7.2 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Alexander Sokurov's (Mother and Son) cinematic tour-de-force follows a modern filmmaker who magically finds himself transported to the 18th century. There, he embarks on a time-traveling journey through 300 years of Russian history. Filmed with a cast of thousands, three live orchestras and an army of technicians, Russian Ark is the longest uninterrupted shot in film history, and the first feature film ever created in a single take.
Starring: Sergei Dontsov, Mariya Kuznetsova, Leonid MozgovoyForeign | 100% |
Drama | 54% |
History | 11% |
Fantasy | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
Russian: LPCM 2.0
English
50GB Blu-ray Disc
Single disc (1 BD)
Region A (locked)
Movie | 4.5 | |
Video | 3.0 | |
Audio | 4.0 | |
Extras | 3.0 | |
Overall | 4.0 |
There was significant buzz earlier this year regarding the uninterrupted 17-minute opening shot of Alfonso Cuarón's Gravity. As impressive as it
may be, it pales next to the logistical and artistic feat that is Alexander Sokurov's Russian Ark, a 2002 period piece of sorts—or periods
piece, rather, as it spans 300 years of Russian history—that was shot in a single 96-minute take with no hidden cuts or camera trickery. Of course,
nearly all of the great directors have experimented with long takes—Hitchcock and Welles, Ophüls and Antonioni, Ozu and Tarkovsky—but Sokurov's
commitment to the concept is almost unparalleled, largely because Russian Ark's form and content are so perfectly attuned. The technical
accomplishment and the film's thematic underpinnings are inseparable.
The film is, at its simplest, a guided tour of St. Petersburg's Winter Palace, a near-endless 1,500-room baroque structure that was home to the Russian
Tsars for 140 years. Under the reign of Catherine the Great, it also housed her own personal art collection, which provided the foundation for the State
Hermitage, one of the largest museums in the world. The Hermitage is Russia's central repository of culture and history, and Sokurov envisions it as a
figurative ark, carrying the motherland's precious cargo into the icy, uneasy waters of the future.
The Romanov Family, pre-Bolshevik Revolution
Russian Ark was among the first films to be shot completely in high definition, 24fps digital video, using the revolutionary Sony HDW-F900 camera that George Lucas used on Star Wars: Episode II the same year. The video was captured uncompressed, but it's important to remember that this camera's sensor—with its lower bit-depth and susceptibility to noise—is not nearly as sensitive or dynamically capable as the ones in use today. When it comes to the film's Blu-ray presentation, it's somewhat difficult to tell what picture quality quirks are inherent in the source material, and what may have been introduced in the prepping of this 1080p/AVC encode. For example, there are several instances where banding is distinctly noticeable in what should be fine color gradients. (See the wall in the screenshot above.) Whether this is a product of the originally low bit-depth—I believe the film was only captured in 8-bit color—or whether the image was significantly compressed later is hard to say. The same goes for the picture's abundance of digital chroma noise, which tends to cover darker and brighter scenes alike. I can say this, though: having seen the film's previous DVD release, the Blu-ray is a definite improvement in every way. Overall, clarity is on the soft side—I suspect it always was—but the amount of detail visible here easily trumps the standard definition image. Color is richer too. It's amazing how far digital filmmaking has come in the past decade, and we have films like Russian Ark to thank for pushing the boundaries of what's possible with the medium.
It should come as no surprise that all of the film's audio was dubbed in post-production, allowing Sokurov to give direction on set (and Tilman Büttner to curse whenever he made a slight mistake, as he mentions in the making-of documentary). The dubbing is obvious from the first frames—the lips rarely seem to match up perfectly—but this adds, in a strange way, to the film's theater-like artifice. It works. And so does the film's uncompressed Linear PCM 2.0 track, which has a decent sense of stereo separation, strong clarity, and good range. The music, in particular, from the incidental orchestra arrangements to composer Sergey Yevtushenko's gorgeous piano theme, sounds wonderful. If you speak Russian, I imagine some of the dialogue might be hard to follow, as it often overlaps—and, in Sokurov's case, is often mumbled—but the optional English subtitles keep things clear for the rest of us.
Tour de force is an overused descriptor when it comes to cinema, but if it applies anywhere, it applies to Russian Ark, a bravura piece of filmmaking that marries technical accomplishment—the intense choreography of nailing a single 96-minute shot—with artistic insight into the soul of Russian culture. The single take premise might sound like a gimmick, but it proves to be a beautiful, dream-like way to move seamlessly through 300 years of history. There really is nothing like it, even simply as an experiment in the capabilities of early digital moviemaking. Make sure to watch the included making-of documentary to get a fuller sense of the insane logistics required to get Russian Ark seaworthy. Despite a few picture quality issues—which may or may not date to the source material—this one arrives highly recommended!
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