7.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Selma chronicles the tumultuous three-month period in 1965, when Dr. Martin Luther King, Jr. led a dangerous campaign to secure equal voting rights in the face of violent opposition. The epic march from Selma to Montgomery culminated in President Johnson (Tom Wilkinson) signing the Voting Rights Act of 1965, one of the most significant victories for the civil rights movement. Director Ava DuVernay’s Selma tells the real story of the revered leader and visionary Dr. Martin Luther King, Jr. (David Oyelowo) and his brothers and sisters in the movement that prompted change that forever altered history.
Starring: David Oyelowo, Tom Wilkinson, Carmen Ejogo, Alessandro Nivola, Giovanni RibisiHistory | 100% |
Drama | 72% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (640 kbps)
English, English SDH, French, Spanish
50GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
UV digital copy
DVD copy
Slipcover in original pressing
Region A (locked)
Movie | 3.5 | |
Video | 3.5 | |
Audio | 4.0 | |
Extras | 3.5 | |
Overall | 3.5 |
We must make a massive demonstration of our moral certainty.
Controversy swirled around Selma for a time following its release, not for its depiction of civil rights leader Martin Luther King, Jr. or the
march on Selma itself but for its portrayal of President Lyndon B. Johnson and the film's depiction of an unmistakable rift between the president
and the civil rights leader, a depiction that's been criticized and defended in a back-and-forth battle between historians and the filmmakers. The
film also sparked discussion centered on the issue of race, about the racial makeup of the Academy and the body's failure to nominate star David
Oyelowo for Best Actor in a field historically dominated by white actors, and in last year's balloting in particular. One anonymous Academy member
faintly praised the movie's technical construction but claimed that a broader perception of the film is that "there's no art to it." Best to leave the discussion
of the
film's historical accuracy to the people who research history for a living and didn't just study it in school, but as for the final two criticisms, there's
certainly some validity to each of them. Oyelowo is indeed fantastic in the movie, easily its standout performer and, beyond the raw emotional
content depicted in the film, arguably its single best asset. At the very least, he should have been a short-list frontrunner for the Oscar itself, not
simply for a nomination he ultimately didn't receive. But the film does also lack a real sense of profundity and rarely does it ever truly ooze
the history it depicts. While it's emotionally engaging and narratively gripping, the film lacks a grace and polish and flow that truly brings the
audience into
world of segregated Alabama and into the minds of the characters depicted in the movie. It takes the audience to the locations, into the trenches,
so to speak, of the politicking and planning and sometimes
almost prayerful pleas for clarity and direction, but it feels somehow distant, showing and telling the audience but never quite fully absorbing the
audience into the story. Essentially, it feels a bit flat, regurgitating history but not filling it with the tangible life and power a story of this
magnitude, and a performance of this excellence, deserve.
Making history.
Selma's 1080p transfer, sourced from a digital shoot, is something of a mild disappointment. The image is generally pale and fatigued, with drained colors and very poor black levels. Darker backdrops go a murky shade of gray or brown rather than remain tightly true. The general palette, particularly in lower light scenes, favors a light sepia that's emphasized by the dull blacks and the predominantly earthy beiges and browns that dominate clothes and interior appointments. Even when, in bright daylight, there are splashes of color -- a blue dress, a denim jacket -- there's not much natural punch or vitality to be found. Details generally impress, but there's an unmissable flatness to the image. Facial and clothing details are more than adequate but sometimes lack that tight, natural, effortless firmness found on the best images, be they film or digital. Building façades and general city textures look nice enough around Selma, and various dimly lit and warm interiors offer good baseline definition on desks, trinkets, and other assorted bits. Medium- and long-distance shots often show some smudginess around the edges. Some moderate to severe banding creeps in during some of the darker, flatter scenes, such as when King finds himself in a Selma jail midway through the movie. Fortunately, the image suffers from no perceptible bouts of aliasing, blockiness, or other maladies. This isn't a particularly attractive film from a purely aesthetic perspective; the blend of light sepia, pale blacks, and flat digital doesn't do it any favors, though it's otherwise basically fine in terms of delivering on what it has at its disposal.
Selma marches onto Blu-ray with a good all-around DTS-HD Master Audio 5.1 lossless soundtrack. For the most part, the movie has no need for extravagant sound delivery. Sound design is relatively simple, with dialogue -- both hushed discussions and loud, booming public speeches -- leading the charge. The spoken word is delivered with natural front-center placement and crisp, effortless articulation, allowing every syllable to be realistically clear and the focus of every scene. Music is generally light but plays with effortless front end spacing, mild surround support, and an even, often low key bit of support bass at the bottom. The track does produce some heavier bits; a powerful explosion sends heavy, powerful waves through the stage at the beginning, and a gunshot or two ring out with fair power but lacking that authentic, ear-punishing authority. Beatings, screams, and other clashes offer a balanced sense of sonic chaos. Mild surround content in the way of enveloping applause or light atmospheric support pieces is well integrated into the track.
Selma contains a large number of extras, including two commentaries, several featurettes, and deleted and extended scenes. Inside the
Blu-ray
case, buyers will find a DVD copy of the film and a voucher for a UV/iTunes digital copy.
Selma is a little dry and visually unremarkable, but the movie's essence soars and its lead performance is every bit as good as any historical figure depiction in film history. Though controversy swirls around the movie, it rises above the fray, offering a thoughtful recreation with themes that run true and ideas that remain relevant even today. But the movie is entirely Oyelowo's. The actor is magnificent in his physical depiction but it's beyond that in his inner recreation of one of the most iconic figure in American, and world, history, that's the film's true triumph. Set aside the noise and discover a strong movie that could have been more but, as it is, is a captivating watch that rises above type and should find appeal with a broader audience interested not only in flat historical accounts but a nuanced performance that brings life to a legend. Paramount's Blu-ray release of Selma is a victim of the film's drab photography, but sound is fine and supplements are thorough. Recommended.
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