5.3 | / 10 |
Users | 0.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
Two dorky Nevada worm wranglers are kidnapped by a gang of beautiful women as part of a plot to steal plutonium from the Mafia.
Starring: Mike Cartel, Seeska Vandenberg, Al Valletta, Cindy Donlan, Jody Lee OlhavaMystery | 100% |
Thriller | Insignificant |
Comedy | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio Mono
None
25GB Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Region A, B (C untested)
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.0 |
There’s no possible way to describe “Runaway Nightmare” to the average viewer. It’s wild, weird bottom shelf production from writer/director Mike Cartel that seems like it was a struggle to finish. The 1982 feature appears to have an interest in comedy, action, and suspense, but no real clue how to achieve its goals, hampered by budget problems and a strange cinematic constipation from Cartel when it comes to the delivery of excitement or titillation. “Runaway Nightmare” is certainly intriguing as a surreal, Ed Wood-esque romp, but don’t sit down with it expecting anything more than B-movie shenanigans.
The AVC encoded image (1.85:1 aspect ratio) presentation brings "Runaway Nightmare" to HD in impressive fashion, pulling the title out of VHS obscurity, giving it a largely successful BD release. Grain is a major element, with waves of heaviness that aren't tightly managed, creating visual inconsistency, but it's nothing troubling, while some flicker and judder are present as well. Colors are in terrific shape, rich and stable, extending to natural skintones and desert exteriors. Blacks are also adequate, with some unstable contrast issues. Print is in impressive shape, offering only mild speckling and damage.
The 1.0 DTS-HD MA sound mix is quite appealing for a mono event. Hiss is present but unobtrusive, never crowding the extensive dubbing of the picture, with voices sounding clean and expressive. Sound effects are pronounced, carry their intended punch, while the effort's periodic use of music registers as intended, supporting without overwhelming.
"Runaway Nightmare" touches on dreamscape imagery (very Lynchian at times) and existentialism, but also offers a bar fight and a hotfoot prank, balancing out stabs at sophistication with tomfoolery. Of course, everything is nonsensical and borderline unprofessional, but Cartel seems proud of it all, which allows the film a certain comfort, making it easy to watch, even while it spins itself dizzy with half-baked ideas.
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