6.1 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Countess Edna Luise Von Stein keeps her disturbed sister Milly prisoner. Confined to her bed, Milly suffers from a deep sexual trauma resulting from being raped as a child by a man after she had surprised him and her sister in bed. Edna and her accomplice Dr. Barrios have hatched a plot to have Milly declared insane. Over the years Barrios has been injecting Milly with a drug that has turned her into a nymphomaniac. Milly's only hope is Joe, the only one of her numerous lovers to have ever succeeded in pleasuring her, who has fallen in love with her. Will he succeed in rescuing her from Edna and Barrios, and will Milly be able to live a normal life?
Starring: Karine Gambier, Pamela Stanford, Jack Taylor (II), Esther Moser, Marianne Graf| Horror | Uncertain |
| Erotic | Uncertain |
| Thriller | Uncertain |
| Crime | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Digital 2.0
German: Dolby Digital 2.0
English: Dolby Digital 5.1
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 3.0 | |
| Audio | 3.5 | |
| Extras | 4.0 | |
| Overall | 3.5 |
The second title (sort of, more on that later) from Delirium Home Video, 1977's 'Satanic Sisters' (aka "Sexy Sisters", aka Die Die Teuflischen
Schwestern") arrives on Blu-ray disc for the first time in North America. Directed by the infamous Jess Franco ('She Killed in Ecstasy', 'Female
Vampire'), the film stars frequent Franoc collaborator Pamela Stanford ('Lorna, the Exorcist', Nathalie: Escape from Hell'), French adult film actress
Karine Gambier ('Gefangene Frauen', 'Women in Cellblock 9'), Jack Taylor ('Dr. Jekyll vs. The Werewolf') and Erik Falk ('Rolls Royce Baby'). The release
features a host of on-disc supplemental materials that are highlighted by a piece contributed by author and leading Francophile Stephen Thrower. A
slipcover is also included.
Since I first published the review of Delirium's initial title, 1975's Rolls Royce Baby, there have been some developments in terms of Delirium's releases and their
distribution. Per an official announcement, they have entered into an agreement with an exclusive distributor and as such, both Rolls Royce
Baby and Satanic Sisters have been discontinued. But fear not! There are still some copies of these releases to be found in the wild, and
collectors and fans who missed either or both of those two titles will see them re-released at an undisclosed future date, and both will include new art
and special features. The next title in line though, the Lin Romay tour de force Doriana Gray will be the first title to be released in line with
these new specifications and the exclusive distributor. However, even though another release is forthcoming, in the name of being thorough, I'll be
taking at look at this release as I did with Rolls Royce Baby.


While Delirium's first title, Rolls Royce Baby
, had a relatively consistently healthy-looking 1080p transfer, the same unfortunately doesn't hold true for Satanic Sisters. As with the
Ascot release of the title from some years ago, the early goings, approximately the first 25 minutes or so, fare the worst. Here, flesh tones veer from
vintage but healthy looks, to reddish, to washed-out. Day-for-night shots are problematic here as well, reading far darker than they should. One such
scene, where Pamela Stanford and Kurt Meinicke (Joe) park in his VW to become better acquainted, sees the picture take on a yellowish hue. Here
softness invades, and crush is also an issue. When taking some time to bounce back and forth between this disc and Ascot's release from 2013, I
noticed that their disc struggled in these moments also, just not quite as much. On that disc, the scene in the car softens and shadow consumes much
of the detail, but the colors remain closer to true. When back at Edna and Milicent's home, Meinicke's face still darkens on the Ascot disc, but does not
mimic the very deep red that is visible on the Delirium disc.
That aside, outside of those opening two reels, the rest of the film is much in line with what one would expect from a lower-budget production from the
1970s and things improve quite a bit. There is the odd missing frame, minor damage, an instance of flickering, and the like. But on the whole, colors
are much more stable, residing within an acceptable but slightly washed-out palette that again, is in keeping with films of the era that have not
undergone massive restoration. Skin tones improve. There is still some variance from scene to scene, but on the whole, they look much healthier and
realistic which is important for a film with such a significant amount of its runtime devoted to soft-core couplings. Fine detail also comes into focus
much more with fine lines, wrinkles, hairstyle particulars, and other elements of the actors' appearances being open for investigation, and are
particularly so in the close-ups of which Franco was fond. Darker areas of Edna and Milicent's home can be deep, but can also absorb detail. Given its
age and its origin, it's a solid enough transfer.

Satanic Sisters is outfitted with a pair of English Audio options, a Dolby Digital 2.0 track, and a Dolby Digital 5.1 track. The primary difference between the two isn't as dramatic as one might expect in terms of immersion. After lending support to the music during the opening club scene, surrounds are infrequently used on the 5.1 track in this front-heavy affair. Dialogue on the 5.1 track, though, can have an echoey presence which can be a bit distracting. As a result, with regard to the English tracks, I spent more time with the 2.0 track which preforms well enough and is more fitting for the film given both its era and its roots. Music is well-rendered, and Baumgartner's score shines. Dialogue is clean and intelligible, as are the frequent moans and sighs. Dubs can sometimes be a dodgy proposition, and though some prefer them to reading subtitles, the voices used for the English dub seem ill-fitting to my ear. The German 2.0 track is perhaps even cleaner than the English 2.0 track, and the greatest difference between this 2.0 track and the English 2.0 track is that the volume of the score is noticeably lower on the German track while it can be more forceful on the English dub. That isn't to say that music isn't allowed to dominate, but such moments are more carefully selected, such as when Milicent and her nurse play in the sea, where the score swells while they're in the water and diminishes when they return to shore so that dialogue can again be in the forefront. After spending time with all three, I found the German 2.0 track to be my favorite. Dialogue here is the focus, and is largely without defect. Music is precise and kept largely in the background. Sound effects such as footsteps, seagulls, waves, and the like are era-appropriate. Every viewer has their own taste, but for me, the German 2.0 track is the one I will consistently select for all future viewings.


Franco's work may not be for everyone, but the Erwin C. Dietrich financed and influenced Satanic Sisters is one of the more approachable and conventional of the director's work. Many of Franco's tendencies are on display here, make no mistake, including the opening scene with a largely mute audience paying rapt attention to a small stage show, the blurring of dream and reality, and a number of familiar faces from his other films. Pamela Stanford and Karine Gambier easily carry the film and command the viewer's attention in every scene. While it may not make every Franco fan's list of the director's top-tier films, it's certainly on mine, and Delirium's disc is fairly solid. Outfitted with a healthy assortment of on-disc supplemental material highlighted by Dennis Daniel's commentary and a segment with Stephen Thrower (which alone probably justify the purchase even for those who won the Ascot disc), Satanic Sisters comes recommended to Franco's fans and the Franco-curious.
(Still not reliable for this title)

1976

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1973

1970

Last House on Dead End Street
1977

Night of 1000 Sexes / Mil sexos tiene la noche
1984

Kino Cult #41
1976

1970

1995

2013

1961

Beverly Hills Corpse
1989

Limited Edition - 1,200 copies | SOLD OUT
1987

1971

2017

Temptress
1995

La comtesse noire
1973

1972

L'éventreur de Notre-Dame
1974

1989

1971