughout the film. My guess is that this is some sort of an inherited audio defect, but there are digital tools now that can easily address it. In other words, if this film is ever redone, expect the future master to come with a fixed audio track. Even with the 'thumps', however, I still able to enjoy the film.
There are equal doses of substance and style in Seven Days to Noon that I think merge really well. The second half of the film where London is evacuated, in particular, is very effective. Kino Lorber's release is sourced from a dated master with some rough spots and an audio track that can use some proper restoration work. I think that it is still worth picking up, but only if found on sale.
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