8.3 | / 10 |
Users | 4.3 | |
Reviewer | 4.5 | |
Overall | 4.3 |
In the not-too-distant future, a Detroit police officer returns as a powerful cyborg after being dismembered by a gang of thugs.
Starring: Peter Weller, Nancy Allen, Dan O'Herlihy, Ronny Cox, Kurtwood SmithThriller | 100% |
Sci-Fi | 81% |
Action | 74% |
Crime | 44% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Spanish: DTS 5.1
French: DTS 5.1
German: DTS 5.1
Italian: DTS 5.1
Russian: DTS 5.1
Polish: Dolby Digital 5.1
Japanese: DTS-HD Master Audio Mono
Japanese: DTS 2.0
Japanese: DTS 5.1
Portuguese: Dolby Digital 5.1
Spanish: Dolby Digital 5.1 (448 kbps)
Thai: Dolby Digital 5.1
Czech: Dolby Digital 2.0
Hungarian: Dolby Digital 2.0
English SDH, French, German, Italian, Japanese, Portuguese, Spanish, Cantonese, Croatian, Czech, Danish, Dutch, Finnish, Hungarian, Mandarin (Simplified), Mandarin (Traditional), Norwegian, Polish, Russian, Slovenian, Swedish, Thai
50GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.5 | |
Video | 4.5 | |
Audio | 4.0 | |
Extras | 4.0 | |
Overall | 4.5 |
One reason for the enduring popularity of director Paul Verhoeven's first American film is the simplicity of its basic story: A man is gunned down and left for dead, but he miraculously survives and, though much changed, proceeds to hunt down the criminals who shot him and take his revenge. The same plot could be (and has been) a Western, a gangster tale or a Death Wish-style vigilante film. But in Ed Neumaier's and Michael Miner's innovative script, the story morphed into sci-fi, and the survivor was no longer a man but a cyborg with a human face and brain, while everything else was machine. The moments when the creature displays his humanity—when he showed that he was more than just "product" (as his corporate sponsor declares)—gradually became more important than the quest for revenge. Verhoeven has repeatedly told how he initially missed the rich possibilities of the material wrapped in RoboCop's sci-fi premise and threw the script on the floor (or the beach, depending on which version of the story he tells) after reading just a few pages. His wife made him take a second look, and he began thinking about the robot in Fritz Lang's Metropolis and considering images of Christ's crucifixion and resurrection. Producer Jon Davison introduced Verhoeven to just the right team, including effects wizard Phil Tippett and prosthetics specialist Rob Bottin, to build out Neumeier's and Miner's script into the many-layered classic it ultimately became. Looking back at the experience twenty-five years later, in the new Q&A session included in this Blu-ray's extras, the participants seem astounded that any of it worked. RoboCop has something for everybody: robots for science fiction fans, Verhoeven's trademark blood-and-guts for gore hounds, big action set pieces, a wickedly satirical sense of humor (especially in the news broadcast inserts) and, at its core, the moving story of Officer Alex Murphy's loss of his family and the life he lived before he was transformed into a law enforcement superhero. Add to this the pointed critique of corporate maneuvering and the pertinent questions raised about profits vs. public service, and there's a lot going on in a taut 103 minutes. RoboCop may prompt different reactions from viewers, but boredom isn't one of them.
MGM previously released RoboCop on Blu-ray in 2007 in a bare-bones presentation that has frequently been criticized, though not always for the right reason. Cinematographer Jost Vacano, a frequent Verhoeven creative partner, made the most of the film's low budget and practical sets, but RoboCop is and always will be a grainy film from the analog era, its effects created either in camera or through optical superimposition, and its TV interludes reflecting an NTSC aesthetic. Expectations have been high ever since the announcement that MGM was remastering the film for Blu-ray, starting with a 4K scan of the original camera negative. But 4K scans are not a magic bullet (despite Sony's attempt to build a marketing campaign around the name). 4K is just a number. The result on your screen depends on numerous other factors, including the condition of what's being scanned and the skill of the particular facility chosen to scan the material. And the scan itself is only the beginning. The process of color correction and cleanup must be performed by a skilled colorist overseen by someone knowledgeable about the film (usually a studio executive in charge of asset preservation). The final product must be downconverted to Blu-ray resolution, then compressed and authored. Judgment calls made at any or all of these stages can affect what reaches your display, for good or ill. Fortunately, in the case of the remastered RoboCop, the right calls seem to have been made, though I doubt the results will satisfy everyone. The TV broadcast segments are still the pre-HD low resolution image that they always have been, because that's how they were shot. The film's grainy texture remains visible. If you are the kind of viewer who objects to grain in your Blu-ray image, you may be disappointed to find that there's even more of it in the remastered RoboCop— but that's because there's so much more picture information. The new scan has picked up a wealth of fine detail in hair, skin textures, backgrounds, the elaborate RoboCop suit designed by Rob Bottin, and virtually every aspect of William Sandell's distinctive production design. For the five main screenshots accompanying this review (and several of the extra shots), I have tried to capture frames from some of the same scenes featured in the review of the 2007 release. Open them at full resolution in side-by-side browser windows for an idea of the difference between the two discs. That same comparison will demonstrate another feature of the remaster, which is a warmer and more saturated color palette. The effect is to bring out fleshtones and heighten the contrast between the messier human world of the streets and the cooler, detached environs of OCP's labs and executive suites. Lacking any definitive reference, I can't say which version is more accurate, but to my eye the remastered disc is more appealing. Blacks and contrast levels are also appropriately set, which is especially important for the critical scenes at the abandoned factory where first Murphy and then later his RoboCop alter ego confront Boddicker and his gang. The average bitrate of 27.19 Mbps is adequate for such demanding material. Here and there, I thought I spotted a few instances of compression-related noise, but they were minor and fleeting. Overall, this is a superb rendition of RoboCop in its original form, although anyone expecting a magical transformation into a contemporary work of grainless HD video will be disappointed.
RoboCop's wide release was in Dolby Surround, with a limited number of prints in a 70mm blow-up with six-track sound. The 2007 Blu-ray release offered both a lossless 5.1 remix and a lossy 4.0 track that was presumably intended to replicate the four elements of a Dolby Surround mix (left, right, center, surround). The remastered Blu-ray features only the 5.1 remix in lossless DTS-HD MA. As noted in the review of the earlier release, RoboCop's soundtrack doesn't have the extreme highs or the intense lows available in even the average mixing suite today, but it's still a lively and satisfying experience. The sound mix was nominated for an Oscar, and the sound editors, Stephen Hunter Flick and John Pospisil, won a special achievement Oscar for their clever construction of the various effects, including RoboCop's distinctive step, the whirring and chattering of his internal dynamics and the clanking mechanics of ED-209's tank-like movements. The surrounds are used sparingly but to great effect, and the score by Basil Poledouris (Conan the Barbarian) is so distinctive that it doesn't sound quite like anything else.
MGM's 2007 Blu-ray of RoboCop had only a trailer. This new version ports over nearly all of the special features included on MGM's 2004 special edition DVD (minus one trailer and a photo gallery), plus those added for the 2007 two-disc "20th Anniversary Collector's Edition". Entirely new is a 2012 Q&A, which is listed first and marked with an asterisk. Also, since I routinely criticize Fox when they format MGM's titles without a main menu or bookmarking, I should note that the remastered RoboCop has both.
Peter Weller has played a wide range of characters in his varied career, ranging from the hallucinating writer/exterminator in Naked Lunch to outright villains in 24 and Dexter to ambiguous figures such as Admiral Marcus in the recent Star Trek: Into Darkness. But RoboCop remains his signature role, and Paul Verhoeven concludes the 2012 Q&A session by paying tribute to Weller for his contribution to the film's success. In an amazingly small amount of screen time, Weller brought Alex Murphy to life. Then he brought Rob Bottin's elaborate RoboCop suit to life, with only the lower part of his face and a distinctive way of moving that he worked for months to perfect (and then had to relearn all over again, when the suit finally arrived). It's a credit to Weller's performance that the beating heart of Verhoeven's film remains this hulking metallic figure who doesn't, in fact, have a heart, just valves and hydraulics. With Weller in the suit, you know Murphy is still there, even before he does. As far as the new presentation is concerned, it's everything a true fan could want. Highly recommended.
Theatrical Cut | Unreleased
1987
Director's Cut
1987
Director's Cut
1987
VUDU Offer
1987
Remastered | Director's Cut
1987
San Diego Comic-Con 2014 Exclusive
1987
1987
Limited Edition Collectible Cover Art | Remastered | Director's Cut
1987
Remastered/ with slipcover & Poster
1987
Remastered | Director's Cut
1987
4K Restoration | Limited Edition
1987
Limited Edition
1987
1987
Limited Edition
1987
1987
Director's Cut Standard Edition
1987
2014
Collector's Edition
1993
Collector's Edition
1990
40th Anniversary Edition
1984
2008
2009
2014
1987
Ultimate Collector's Edition
1986
1987
1997
2002
2015
2018
2008
Collector's Edition
1979
The Ultimate Cut
2009
1990
10th Anniversary Edition
2012
1080i
2003