7.3 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
During World War II, a marine sergeant must turn his recruits into fighting men.
Starring: John Wayne, John Agar, Adele Mara, Forrest Tucker, Wally Cassell| War | Uncertain |
| Romance | Uncertain |
| Drama | Uncertain |
| Action | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region A (locked)
| Movie | 5.0 | |
| Video | 4.5 | |
| Audio | 5.0 | |
| Extras | 3.0 | |
| Overall | 4.5 |
Allan Dwan's "Sands of Iwo Jima" (1949) arrives on 4K Blu-ray courtesy of Kino Lorber. The supplemental features on the release include new audio commentary by critic Steve Mitchell and critic and author Steven Jay Rubin; archival program on the making of the film with Leonard Maltin; and vintage trailer. In English, with optional English SDH subtitles for the main feature. Region-Free.

"You gotta learn right and you gotta learn fast. Before I'm through with you, you're gonna move like one man and think like one man. If you don't, you'll be dead."

Kino Lorber's release of Sands of Iwo Jima is a 4K Blu-ray/Blu-ray combo pack. The 4K Blu-ray is Region-Free. However, the Blu-ray is Region-A "locked".
Please note that some of the screencaptures included with this article are taken from the 4K Blu-ray disc and downscaled to 1080p. Therefore, they do not accurately reflect the quality of the 4K content on the 4K Blu-ray disc.
Screencaptures #1-29 are from the Blu-ray.
Screencaptures #32-40 are from the 4K Blu-ray.
Sands of Iwo Jima made its high-definition debut with this Blu-ray release, produced by Olive Films, in 2014. I have it in my library and think that it offers a somewhat dated but still very nice organic presentation of the film. This combo pack introduces a 4K restoration sourced from the film's original camera negative, which was finalized at Paramount Pictures. In native 4K, the 4K restoration can be viewed with Dolby Vision and HDR grades. I chose to view it with HDR.
I liked what I saw on my system a lot. In fact, I think that the 4K restoration looks equally impressive in 1080p on the Blu-ray, so if you do not have a 4K system and wonder whether you should consider upgrading your original Blu-ray release, the answer is a very enthusiastic yes. I projected the film in 1080p and could not have been any happier with its appearance.
In native 4K, virtually all of the original footage looks sharper and better detailed, revealing superior ranges of shadow and background nuances, too. Depth tends to be quite a bit better as well. The grayscale is excellent. Blacks are rich, but never appearing boosted, and grays and white are nicely balanced. All blacks, grays, and whites look equally healthy. There are no traces of any problematic digital corrections. Obviously, the archival footage retains all native limitations, so you will still see the same softness, fluctuating delineation and clarity, and various surface imperfections. The minor bumps affecting stability are also retained. I tested several areas in native 4K and 1080p to see how the HDR grade handles darker material and some of the inconsistencies in quality that are mentioned above. The original footage can look outstanding, regardless of lighting conditions. However, one can probably successfully argue that the HDR grade tends to exacerbate the transitions between the original and archival footage. Of course, given how the film was shot and edited, this is hardly surprising. Lastly, I did notice a few blemishes during the original footage, which a technician easily could have eliminated. All in all, the 4K restoration is very impressive and looks great in native 4K and 1080p. My score is 4.75/5.00.

There is only one standard audio track on this release: English DTS-HD Master Audio 2.0. Optional English SDH subtitles are provided for the main feature.
Critiquing the quality of the lossless audio is a tricky business. If you exclude the action footage, all exchanges are predictably easy to follow, and there are no balance issues to report. However, the action footage, which has the archival inserts, reveals plenty of unevenness that can affect clarity, sharpness, depth, and even stability. These are inherited limitations, and they were also retained on the lossless track from the previous Blu-ray release of Sands of Iwo Jima. However, even in these action-heavy areas, now sharpness and clarity appear improved. I even felt that depth is a bit more pronounced. This said, the original soundtrack still has the type of dynamic limitations you would expect from a film that was shot in the late 1940s. Unlike the original Blu-ray release, this release offers optional English SDH subtitles.

4K BLU-RAY DISC

The list of great war films that have borrowed something from Allan Dwan's Sands of Iwo Jima is massive. For his performance in it, John Wayne earned his first Oscar nomination, which for my money recognizes one of his most iconic cinematic transformations. Kino Lorber's combo pack introduces a fantastic 4K restoration of Sands of Iwo Jima sourced from the original camera negative, recently completed on behalf of Paramount Pictures. A standalone Blu-ray release of the 4K restoration is available for purchase as well. VERY HIGHLY RECOMMENDED.

Warner Archive Collection
1955

1967

Warner Archive Collection
1945

1969

1949

1944

1959

1942

1968

Limited Edition to 3000 - SOLD OUT
1958

1978

2018

1977

1927

1970

1962

Special Edition
1958

Fragile Fox
1956

1977

2008