6.6 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
Things aren’t always what you expect in Riverdale. As a new school year begins, the town is reeling from the tragic death of high school golden boy Jason Blossom. The summer’s events made all-American teen Archie Andrews realize that he wants to pursue a career in music, but his fractured friendship with Jughead Jones, and Josie McCoy’s focus on her own band leaves Archie without a mentor. Meanwhile, girl-next-door Betty Cooper is not ready to reveal her true feelings for Archie, and new student, Veronica Lodge, has an undeniable spark with her crush. And then there’s Cheryl Blossom, Riverdale’s Queen Bee, who stirs up trouble amongst Archie, Betty and Veronica. But is Cheryl hiding something about the mysterious death of her twin brother, Jason?
Starring: K.J. Apa, Lili Reinhart, Camila Mendes, Cole Sprouse, Marisol NicholsTeen | 100% |
Comic book | 60% |
Drama | Insignificant |
Crime | Insignificant |
Mystery | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
BDInfo
English SDH
Blu-ray Disc
Three-disc set (3 BDs)
Region free
Movie | 3.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.5 | |
Overall | 3.5 |
Riverdale revisits the iconic if seemingly carefree world of the old Archie comics franchise, albeit with an intentionally darker edge
that includes unexpected elements like murder. That might seem to be a decidedly odd take on this particular source material, but there’s at least
one notable long ago death that has at least a tangential link to Archie, or perhaps more accurately The Archies.
One of the odder strategies employed by a major broadcast network occurred in the 1969-70 season, when ABC, perhaps desperate for viewers,
did
something previously (and in fact since) virtually unheard of for their fall schedule on Monday nights. Both ABC and CBS were struggling to
compete against ratings juggernaut Rowan & Martin's Laugh-In,
but at least CBS had dependable offerings like Gunsmoke and Here's Lucy, which were still bringing in respectable viewer numbers despite
having to go up against the crazy quasi-vaudevillian antics of the NBC comedy series. ABC on the other hand was up a veritable creek, and
decided to gamble on the “youth market” to propel two new entries that fall, The Music Scene and The New People, and further
did something very unusual in the annals of broadcast television by having each series last 45 minutes each week.
That was an
unabashed gambit that was meant to hook viewers past the opening of Laugh-In, and with The Music Scene heavily promoting
the fact that it would be featuring live performances by the biggest pop and rock music acts of the day, premiering that week's Number One
Billboard hit in the closing moments of each show (after Laugh-In had begun), it was at least an interesting marketing
strategy (even if it turned out that many Music Scene performances were lip synched, as was the general case back in those days).
Neither The Music Scene nor The New People (which was kind of a pre-Lost Lost, so to speak) managed to make it past the halfway point of that season, and while many analysts blamed
that (probably correctly) on the insurmountable phenomenon that was Laugh-In during that era, some of the creative staff on The
Music Scene posited at least one other reason for the failure: while the series offered live (and/or “Memorex”) performances by era
superstars like Three Dog Night, Janis Joplin, Crosby, Stills, Nash & Young, The 5th Dimension and Sergio Mendes & Brasil ‘66, it got off to an
unexpectedly “cartoonish” start when its “big reveal” of the week of the Number One song on the Billboard charts was repeatedly
“Sugar, Sugar” by The Archies. That song, for all its perhaps weird popularity, was not exactly the kind of tune with the sort of “rock cred” or even
“pop cred” that the show was aiming for, and the fact that the darned thing refused to leave the top spot on the Hot 100 for a virtual month meant
that host David Steinberg and his crew of daffy comedian sidekicks had to keep re-introducing it each week, arguably seeming less and less "hip"
each
time they did.
Riverdale: The Complete First Season is presented on Blu-ray courtesy of Warner Archive with an AVC encoded 1080p transfer in 1.78:1. The series tries to go for a semi-Twin Peaks aesthetic, with some stylized natural scenes, sometimes in rather drab tones, alternating with almost candy colored visions of life at high school. That said, the palette only rarely really pops throughout this season, and I found some of the saturation on the anemic side. Detail levels are routinely high, even though there are a number of nighttime sequences scattered throughout the season, where shadow detail generally holds up well. There are a couple of odd anomalies that pop up, including a bit of image instability in the establishing flyover of Riverdale that begins each episode, as well as one discussed in our forum, where there's just a flash of pixellation during Chapter Nine: La Grande Illusion.
Riverdale: The Complete First Season has an occasionally boisterous sounding DTS-HD Master Audio 5.1 track, one that derives some good sonic energy from scenes like pep rallies (with performances by Josie and the Pussycats!) or football games. Even some of the scenes in Pop's have nicely done if more subtle uses of discrete channelization to establish spatial relationships. Dialogue is rendered cleanly and clearly on this problem free track.
Note: There are no Deleted Scenes for any unlisted chapters.- Chapter One: The River's Edge (1080p; 00:20)
- Chapter Two: A Touch of Evil (1080p; 1:25)
- Chapter Three: Body Double (1080p; 00:30)
- Chapter Four: The Last Picture Show (1080p; 1:15)
- Chapter Five: Heart of Darkness (1080p; 3:07)
- Chapter Six: Faster, Pussycats! Kill! Kill! (1080p; 00:28)
- Chapter Seven: In a Lonely Place (1080p; 00:30)
- Chapter Nine: La Grande Illusion (1080p; 1:08)
- Chapter Ten: The Lost Weekend (1080p; 00;27)
- Chapter Twelve: Anatomy of a Murder (1080p; 00:56)
- Chapter Thirteen: The Sweet Hereafter (1080p; 4:12)
There's a lot to like about Riverdale, not the least of which is its sheer audaciousness in revisiting these "kinder, gentler" comic characters in a whole new context. There are some really neat little touches, like making Pop's Chok'lit Shoppe clearly modeled on the diner in Edward Hopper's Nighthawks, but dialogue in this series is often overly arch (people don't talk like that, even in comic books). This is one of those "novelistic" adaptations where seemingly every character has a convoluted backstory and equally labyrinthine interrelationships with each other, so a certain patience is required. I'm not quite sure this formulation is going to end up working in the long run (again, maybe like Twin Peaks), but for now Riverdale is kind of a fun, campy diversion. Technical merits are generally strong, and Riverdale: The Complete First Season comes Recommended.
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