6.1 | / 10 |
Users | 3.0 | |
Reviewer | 2.0 | |
Overall | 2.0 |
Alex Murphy is Robocop, a cybernetic policeman. A creation of a vast corporation, he fights crime and occasional corporate conspiracy in the near-future of Old Detroit.
Starring: Richard Eden, Yvette Nipar, Blu Mankuma, Andrea Roth, David Gardner (I)Sci-Fi | Insignificant |
Crime | Insignificant |
Adventure | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p (upconverted)
Aspect ratio: 1.77:1
Original aspect ratio: 1.33:1
English: LPCM 2.0
None
Blu-ray Disc
Five-disc set (5 BDs)
Region free
Movie | 2.0 | |
Video | 1.0 | |
Audio | 3.0 | |
Extras | 1.5 | |
Overall | 2.0 |
Paul Verhoeven's maiden American feature RoboCop (1987) was a surprise critical success and unexpected box-office smash, taking in more than $53 million domestic receipts. Orion Pictures looked to expand the RoboCop franchise by widening its demographic base so it teamed with Marvel on a twelve-episode cartoon series the following year. (The series is highly deserving of a Blu-ray release.) Orion also distributed RoboCop 2 (1990) and RoboCop 3 (1993) but neither was the critical or commercial success that the inaugural film was. When Orion was going bankrupt in the early '90s, John Labatt’s Skyvision Entertainment was at the forefront of a bidding war to secure the rights for a live-action TV series. “We went after Orion for about six months until they agreed to sell it to us” series executive producer (with Kevin Gillis and Steve Downing) Brian Ross was quoted by Kate O’Hare of Tribune Media Services as saying. The press notes for the series state that when original scribes Edward Neumeier and Michael Miner learned of the Orion-Skyvision deal, they wanted to get involved. Neumeier and Miner co-wrote a script to a RoboCop sequel which went in a different direction than what Orion wanted for RoboCop 2. The screenwriters took parts of this unproduced script and made it into a teleplay which became “The Future of Law Enforcement,” the series' two-hour pilot.
The Ottawa Citizen's Tony Atherton reported that with a budget of $32.5 million, RoboCop: The Series was the most expensive Canadian TV production up to that point. James Van Hise has chronicled in his 1994 book, The New SCI FI TV (Pioneer Books), that the series started filming in October 1993. The pilot was filmed in 24 days of main unit and 12 days of second unit. The pilot concluded shooting in November at a cost of $5 million. (Ten additional scripts were ready for production after shooting wrapped on the pilot.) The other 21 one-hour episodes were filmed on an eight-day schedule (an industry standard at the time) and cost between $1.25 million and 1.5 million per episode.
My research indicates that the series takes place in the year 2005. The action is set in Old Detroit which exists in the shadow of the ultra-modern Delta City. Robert John Burke, who donned the RoboSuit in RoboCop 3, told author Calum Waddell (RoboCop: The Definitive History) that he was approached by the series' producers to reprise the title role but turned them down because he felt they should go with a younger actor. Candadian thespian Richard Eden auditioned and won the coveted lead. Officer Anne Lewis (Nancy Allen) has been replaced with Det. Lisa Madigan (Yvette Nipar) as Robo's partner. Instead of being called "The Old Man," as the head of OmniConsumer Products (OCP) was referred as in the first two movies, he's now called "The Chairman." Rip Torn was apparently not asked to play OCP's CEO following the third installment. David Gardner portrays The Chairman. The affable Sgt. Stanley Parks (Blu Mankuma) fills the shoes of Sgt. Reed (Robert DoQui) from the three features. RoboCop 3's tech-savvy youngster Nikko (Remy Ryan) becomes Gadget (Sarah Campbell) in the series. Gadget is an orphan who's adopted by Sgt. Parks.
RoboCop, meet Commander Cash.
Liberation Hall has released RoboCop: The Series (1994) in a clear case that comes with a slipcover. In lieu of a leaflet, the label has instead printed an episode guide on an inner print that contains a full synopsis for each one. The series premiere and 21 episodes are distributed across five BD-50 discs. They are presented in the aspect ratio of 1.77:1, which crops and horizontally stretches the filmed 1.33:1 ratio. I have included a graphical comparison between the pilot as seen on LH versus the German-based VZ Handels GmbH transfer. As you can see, LH has cropped the image not only on the top and bottom, but also on the sides. Liberation Hall has stated that it would be too expensive to restore the picture using a new DI. It needs to be pointed out that the series was shot on celluloid and not on videotape. Van Hise quotes line producer Robert Wertheimer in his book: "The series is shot on 35mm film and conformed to tape. The production utilizes blue screen and special effects, matte paintings, traditional and computer animation" (p. 88). While the prints used for the German transfer (which differ from Liberation Hall's) could use a full-blown restoration, they're more film-like than LH, which look like analog tape. Each transfer has different color schemes. Although colors are washed out on the German, I still prefer it over LH. The latter's image boasts shimmering, chroma noise, and moiré effects.
Screenshots 1-5, 7, 9, 11, 13, 15-40 = 2022 Liberation Hall five BD-50 discs
Screenshots 6, 8, 10, 12 & 14 = 2019 VZ Handels GmbH BD-50 (second reissue of 2011 Intergroove Blu-ray)
Liberation Hall includes an English LPCM 2.0 Stereo mix (1536 kbps, 16-bit) as the sole audio track. While encoded in lossless, it sounds more like a remastered lossy mix on a DVD. Dialogue, music, and f/x are primarily front heavy throughout the episodes. There is no audible tracking noise or digital tape dropouts. Spoken words are usually always intelligible but there are no subtitling options! John Stroll and Kevin Gillis do a fine job of scoring episodes as well as adapting Basil Poledouris's RoboCop theme. Unfortunately, only one cue from their score is included on Pyramid Records' soundtrack album (the rest of the tracks are ballads). Joe Walsh and Lita Ford's "Future to This Life" is a decent country song that accompanies the end titles during the season's second half.
Much of the material Van Hise cites in his book chapter on RoboCop: The Series is derived from the original press kit and production notes. Liberation Hall has reproduced a lot of this same information on static text screens with a small "RoboVision font" that's kind of difficult to read. (Van Hise's chapter has more direct quotes from the actors and crew members.) The original promotional featurette and toy advert are the only live-action extras.
I have fonder memories of RoboCop: The Series, which I remember being better when I watched in 1994 than I do revisiting it in this set from Liberation Hall. It can't hold a candle to either RoboCop (1987) or RoboCop 2. The difference in quality between the two films and the series isn't even close. The episodes do improve after the turgid pilot but overall, they're mediocre. I like that LH has included some of the original press material but alas, there are no new bonus materials. I would seek out German's VZ Handels GmbH Blu-ray, which presents the episodes in 1:33:1 at a resolution of 576i. The authoring and compression don't matter on the LH because the episodes have all been upscaled from 480i/p to 1080p without proper remastering. While LH's DVD set presents the episodes in 1.33:1, they've been significantly cropped here to fill a 16:9 screen. A purchase should only be a consideration for RoboCop completists and those who enjoy the series.
Ultra Turbo-Charged Collector's Edition
2015
1983
1991
1977
Roger Corman's Cult Classics
1975
2020
1975
2004
1986
Roger Corman's Post Nuke Collection
1985
Roger Corman's Post Nuke Collection
1987
Roger Corman's Post Nuke Collection
1988
1991
1994
1991
Limited Edition - 2,000 copies
1983
4K Restoration | Special Edition
1987
I Come in Peace
1990
Lawnmower Man 2: Jobe's War
1996
Remastered
1994