5.6 | / 10 |
Users | 0.0 | |
Reviewer | 2.0 | |
Overall | 2.0 |
When James, a driver for an Uber-like service, picks up the manipulative Bruno, a normal night out in LA becomes a psychological war for survival.
Starring: Bella Thorne, Jessie T. Usher, Will Brill, Hailee Keanna Lautenbach, Sara LindseyThriller | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English SDH, French, Spanish
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (B, C untested)
Movie | 1.5 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 1.0 | |
Overall | 2.0 |
Ride is the feature debut of writer/director Jeremy Ungar. The film is the expansion of a 15-minute short, and it should have stayed that way. Padding it to a 76-minute running time simply gives the viewer more improbabilities to contemplate.
Ride appears to have been digitally photographed; the credited cinematographer is Rob Givens (The Hero). However, the film
arrives on RLJ Entertainment's 1080p, AVC-encoded Blu-ray with an image that looks more
film-like than traditionally digital, as a result of several factors. First, Givens appears to have
matched the nighttime sensitivity of digital cameras with slower anamorphic lenses, which not
only soften the image but also create extensive horizontal lens flares, imparting a more classical
look than is displayed in the original short photographed by Ernesto Lomali. (For a similar style,
review Jan de Bont's lighting in the outdoor scenes of the first Die Hard.) Second, much of
the film has been shot through the windscreen and other windows of James's auto, thereby
filtering and further softening the image. Third, Givens has used minimal light wherever
possible, deliberately crushing the blacks to reduce shadow detail. As soon as the action enters a
well-lit locale like the liquor store where Bruno sends James or the all-night drugstore where he
sends Jessica, the digital clarity returns.
The disc's low average bitrate of 20.994, with about 6 GB of space left unused on the BD-25, is
typical for RLJ, but the encode appears to be capable.
With most of the action confined to the interior of James's auto, Ride's 5.1 soundtrack (encoded in lossless DTS-HD MA) doesn't have much to do. It expands for a few scenes outside the car—inside a club, at the pool and hot tub of an L.A. residence—but mostly it supports and expands the electronic score by Paul Haslinger (Resident Evil: The Final Chapter).
The Blu-ray is competently produced, but Ride is a waste of time. Skip it.
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