7.3 | / 10 |
Users | 4.5 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Tony is an uneducated Brooklyn teenager. The highlight of his week is going to the local disco, where he is the king of the dancefloor. Tony meets Stephanie at the disco and they agree to dance together in a competition. Stephanie resists Tony's attempts to romance her, as she aspires to greater things; she is moving across the river to Manhattan. Gradually, Tony also becomes disillusioned with the life he is leading and he and Stephanie decide to help one another to start afresh.
Starring: John Travolta, Karen Lynn Gorney, Barry Miller (I), Joseph Cali, Paul PapeRomance | 100% |
Musical | 72% |
Drama | 19% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby TrueHD 5.1 (48kHz, 24-bit)
French: Dolby Digital 5.1 (640 kbps)
Spanish: Dolby Digital Mono (224 kbps)
English, English SDH, French, Portuguese, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.5 | |
Video | 3.0 | |
Audio | 3.0 | |
Extras | 2.5 | |
Overall | 4.0 |
I always thought that Saturday Night Fever was corny as heck as a movie. I
thought that the most iconic image of the movie (Travolta with his arm pointed at a 45
degree angle with a lot of gold chains and white three piece leisure suit) was the most
corny and uncool things about the picture. I never wore Angel Flights pants, bell bottoms, or
any other symbolic 70's clothing as I was probably too young to do so, or appreciate the
fashion of that era. Being from New York City, my images of that era focused around studio
54, all its excesses, its popularity, and star studded cliques that I just could not relate to. To
me, Tony Manero was a loser adorn in gold chains (not uncommon for that era) and a cheap
polyester suit, going nowhere, not wanted or striving for anything. It is just this perceive
weakness that makes this movie strong and interesting. Considering that this was pre-
AIDS, where it was cool to dance and party all night, wake up not knowing where you are or
what you did; or whom you were with. Many embraced this lifestyle, which explains the
popularity of this film. Audiences of that period can relate to the euphoric escapism that
disco seemed to offer. However my experience of that period and of Brooklyn itself seems to
have a slight disconnect. Nobody I knew in Brooklyn thought that this film was even
remotely cool, or a realistic view of that period in that location. They viewed the film as
campy and made up by a group of elite that did not represent them at all. Many believed
that this flick was made to capitalize on the popularity of disco music and the disco lifestyle,
and nothing more than that. It would be only a few years after the films release that the
key scenes of this movie would be mocked and parodied endless much to the dismay of
disco lovers.
Starring 22 year old John Travolta whose popularity rested on a four year stint as Vinnie
Barbarino in Welcome Back Kotter, Travolta shows off his dancing skills to the hilt in
this flick. His moves and look spawned a fashion and dancing craze that lasted for years
after the film closed in theaters world wide. White leisure suits and polyester based clothes
enjoyed popularity for years as well. What I liked about this movie is its frank honesty in the
portrayal of characters of that period off the dance floor. Tony and his pals are casual but
flagrant racists and misogynist, who smoke too much and do drugs on the side. It is this
juxtaposition to the dancing that makes this movie an interesting watch. These guys were
doing the things that were actually done back in that day, which makes guys like me relate
even if I did not do them myself. You would never see this lifestyle portrayed on television,
or any other mainstream source. As a New Yorker, you knew it was there, even if not
widespread. This movie is definitely worth the watch, even if you want to make fun of it, or
cannot relate to it personally.
Saturday Night Fever dances onto the Blu-ray format in a 1080p/AVC encode, framed in a 1:85:1 aspect ratio. I was completely taken by surprise at how good this 31 year old flick looks. I have seen this movie in so many incarnations, on television, DVD, and even at the theater in its 20th anniversary presentation, and it never looked this good. This is truly a 70's flick complete with diffusion filters, soft light, and dull colors. Filmed in spherical Panavision the source is clean, dirt and blemish free, with grain that is well managed and never obtrusive. Colors are well balanced with well saturated primaries and no bleeding. Flesh tones are realistic, have excellent texture, and without the push toward too much red. Detail is excellent in facial features and clothing, and close ups are particularly impressive. Wide angle shots are variable in the level of detail rendered, but they are always clean and clear. I found the details in interior shots of the club to be fuzzy in the background, but clean and clear in the foreground. I would attribute that to the low lighting and the diffusive filtering applied to the images. Blacks are noise free and deep without being crushed. Contrast is excellent which helps colors pop during bright scenes. The movie looks very good for its age, and Paramount should be congratulated for their fine work on this film.
Presented in Dolby TrueHD 5.1 surround at a 24/48 kHz bit and sample rate, Saturday Night Fever sounds impressive for a 70's movie production. The music really benefits from this encoding as the Bee Gee's music sounds terrific, and really sparkles in remixed 5.1 surround sound. It has more midrange weight, high frequency detail, and clean punchy low bass than I have heard in past releases. I found dynamics to be a bit constrained, dialog a bit canned and lacking weight, but always intelligible. The sound field opens up during the musical numbers, as they benefit from the use of the surround channels. The frontal soundstage has good lateral separation and excellent clarity. To be fair, this is a 70's sound track, and it will never sound as good as sound track recently mixed. Overall I thought this sound track sounded pretty darn good for its age.
Commentary by Director John Badham
Pop-up trivia - 70's Discopedia is a pop of track that is fun and easy to watch.
Documentary: Catching the Fever (HD 75 minutes total running time) is broken
down in the following segments:
A 30 year legacy (15 minutes)
Making soundtrack history (12 minutes)
Platforms and polyester (10 minutes)
Deejays and disc (10 minutes)
Spotlight on Travolta (3 minutes)
(HD) Featurette: Back to Bay Ridge (9 minutes) hosted by Joe Cali
(HD) Featurette: Dance like Travolta and John Cassese (9 minutes)
(HD) Featurette: Fever challenge – Interactive feature
Deleted scenes feature three deleted scenes with commentary by John Badham.
I always thought Saturday Night Fever was a corny movie, even when I was a kid. I thought disco was cliché, disco fashion horrific, and Travolta's dance moves so staged they looked weird. I didn't know anyone who would go to a dance club and break out with moves like his. However I do like the music of the Bee Gee's, which is why I have watched this movie over and over again. I liked what took place off the dance floor, as it looked real and credible for the place and time it portrays. This film looks and sounds incredible on this Blu-ray disc, better than I have ever seen and heard it before. Despite the fact this video presentation has already been released on DVD, I highly recommend getting this Blu-ray release, and ditching the DVD altogether. It is a better representation of this film, and can truly be called a "definitive" release.
+ Director's Cut on Blu-ray
1977
Director's Cut | Super Deluxe Edition | Blu-ray+CD+LP
1977
1977
Paramount 100th Anniversary
1977
1977
Director's Cut
1977
50th Anniversary Edition
1961
2014
2005
2007
Limited Edition to 3000 - SOLD OUT
1975
1945
Warner Archive Collection
1951
1964
Warner Archive Collection
1929
1958
1976
2011
2010
2009
1954
1996
1944
1956
2001
1980