7.5 | / 10 |
Users | 3.5 | |
Reviewer | 4.0 | |
Overall | 3.6 |
A concert movie showing a performance by the much-loved 1973 incarnation of the Mothers of Invention. An incredible cast of musicians treat us to a selection of blistering, pointillist jazz rock, hilariously funny asides and lyrics, audience participation and freaky behaviour. Featuring Frank Zappa (guitar, vocals, mysterious hand signals), Napoleon Murphy Brock (lead vocals, saxophone, flute), George Duke (keyboards, vocals), Ruth Underwood (pyrotechnic displays of percussion mastery), Bruce Fowler (Trombone), Walt Fowler (bass), Chester Thompson (drums) and Ralph Humphrey (drums).
Starring: Frank Zappa, George Duke, Bruce Fowler, Tom Fowler, Ruth UnderwoodMusic | 100% |
Documentary | 37% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: LPCM 2.0
English: Dolby Digital 5.1
None
25GB Blu-ray Disc
Two-disc set (1 BD, 1 CD)
Region free
Movie | 4.0 | |
Video | 3.0 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 4.0 |
The phrases “Salt Lake City” and “jazz rock virtuosi” probably don’t occur at the same time to many of you, but as a kid (and burgeoning musician) growing up in Utah’s biggest burg, there were at least a few looming shadows that were pretty daunting for me. Several of those were cast by the Fowler Brothers, unbelievably gifted brass, wind and bass players who were already Utah legends by the time I was a teen, and due to their participation in the Mothers of Invention, at least one reason why Frank Zappa records were such regular items among the probably self appointed musical cognoscenti in Salt Lake back in the 1970s. (Another fantastic Salt Lake City “alum” of this era was the monster keyboardist Stu Goldberg, who went on to work in the Mahavishnu Orchestra and other John McLaughlin outfits. Stu had a band with the Fowlers called Air Pocket which put out some albums in the 1970s.) Zappa’s work was iconoclastic enough to provoke umbrage from a certain critical element who couldn’t handle his often provocative eclecticism, but anyone who has really paid attention to Zappa’s recorded output is already well aware of the man’s overwhelming genius. In fact, speaking of Salt Lake City, my University of Utah jazz theory professor was discussing Zappa one day in class and said simply, “Have you seen his manuscript [i.e., Zappa’s handwritten music scores]? That guy is a master,” a conclusion my teacher reached not just because of the musical content (which is often astounding), but also due to the precision of Zappa’s notational abilities. (There’s just one small but telling example of those abilities here.)
Roxy: The Movie is presented on Blu-ray courtesy of Grand Rights, Universal Music Group and Eagle Vision, an imprint of Eagle Rock Entertainment, with an AVC encoded 1080p transfer in 1.78:1. Editor John Albarian (who also provided the really interesting liner notes) has performed a Herculean task here, whittling down four performances into a largely seamless whole, while also reintegrating the imagery with the actual soundtrack, something that took him scores of hours to do since the "track drift" was not at a constant speed and needed to be continually adjusted. Roxy was filmed in 16mm, with (as Albarian discusses) mostly just three cameras, two stationary and one handheld, with occasional shots from a fourth that was placed far upstage. The imagery here is often captured on the fly and suffers from focus pulling problems as well as certain framing issues (shots will veer off of the subject onto inanimate objects like the floor, for example). There are also issues with alignment at times, leading to a slight fringing quality, especially in some of the close-ups of Frank taken from stage left. Sharpness is frankly only so-so throughout the presentation, but exacerbating this problem is the fact that it appears that at least some filtering has been applied to the release, leaving a deficit of grain and detail even in some of those close-up shots. Crush is also a recurrent issue, with the band's dark clothing often merging completely with the darkened upstage or wings areas. There's also occasional damage in the form of scratches and other mars (see the large red line bisecting Bruce Fowler's face and body in screenshot 2 for just one example). This is never less than watchable, but it's a relic of its time that has also perhaps been put through the processing mill a bit too aggressively.
Roxy: The Movie features a boisterous LPCM 2.0 stereo track, but for whatever reason the included surround 5.1 iteration is presented in lossy Dolby Digital, a choice that will no doubt disappoint some ardent audiophiles. The 5.1 track does open things up, while also perhaps not offering quite as much on the low end as might be desired. The 2.0 track is quite vivid and nicely detailed, offering crisp reproduction of the multilayered percussion that Zappa favors in several tunes, as well as more traditional sonic elements like Zappa's own blistering guitar solos or some of the great keyboard work by George Duke. Fidelity is top notch and there are no damage problems of any kind to report.
Supplements are found under the Yes & But Also Menu on the disc:
- Pygmy Twylyte
- The Idiot Bastard Son
- Dickie's Such an Asshole
Gail Zappa sadly passed just as Roxy was screening in its revitalized state and this Blu-ray was about to hit the market. Gail provides some sweet additional liner notes here, but the entire Zappa family can be justifiably proud that Frank's amazing music and live performances continue to thrill fans to this day. There are some issues with video quality here that are at least partially understandable, and some audio aficionados will quibble about the lack of a lossless surround track, but the historical importance of this release not to mention the sheer unadulterated genius of Zappa's music tend to ameliorate any concerns. Highly recommended.
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