5.9 | / 10 |
Users | 0.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
The tale of the Aloha Cheerleaders' struggle against Lincoln high. High points include such events as the Aloha girls raiding a Lincoln classroom to get drugs, then putting aforementioned drugs in the cafeteria food while the state school inspectors are present. Worth the rental price just so if you ever meet David Hasselhoff, you can say "Hey, I loved your work as Boner!"
Starring: Cheryl Smith (I), Eddra Gale, Lillian McBride, David Hasselhoff, Carl BallantineComedy | Insignificant |
Sport | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.67:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 3.0 | |
Video | 1.5 | |
Audio | 2.5 | |
Extras | 2.5 | |
Overall | 2.5 |
Always on the hunt for a trend to exploit, Hollywood producers found unusual inspiration in the ways of high school antics involving cheerleaders and their never-ending battle with lust, love, and rivals. 1973’s “The Cheerleaders” made some money, and that’s all the industry needs to chase moviegoing habits, with 1974’s “The Swinging Cheerleaders” also providing hearty drive-in entertainment and sizable profit, keeping the brand name going. 1976’s “Revenge of the Cheerleaders” is yet another attempt to capture viewer imagination with a fresh presentation of excitable girls, dim- witted boys, and a school staff trying to maintain some sense of order with oversexed teenagers. Director Richard Lerner doesn’t have a major creative challenge on his hands with the project, mostly employed to contain the inherent chaos of the shoot. “Revenge of the Cheerleaders” is pure zaniness, eschewing the shaping of a story to deal mostly with mischief and non sequitur scenes, also paying close attention to the needs of audiences who’ve come to watch characters disrobe and enjoy tomfoolery. It’s tough to say if this even qualifies as an actual film, but Lerner’s permissiveness with it all does have a certain period charm, with the picture happy to go anywhere it pleases.
"Revenge of the Cheerleaders" was originally released in 2014 by Code Red. Shout Factory brings the movie back to Blu-ray, but they don't have access to a fresh scan of the feature. The AVC encoded image (1.67:1 aspect ratio) presentation is in rough shape, with damaged and missing frames and scratches. Wear and tear is on display throughout the viewing experience. Fine detail isn't present, with softness dominating, limiting even a basic understanding of character appearances. Room dimension and exteriors also lack depth. Color has some fade, with a simple appreciation of primaries on clothing, and greenery with property high jinks. Grain is chunky.
The 2.0 DTS-HD MA mix is also aged, with a muddier sense of engagement. Dialogue exchanges are limited at best, though intelligibility isn't threatened. Music isn't sharply defined, supporting with cloudier instrumentation and emphasis.
"Revenge of the Cheerleaders" is perhaps best known as the screen debut for David Hasselhoff, here portraying the character Boner, who's something of a basketball star and general lothario (when knocked unconscious, he's revived by the smell of soiled panties). Sure, it's something to see the future Michael Knight in action, but more compelling is a general escalation of physical activity in the final act, where deceptions mount and the chase is on, taking the cheerleaders into a dinosaur park, around caves, through a mall, and across a golf course. It's "Laugh-In" and a silent comedy mixed with R- rated visuals, creating a zany energy that's hard to deny. It's also crazy to see how the villains of the story resort to domestic terrorism to solve their problems. It doesn't get more 1970s than that. "Revenge of the Cheerleaders" is basically saved by its insanity, as there's no drama to follow and the players in this game are generic, save for Nurse Beam and her specific disruptor arc. It's amusing to watch but hard to recommend, as one must be in the right mind and maintain a level of permission with the filmmaking, which is largely holding on for dear life.
(Still not reliable for this title)
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