6.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.0 | |
| Overall | 2.0 |
A young female doctor and her 6-year-old daughter are on an overnight flight in a violent storm. When passengers on the half-empty plane inexplicably begin to die, the woman’s grip on reality weakens and she is forced to relive her worst childhood nightmare.
Starring: Svetlana Ivanova, Wolfgang Cerny, Marta Kessler, Ekaterina Vilkova, Anatoly Kot| Horror | 100% |
| Thriller | Insignificant |
| Foreign | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
Russian: DTS-HD Master Audio 5.1
Russian: Dolby Digital 2.0
English: DTS-HD Master Audio 5.1
English: Dolby Digital 2.0
English
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A, B (C untested)
| Movie | 2.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 2.0 |
Katerina (Svetlana Ivanova) is perhaps appropriately a traveler who goes where no (wo)man has gone before, which may explain why some may
sense what might be termed echoes of, or at least tangential references to, both/either Star
Trek The Original Series and/or Star Trek: The Next Generation - The Complete Series if they watch this supposed supernaturally suffused thriller. A
few
years before he attained a certain type of immortality as one James T. Kirk in the original Star Trek, William Shatner appeared in the
memorably spooky Nightmare at 20000 Feet * episode from The Twilight Zone: Season 5, and for one of those aforementioned echoes, I'd simply refer you to this film's key art,
reproduced on the cover image linked to above. Kind of weirdly, another episode from the fifth season of a long running series provides the other
echo, in this case the equally memorable The Inner Light episode from Star Trek: The Next Generation, Season 5, where Jean-Luc Picard (Patrick Stewart) suddenly
finds himself living the entire life of a character named Kamin for reasons which are detailed in the closing "Moishe the Explainer" moments of the
story. Those might seem like almost preposterously variant "echoes", but that in and of itself may help to elucidate why Row 19 is such a
strange and ultimately unsatisfying tale.
*Somewhat hilariously (at least for those of us with jaded senses of humor), this film's tagline as reproduced under the title on the front cover is
"Evil at 30,000 Feet", as if the creative staff were telling Rod Serling and Richard Matheson, "Hold my beer".


Row 19 is presented on Blu-ray courtesy of Well Go USA with an AVC encoded 1080p transfer in 2.39:1. I haven't been able to find any authoritative data on the shoot, and the IMdb unfortunately doesn't offer any, but this is a competently captured feature that I assume had a 2K DI. The biggest deficit here is probably in the CGI, which is reasonably effective, but has a few "iffy" moments. Otherwise, though, the imagery is typically sharp and clear with some nice fine detail levels (look at the headrest linen in screenshot 1, just for one example). While the interior of the fuselage gets lit in any number of peculiar ways, actual grading is minimal and helps to give the palette a natural look. I noticed no compression anomalies other than what looks like slight artifacts in some of the CGI.

Row 19 follows Well Go USA's frequent tradition of offering DTS-HD Master Audio 5.1 and Dolby Digital 2.0 options in both the original language (in this case Russian) and an English dub. I toggled between the DTS-HD Master Audio 5.1 tracks and noticed no differences between mixes other than language, but I spent most of my time on the original Russian mix. This has some nicely robust moments, though they can be intermittent. As Katerina seems to be experiencing a mental breakdown, there are some quasi-hallucinatory audio effects that ricochet through the side and rear channels and help to achieve a kind of subliminal eeriness. The plane crash is largely elided, but there are some other moments of brief LFE that can provide something akin to startle effects. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available.


Vis a vis any perceived "Russian" angle to this film, kind of interestingly and to my memory uniquely in my reviewing life, Well Go USA actually reached out to me (and I assume every other reviewer on their PR list) to ask that their release of The Pilot: A Battle for Survival not be covered in the wake of Russia's invasion of Ukraine. I guess maybe that makes sense in that The Pilot: A Battle for Survival glorifies a Russian World War II hero, but in a way I'd argue that there's perhaps more of a "Russian Soul" at play just beneath the surface of Row 19 than is in The Pilot: A Battle for Survival (which I had actually watched before I got Well Go USA's request). Unfortunately that element is flummoxed by a confusing, inadequate screenplay that ends up leaving more questions than answers by the time the expected "big twist" is doled out. Technical merits are generally solid for anyone who may be considering making a purchase.
(Still not reliable for this title)

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