6.8 | / 10 |
Users | 4.2 | |
Reviewer | 3.5 | |
Overall | 3.9 |
When Blu, a domesticated macaw from small-town Minnesota, meets the fiercely independent Jewel, he takes off on an adventure to Rio de Janeiro with this bird of his dreams.
Starring: Anne Hathaway, Jesse Eisenberg, Tracy Morgan, Leslie Mann, Jane LynchFamily | 100% |
Adventure | 90% |
Animation | 83% |
Comedy | 59% |
Musical | 26% |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1 (448 kbps)
French: Dolby Digital 5.1 (448 kbps)
English SDH, French, Spanish
50GB Blu-ray Disc
Four-disc set (2 BDs, 2 DVDs)
Digital copy (on disc)
DVD copy
BD-Live
Blu-ray 3D
Mobile features
Slipcover in original pressing
Region A (locked)
Movie | 3.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 3.0 | |
Overall | 3.5 |
I’ve decided I’m going to exhaust all my bird-related puns/metaphors in one go so as not to subject you to them for any longer than necessary. Ready?
Alright, here goes, I’m just going to wing it: Rio is a featherweight, talon-less CGI lark that never heads south or goes fowl--it’s no turkey--but
it rarely ventures out on a limb to stand out from the summer blockbuster flock, and it flaps around for an hour and a half without ever taking flight.
It’s hardly eggcellent, but it’s not horwrendous--at times, it’s quite pheasant--and I certainly don’t, uh, egret watching it. I know, I
know, I’m a dodo. Now that that’s out of my system, feel free to write me hate mail or, if you must, ostrich-ize me. I’m no chicken; I can swallow my
pride and take a good grousing.
Sorry. So, so, so sorry. Anyway, Rio. What I said above, in the most obnoxious way possible, is pretty much how I feel about 20th Century
Fox’s latest animated adventure from Blue Sky Studios, the CGI production house that gave us the Ice Age franchise and 2008’s Dr. Seuss
adaptation, Horton Hears a Who! Blue Sky was initially touted as a Pixar-killer, but none of the studio’s features have come close to
approaching--let alone surpassing--Pixar’s high storytelling standards. Rio is no different. It’s fun summertime fluff, and it’s definitely easy on
the eyes, but it’s grounded by a leaden plot and disposable characters.
In 3D!
Rio in 2D is simply superlative in just about every measurable or subjectively eye-balled category--it's bright, extremely colorful, tack-sharp, and
boasts a convincing illusion of depth--and the 1080p, MVC-encoded 3D version of the film is very nearly perfect as well. First of all, this is an
insanely colorful movie. Most CGI animated pictures are vivid, but this one is a non-stop barrage of lushly saturated hues. Primary colored beach
balls and umbrellas pop. The macaws are a dazzling cerulean blue, jungle greens are intense, and the purple/pink neons inside the bird "nightclub" are
almost palpably hot, without ever looking overblown. The climactic carnival scene might just be the most vibrant, multi-colored sequence I've seen in a
film all year. Additionally, black levels are truly inky and contrast is spot-on. Just as impressive is the degree of clarity in the computer-generated image.
This isn't a film that features particularly intricate texture design, but you only have to look at the ruffled bird features, individually visible strands of
monkey fur, and fine human hair to see how clean and detailed the image can be.
There are a few lunge-out-of-the-TV moments--see the first screenshot in the review, where Blue and Jewel slingshot out of a volleyball net--but the 3D
presentation is mostly concerned with generating additional depth. This is very impressive at times, especially in the scene where the two macaws are
hitching a ride on a hang glider over the city. It's not quite faultless, though. Occasionally, when the image presents multiple planes of focus, crosstalk
becomes apparent, usually in the background. The ghosting is rarely severe, but it is noticeable. There are also a few instances where foreground objects
are perhaps too jarringly separated from what's behind them. This is more subjective, so you might not be bothered by it as much, but some scenes did
put a bit of strain on my eyes. Lastly, I didn't spot any overt compression problems like banding or excessive noise. Personally, I prefer the film in 2D, but
the 3D version definitely justifies itself with quite a few "wow" moments.
Turn this one up loud. Trust me. Rio 3D features the same stunningly immersive DTS-HD Master Audio 5.1 surround track that graces the 2D release, and I wouldn't have it any other way. The sound design in this film is simply luscious--rich, crisp, and dynamically powerful. Listen to the bird calls as the film opens in the Brazilian jungle; they almost sound like binaural, 3D audio recordings, convincingly putting you inside the soundstage. This quality is consistent throughout nearly the entire film. Just about every scene features brilliantly detailed rear channel ambience, from street sounds and chatter downtown by the oceanfront, to the insects and hush of wind in the trees up on the mountains above the city. The sense of directionality is extremely accurate too--when a bike whips by, the sound pans quickly and believable. I could list three paragraphs' worth of examples, but take my word for it; this track is as involving as anything you'll hear this year. Add the almost non-stop music--classic Sérgio Mendes numbers, songs by Taio Cruz, and John Powell's samba-inflected score--and you have a mix that very nearly lifts the film out of mediocrity. The percussion, in particular, sound wonderful, pounding and bass-heavy and coming from all directions. Somehow, vocals remain clean and clear in the midst of all this, both for dialogue and in song. The disc includes optional English SDH and Spanish subtitles.
There are no special features on the 3D disc, but along with a DVD and a digital copy, the set includes the standard 2D Blu-ray, with its favela-sized sprawl of bonus materials.
Rio is middle-of-the-road family-friendly CGI fare, with barely-there characters and a story that can't have taken the film's menagerie of screenwriters more than an hour to dream up. Still, it's got great music, eye-popping visuals, and the target under-10 audience will probably eat it right up. If you have a 3D-capable television or think you might ever purchase one, this is the version of the film to get, as it includes a 3D disc, the regular 2D Blu-ray, a DVD, and a digital copy, all for marginally more than what you'd pay for the standard edition. As you've come to expect from these kinds of films, the audio/video presentation is fantastic, and while watching in 3D is hardly essential to the enjoyment of the film, Rio's bright color scheme lends itself well to the format.
2011
Movie Only Edition
2011
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Family Icons
2011
Family Icons / Ferdinand-Themed Origami Booklet
2011
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