6.5 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
Imagine a cop who can read your mind... then blow it away. A series of cop-killings has the LAPD running scared. They have no clues, no evidence and no leads. Their only hope to stop them - a young rookie with a secret power to read minds... and then blow them away! Samuel Staziak, a graduate of the police academy who follows in the footsteps of his adopted father, is a scanner who never used his own inherited, terrifying powers. Soon after his graduation, cops start to get murdered by seemingly normal citizens. Although he is repelled by the nature of the senseless crimes, Sam is reluctant to call on his special "gift" to stop murders. But when his policeman partner becomes a victim, he turns to his scanner powers which will take him into the bizarre world of a demented neurosurgeon.
Starring: Daniel Quinn, Darlanne Fluegel, Richard Grove, Mark Rolston, Richard Lynch (I)| Horror | Uncertain |
| Sci-Fi | Uncertain |
| Crime | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A, B (C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 4.5 | |
| Extras | 4.0 | |
| Overall | 4.0 |
David Cronenberg wasn’t pursuing a franchise opportunity when he created 1981’s “Scanners,” but he managed to inspire the creation of one, without his involvement. Executive producer Pierre David labored to transform the original feature into a series of DTV sequels, achieving some success with 1991’s “Scanners II: The New Order” and 1993’s “Scanners III: The Takeover.” Instead of marching into a fourth installment with the same old telepathic warfare, David elected to slightly change the situation, taking directorial control of 1994’s “Scanner Cop,” which turns the whole brain- popping concept into a detective story, almost playing like a pilot for a syndicated television show. “Scanner Cop” isn’t a major reorganization of the premise, but it tries to merge supercop events with horror happenings, finding some inspiration when it creates a mess with the characters and their squishy minds.


Screencaps are taken from the Blu-ray release of "Scanner Cop."
The 4k presentation (1.85:1 aspect ratio) for "Scanner Cop" does wonders to restore a film-like quality to the feature after decades on VHS and DVD.
Grain is superbly resolved, giving the video release a cinematic look, which is backed up by excellent detail throughout. Facial surfaces on the actors are
sharp, and makeup work is distinct, showcasing macabre happenings and BTS artistry, creating more than a few pausable moments. Interiors explore
decorative additions with clarity, and exteriors enjoy as much expanse as the production allows. Costuming is fibrous, from heavy uniforms and
business attire to more casual wear. Colors emerge with authority, offering a varied palette that secures a colder atmosphere for hospitals and offices,
dealing with greens and grays. Costuming offers more vibrancy, along with props, as yellow serum and red pills are vivid. Greenery is exact. Skintones
are natural. Highlights are tasteful, with brightness of daylight and lighting comfortable. Delineation is satisfactory. Source is in excellent condition, with
at least one very brief drop in resolution at the 13:18 mark.

The 2.0 DTS-HD MA sound mix provides a clear listening event, with crisp dialogue exchanges and emotional extremes as "scanning" encourages louder, hysterical acting from the cast. Scoring cues are defined and wide, with strong instrumentation and comfortable balance, supporting suspense with surges of synth. Sound effects vary in intensity, with gunshots noticeably milder, which may be an inherent issue. Atmospherics are active with office bustle and street movement.


"Scanner Cop" doesn't have the chilling presence of Cronenberg's original feature, but it tries to do something with its limited ideas, offering some gore zone visits as Sam works himself up with vein-bulging power. Of course, it's all one big countdown to a head explosion, but David creates a few tense moments along the way. Not enough of them, but effective special effects from John Carl Buechler hold attention, showcasing scanner battles with bubbling, melting, and exploding skin. The lead performance from Quinn is also committed enough to pass, working his close-ups with eye-popping fierceness, adding some horror emphasis to a film that's not especially exciting, but hardly an embarrassment.
(Still not reliable for this title)

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2K Restoration
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Titan Find | Standard Edition
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Valley of Death
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