7 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
A sleazy but ingenious criminal masterminds a heist at a sold-out sports arena. He hires a motley crew of henchmen, seduces the middle-aged head cashier, and plans some brutal ruses to elude the law. But he's his own worst enemy.
Starring: Aram Katcher| Crime | Uncertain |
| Drama | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.33:1, 1.66:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 16-bit)
English: Dolby Digital 2.0 Mono (192 kbps)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 2.5 | |
| Audio | 2.5 | |
| Extras | 2.0 | |
| Overall | 2.5 |
Note: This film is available on Blu-ray as part of Film Masters' Door-to-Door Maniac double feature release.
Film Masters is a newish label that has been curating some pretty, um, niche stuff with a number of their "double feature" releases in
particular. Some of those releases, like
Common Law Wife and Jennie, Wife/Child, seem to have a kind of "through line" uniting the two features, but I think many
would be hard pressed to find a connective thread between Door to Door Maniac (originally released as Five Minutes to Live) and
Right Hand of the Devil, other than that both feature focal criminals intent on some kind of rampage, and also that you're
probably unlikely to see either of these films anywhere else unless you actually go out there hunting for them. Door to Door Maniac has
the cult appeal of offering just one of two big screen featured performances by Johnny Cash (with an early turn by Ronnie Howard), while Right
Hand of the Devil is a kind of
wacky attempt
by Los Angeles hairdresser and bit player Aram Katcher to go full "Ed
Wood" (perhaps unintentionally in more ways than one) as a quasi-auteur.


Right Hand of the Devil is presented on Blu-ray courtesy of Film Masters with an AVC encoded 1080p transfer in either 1.66:1 or 1.33:1. I've offered five screenshots in each aspect ratio from more or less the same frames, so that those interested can see the differences, but I didn't see anything overly problematic, at least generally in terms of things like too much / too little headspace and the like. Film Masters tends not to provide a ton of technical information on its releases, and includes only a front cover statement that this is a "new 4K transfer for original 35 mm archival elements", albeit without specifying what those archival elements might be. This is a bit less consistent transfer than its package mate, perhaps due at least in part to inherited deficiencies from a very low budget shoot. That said, contrast is a little iffy, at times relatively strong and well delineated if arguably a bit too dark, at others more milky and wan, leading alternately to some occasional crush in blacks and, especially in some late beachside material, blooming whites. There is some absolutely hilarious ill suited stock footage inserted (notice how the years of the cars magically morph between decades), and a lot of that recycled material looks pretty ragged. For whatever reason, some of the best looking material comes in what would have been the final reels. Minor age related wear and tear can be spotted. While grain is observable, this has a somewhat filtered appearance.

Right Hand of the Devil features a DTS-HD Master Audio 2.0 Mono that is certainly listenable, but which has some recurrent distortion that's quite noticeable throughout the sound effects and bombastic scoring in particular. There's an overall somewhat muffled sound that tends to tamp down highs, but that at least means there is not the same kind of high frequency hiss that is noticeable on Door to Door Maniac. Dialogue is rendered cleanly and clearly throughout. Optional English subtitles are available, and Film Masters also provides optional subtitles for the commentary track.


Right Hand of the Devil is actually kind of surprisingly "ept" (as opposed to inept), and it has a number of really rather stylish moments (including a Saul Bass inspired title sequence), but it is still generally a mess and an obvious vanity project. Technical merits encounter some hurdles, for anyone who may be considering making a purchase.