7 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
Explores Leni Riefenstahl's artistic legacy and her complex ties to the Nazi regime, juxtaposing her self-portrayal with evidence suggesting awareness of the regime's atrocities.
Starring: Leni Riefenstahl| Foreign | Uncertain |
| Documentary | Uncertain |
| Biography | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English: DTS-HD Master Audio 2.0
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 4.5 |
The Wonderful, Horrible Life of Leni
Riefenstahl* offered what seemed at the time of that documentary's release in 1993 to be a really unvarnished look at its titular
icon, in
a piece that found Riefenstahl late in life prevaricating and offering various defenses for her life choices, choices which of course given the
retrospective allure of hindsight, may have objectively been on the questionable side at the very least. This newer documentary may offer a
subliminal "hold my beer" or "you ain't seen nothin' yet" in terms of even further deconstructing the image Riefenstahl
attempted to foment after the calamitous end of World War II and (supposed) death of Nazism. Among the "tidbits" scattered throughout this
arresting documentary are outtakes from the earlier 1993 piece, including a kind of eye opening segment where Riefenstahl more or less loses
her [you know what] for no real apparent reason and starts berating both documentarian Ray Müller and somewhat tangentially if maybe a little
hilariously her longtime partner Horst Kettner (famously 40 years younger than Riefenstahl).
*Note: The link points to a Region B release. As of the writing of this review, it doesn't appear this excellent documentary is available on
Blu-ray in Region A.


Riefenstahl is presented on Blu-ray courtesy of Kino Lorber with an AVC encoded 1080p transfer (often) in 1.78:1 (archival video hovers around Academy ratio). This has the expected heterogeneous appearance that frequently attends documentaries cobbled together from various sources, but all of the contemporary footage, which includes some interesting interstitials in black and white with various film strips (see screenshots 3 and 9) offer great contrast and generally good detail, even if individual frames are basically thumbnailed sized. Archival material of course can vary in quality but on the whole looks at least decent and often quite good. It does seem like some of the archival video had an interlaced component at some point in the workflow. Some archival video has also been blown up to fill the entire 1.78:1 frame (see screenshot 1).

Riefenstahl features DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 options. The surround track is probably not strictly necessary, given both the "talking head" segments and archival video with original mono audio. As with the video side of things, some archival audio can show signs of age, but accompanying forced subtitles for both some German language and even somewhat muddy English language moments help to clarify things. One way or the other, even without subtitles I personally had no real problem understanding the English language sections. There are optional English subtitles available for the rest of the presentation.


It may be understandable if some actually feel a bit of sympathy for Riefenstahl in terms of her not being around anymore to offer any defenses of herself, but even if she's obviously not personally culpable for some of Nazism's most horrifying atrocities, this absolutely arresting documentary makes it perfectly clear that Riefenstahl herself knew both that she was helping to create an Aryan mythology in support of Nazism with her films, and (perhaps more saliently) about at least some of those aforementioned Nazi atrocities. It's that latter bit that may be the ultimate undoing of any real attempt to rehabilitate Riefenstahl's overall image, but this documentary is also to be commended for how level headed it is in presenting Riefenstahl's contributions to the art of cinema. Highly recommended.