7 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Unseen satanic forces terrorize a young married couple in their new home.
Starring: Sally Schermerhorn, Jimmy Drankovitch, Jane August, Reggie De Morton, Michelene Alexander| Horror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1
Original aspect ratio: 1.33:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region free
| Movie | 1.5 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 3.0 | |
| Overall | 3.0 |
Bart La Rue was a working actor during the 1960s and ‘70s, trying to land choice parts like so many of his peers. He had the benefit of a defined speaking voice, but not much luck when it came to professional success, handling small parts on television shows such as “The Brady Bunch,” “Star Trek,” “Bonanza,” and “Mission: Impossible.” La Rue also tried his luck in filmmaking, launching directorial ambitions with 1975’s “The Ark of Noah,” playing into the decade’s interest in documentaries about strange phenomena and legends. His helming career promptly died with 1979’s “Satan War,” and perhaps for good reason. La Rue attempts to follow the Satanic Panic trends of the decade during this take on a haunted house tale, observing a married couple and their minimal efforts to do something about an evil presence that won’t exit their newly purchased home. “Satan War” is a no- budget offering from La Rue, who doesn’t have a story to share with the endeavor, just ideas for haunted moments. It’s a long journey with the characters and their inability to accept obvious doom, and La Rue is in no rush to get anywhere in the picture, making for a painfully dull sit.


The AVC encoded image (1.33:1 aspect ratio) presentation opens with an information card explaining that "Satan War" was "restored from the only surviving 16mm answer print," and that "the restoration contains a brief jump cut, as well as an abrupt ending – both of which are present in the original elements." The viewing experience is pushed as far as possible here, with delineation struggling throughout, having a bit of trouble preserving frame information in limited lighting. Shadowy events slide into solidification at times, but well-illumined cinematography is acceptable, allowing for a mild appreciation of the living space and the characters, who retain a softer sense of detail. Color is passable, finding skin tones running a bit too red, but evil events, such as mint green gunk, appear to register as intended. Costuming and interior decoration add some varied hues, and a golden crucifix is defined. Source is in decent shape, with a few hairs and points of damage.

The 2.0 DTS-HD sound mix offers a basic sense of dialogue exchanges, with dubbed performances sometimes struggling with clarity due to age issues and technical limitations. Sibilance issues carry throughout the listening event. Scoring is a bit fuzzy but appreciable, with a louder synth presence that repeats ad nauseum during the movie. Sound effects are basic.


There's no war in "Satan War," as that would cost money, and La Rue isn't interested in spending the cash to create actual conflict in the feature. Heck, we don't even meet Louise and Bill's neighbors, who might actually have some information to share on the history of the house. Instead of energy, "Satan War" supplies general sleepiness, as La Rue doesn't have anything to offer in the ways of creepiness. The haunted house aspects of the endeavor never carry with authority, leading to something of a non-ending. And an overall sense of evil isn't prioritized by La Rue, who invests in goop, not gore, creating an uneventful viewing experience.

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Slipcover in Original Pressing
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