7.4 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Obsessed with teaching his victims the value of life, a deranged, sadistic serial killer abducts the morally wayward. Once captured, they must face impossible choices in a horrific game of survival. The victims must fight to win their lives back or die trying...
Starring: Leigh Whannell, Cary Elwes, Danny Glover, Monica Potter, Michael EmersonHorror | 100% |
Thriller | 70% |
Mystery | 18% |
Crime | 16% |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English, English SDH, Spanish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
4K Ultra HD
Slipcover in original pressing
Region B (A, C untested)
Movie | 3.5 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 5.0 | |
Overall | 4.0 |
Note: This version of this film is available on Blu-ray as part of Via Vision Entertainment's Saw: The Ultimate Collection 4K.
Nothing screams the holiday season like the Saw franchise, am I right? (At least if the emphasis is on screaming.) Via Vision
Entertainment is
offering fans of the series some rather luxe packaging, but a release that is a bit odd in that it combines 4K UHD and 1080 offerings of the Saw
films. The release more or less duplicates the releases that fans on this side of several ponds have seen, and so relevant portions of
reviews I've personally written may be reprinted here, and some reviews of the Via Vision releases may contain further links to Region A reviews I
didn't have a hand in.
Note: Screenshots are sourced from the 1080 disc, and just for clarity's sake since this package has a somewhat unusual assortment of 4K
UHD and 1080 discs, there are both formats offered.
Saw is presented in 4K UHD courtesy of Lionsgate Films with a 2160p transfer in 1.85:1 (it's worth noting that the old Lionsgate 1080 Blu-
ray was in 1.78:1). Since this release also includes a 1080 version
which is different from the original Blu-ray release from Lionsgate, I'll attempt to address both transfers. As can be made out by comparing
selected screenshots, this 1080 version is at times noticeably if still kind of subtly brighter and less skewed toward blue than the old Lionsgate
release (compare
the first screenshot in this review with the first screenshot in Marty's review to see just one example of what I'm talking about), though
that said, there are still obviously a prevalence of blue tones throughout both the 1080 and 2160 presentations, especially in the "prisoner" scenes,
but
also with regard to some of the hospital material told via flashback. And in fact the 2160 version did look a bit more blue to my eyes than the 1080
version, though still
not quite as cool as the original 1080 release. Conversely, however, select scenes look a bit darker and better suffused than the original
1080
version (see the screenshot of Danny Glover looking toward the left in both reviews). That Glover screenshot brings up another interesting
difference, in that the almost sickly green tones that are also frequently utilized in the film attain a slightly garish, yellowed quality now, something
that's especially evident in the 2160
version. The palette continues to show variances from the first Blu-ray release, and may really show its full colors in more ways than one in some of
the more naturally lit and graded scenes, as in some of the home scenes with the Elwes character and his family. Kind of funnily, despite a number
of pretty aggressive grading choices, blood reds still maintain visceral levels of vividness throughout the presentation. Marty was less than
enthusiastic about the old Lionsgate disc's
overall video quality, but mentioned a
lack of shadow detail and inadequate blacks hounding that release, and in my estimation, both of those aspects are markedly improved in both the
1080 and 2160 versions included in this release. The uptick in shadow detail in the 4K UHD version in particular is fairly remarkable at times, with,
for
example, at least marginally more discernable information in the frame in the very opening scene in the bathtub. Despite an obviously very
gritty looking grainfield (which has just hints of a blue pixellated quality at times), detail levels are surprisingly fulsome, once again noticeably
improved in the 4K UHD version. Fine detail on textures, even including supposedly "smooth" items like the ankle clasps the two focal characters are
burdened with, is typically excellent.
Both the 1080 and 2160 discs in this release offer a fantastic sounding Dolby Atmos track. From virtually the get go, with the gurgling water noises and slight silvery effect that wafts through the soundstage, this is a dynamic and spookily immersive track. There are a number of great moments where the Atmos channels definitely add to the almost delirious feeling of the story, with two real standouts being the "Paul" sequence (the guy in the razor wire) and the "Amanda" sequence (the girl in the jaw contraption). The Amanda sequence in particular offers a swirling array of effects that seems to float (albeit aggressively) up and around the listener. There's also some good directionality in dialogue scenes, as in Elwes' first line nicely emanating from the rear channels. Even simple effects like the squeak of the tricycle attain a nice level of creepiness. Dialogue is rendered cleanly and clearly throughout this problem free track. Optional English, English SDH and Spanish subtitles are available.
4K UHD Disc Supplements
I am admittedly not a huge fan of horror films in general, and tend to be even less so of efforts like Saw, but I've always appreciated the central premise of this first film, even if some of the sidebar material is almost unintentionally funny (to me, anyway) at times. Saw has never been a "pretty" film by any means (and, really, how could it be, considering its often gruesome subject matter?), but both the 1080 and 2160 versions included in this release really show the film off to its best advantage. The Atmos track is also very enjoyable, and Lionsgate has made this even more alluring by including some nice supplemental material. For those who didn't pick up the Region A release and who are intrigued by this release's packaging, this comes Recommended.
(Still not reliable for this title)
2005
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2017
2010
2013
The Director's Cut
2007
2013
2005
Beyond Genres #17
1988
2009
2007
Scre4m
2011
2005
Uncut | Director's Cut
2013
2012
2008