7.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
Filmmaker Agnès Varda presents a photographic exploration of Cuba, set in 1963.
Director: Agnès VardaForeign | 100% |
Documentary | 26% |
Short | 18% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.66:1
Original aspect ratio: 1.66:1
French: Dolby Digital Mono
English
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.0 | |
Video | 4.0 | |
Audio | 3.0 | |
Extras | 0.5 | |
Overall | 3.0 |
Note: This film is available as part of
The Complete Films of Agnès Varda.
In the wake (figurative or otherwise) of Agnès Varda’s death last year at the age of 90, quite a bit has rightfully been written about this iconic force
in
both
French and global cinema. Varda’s output includes well over fifty credits as a director (including some television entries as detailed by the
IMDb), and aside from listing some of her better known triumphs,
many obituaries and/or eulogies about Varda mentioned any number of other biographical data points, including her rather unique position as a
woman in France’s nouvelle vague movement, her own feminism which was featured none too subtly in some of her films, and her
frequently provocative experimental style. But you know what one of the things that kind of fascinates me personally most about Varda? That she
was married for 28 years to Jacques Demy, from 1962 until Demy’s death in 1990. That Varda, often a purveyor of verité infused
“realism”,
whether that be in outright documentaries or at least ostensibly more “fictional” outings, and Demy, a director whose candy colored, dreamlike and
at least relatively "Hollywoodized" musicals with
Michel Legrand brought a new luster and gloss to French cinema, managed to make a marital go of it for so long is certainly testament to the
maxim
that “opposites attract”, even if those oppositional forces in this instance played out at least in part in terms of what kinds of films the two were
often
best remembered for. If Varda's long marriage to Demy is more than enough reason to celebrate her personal life, her professional life is
beautifully
feted in this rather astounding new set from Criterion, which aggregates an amazing 39 films (albeit some running as short as a few minutes) to
provide what is arguably one of the most insightful
overviews of Varda's cinematic oeuvre. Perhaps unavoidably, but also undeniably movingly, these personal and professional sides of
Varda
merge in at least some of the films in this set, including
The
Young
Girls Turn 25, The World of Jacques
Demy, Jacquot de Nantes, and The Beaches of Agnès.
Salut les Cubains is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.66:1. Some prefatory
text discloses this was shot 35mm silver color stock* in a 1.66:1 format, which was restored by Ciné Tamaris in 2014 at Laboratory Eclair, with a 2K
digital restoration from a 2K scan of the
original 35mm negative. Color grading was supervised by Agnès
. There are a few "moving pictures" in this movie, at least during the opening credits, but as discussed above, this is comprised almost
entirely out of still photographs, and so assessing it as a "movie" is a bit difficult, even if
Varda attempts to instill "motion" with her editing choices and occasional montage aspects like dissolves. Contrast and black levels are generally
consistent throughout, with an understanding that some of the photos have some inherent variances, and grain resolves naturally throughout the
presentation.
*Why the prefatory text
says color stock is a bit odd since everything is in black and white, but perhaps some verbiage from another similar release (in terms of
aspect ratio and restoration data) was ported over and not amended.
Salut les Cubains is another of the shorts in this collection granted only lossy audio, and only a lossy Dolby Digital Mono track in the original French is included. That probably suffices relatively well considering this is in essence simply a narrated series of still photos (occasional background music is on hand). Prefatory text states that E.L. Diapason restored the audio from the original 35mm magnetic mix.
This is an absolutely fascinating document of a moment in time, but as a documentary film I'm not sure it totally succeeds. Still, Varda's acute visual sense is on display throughout many of the photos included in this piece, and her political musings may either delight or enrage, depending on individual sensibilities. Video looks fine but this is another short with only lossy audio.
(Still not reliable for this title)
Ydessa, the Bears and etc.
2004
Réponse de femmes: Notre corps, notre sexe / Women Reply: Our Bodies, Our Sex
1975
1958
The So-Called Caryatids
1984
1982
1966
Along the Coast
1958
L'univers de Jacques Demy
1995
Les glaneurs et la glaneuse... deux ans après
2002
Agnès Varda: From Here to There
2011
1984
2015
You've Got Beautiful Stairs, You Know
1986
1976
Les demoiselles ont eu 25 ans
1993
2003
Oncle Yanco
1967
1968
Varda par Agnès
2019
Les fiancés du pont Mac Donald ou (Méfiez-vous des lunettes noires) / The Fiancés of the Bridge Mac Donald
1961