6.2 | / 10 |
| Users | 4.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Master diver Frank McGuire has explored the South Pacific's deep underground Esa'ala Caves for months. But when his exit is cut off in a flash flood during a hurricane, Frank's team—including his 17-year-old son Josh and financier Carl Hurley—are forced to radically alter plans. With dwindling supplies, the crew must navigate an underwater labyrinth to make it out. The unavoidable question: Can they survive?
Starring: Richard Roxburgh, Ioan Gruffudd, Rhys Wakefield, Alice Parkinson, Dan Wyllie| Action | Uncertain |
| Adventure | Uncertain |
| Thriller | Uncertain |
| Drama | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 2.5 | |
| Audio | 4.0 | |
| Extras | 4.0 | |
| Overall | 3.0 |
Just in case Neil Marshall's The Descent didn't convince you that spelunking was a terrible idea, along comes executive producer James Cameron and hand-picked director Alister Grierson's Sanctum to finish the job. Falling debris, drownings, hypothermia, rockslides, broken air canisters, claustrophobia, budding madness, climbing accidents, tragic deaths and good ol' fashioned murder (pronounced "muuuurder," with a pointed eyebrow) are just a few of the dangers brimming beneath the surface of Cameron and Grierson's underground, underwater and, yes, underwhelming quote-unquote thrill ride. The biggest shock lying in wait for the uninitiated is that the film isn't very good at all. Stale performances, stocky storytelling, water-logged dialogue, predictable twist after predictable turn, mediocre visual effects and some of the worst green screen work in recent memory... if it weren't for the film's more able-bodied second half, I'd be harsher.


I've never been a fan of Sanctum's visuals. Even in ye olde 2011, I was disappointed with the film's Blu-ray presentation. Nearly fifteen years later, I'm still nonplussed. My impression of the standard BD has sunk further, while the newly minted 4K UHD 2160p transfer you're here for has merely filled the three-star spot the Blu-ray once held. The problem isn't necessarily the 4K encode but rather the source, which has far more issues than modern cinephiles might expect. Crush is rampant, black levels rarely dip below a deep, near-midnight gray, delineation is middling, compression artifacts appear from time to time, detail is inconsistent... need I go on? What has improved is color richness (thanks to good ol' Dolby Vision enhancements) and the quality of the film's on-again, off-again grain field, which is more refined this time around. Textures are a tad more precisely resolved too, a natural benefit of the bump to 2160p, even though the presentation's other problems don't allow moments of notable detail to wow for very long. By and large, this may as well be an upscaled presentation. Oh wait, it is! Anyone surprised? Everything here is presumably an on-point representation of the original film elements. But whether the problems trace back to the 3D cameras, the difficulty of the shooting environments, or early 2010s tampering with the source, the results just don't hold up. I was hoping for something revelatory. Instead, it's redundant.

The new Shout Factory release appears to recycle the same DTS-HD Master Audio 5.1 surround track from Universal's release in 2011 (or one that's extremely similar) and it's one that faces some challenges. Sanctum's sound design isn't bad by any means, but it isn't very nuanced either. The rear speakers are teeming with bright, clean, engaging effects, but they rarely connect with other elements in the mix, leaving a slightly empty chasm in the middle of the soundfield around which all else swirls. Gushing water doesn't fill every inch of the room, it roars near the front, pours in from the rear and leaves the carpet between weirdly dry. Individual echoes don't rebound from every angle, they can be traced -- quite easily -- to the exact speaker handling each one. While it isn't distracting per se and most certainly is a product of the sound design rather than an issue with the 4K disc, audiophiles will take notice. Otherwise, there aren't really any issues of note. Dialogue is intelligible and neatly prioritized in the soundscape, LFE output infuses the film with welcome weight and intensity, and David Hirschfelder's score mimics its surroundings and surges to the forefront whenever called upon. Storms rage, waters churn, chunks of earth smash into the ground and screams pierce the air. Yes, it's all rather loud and a little turbulent. Big, dumb fun, really. But it's also assertive, eager to please and, frankly, suits the tone of the film just fine.


Nothing about Sanctum has grown on me over the last fourteen years, nor has its bump to 4K made its AV presentation something to finally write home about. Video quality is average at best, although the film's DTS-HD Master Audio 5.1 surround track remains solid and its supplemental package rather beefy. I'd skip this one and head for fresher waters, but if you've ever wondered what Cliffhanger might be like if it were moved underground and underwater (with a lesser cast and more disappointing action sequences), maybe this one is for you.

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