7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
Tom, a world class “fixer”, specializes in brokering lucrative payoffs between corrupt corporations and the individuals who threaten their ruin. He keeps his identity a secret through meticulous planning and always follows an exacting set of rules. But when a message arrives one day from potential client Sarah, needing Tom’s protection just to stay alive, the rules quickly start to change.
Starring: Lily James, Sam Worthington, Riz Ahmed, Matthew Maher, Aaron Roman Weiner| Thriller | 100% |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 0.0 | |
| Overall | 3.0 |
Screenwriter Justic Piasecki makes his feature-length debut with “Relay,” and he offers a very interesting idea about a relationship the develops between two people involved in a whistleblower event gone horribly wrong. It’s a fascinating story that blends procedural action with deep characterization, at times recalling some of the better paranoia thrillers of the 1970s. Director David Mackenzie (who hit a career high with 2016’s “Hell or High Water,” only to come back down to Earth in 2018’s mediocre “Outlaw King”) is tasked with maintaining steady pressure on the audience, creating unusual tension from scenes of communication and surveillance. For the first two acts, “Relay” is excellent, hitting a few logic gaps while generating an impressive amount of suspense, promising a great conclusion to come. A satisfying ending doesn’t arrive, but Mackenzie and Piasecki get most of the way there, handling the nail-biting needs of the tale and its unique study of planning and pursuit.


The image presentation (2.35:1 aspect ratio) for "Relay" delivers a good sense of skin particulars on the cast, including some wear and tear on a few characters as violence enters the story. Costuming stays fibrous with cold weather gear. Exteriors deliver strong depths with city tours and apartment stakeouts. Interiors are dimensional, examining large apartment spaces and storage rooms. Color favors a cooler look to "Relay," with steelier blues. Lighting choices and signage add some primary power to the image, along with clothing and decorative choices. Greenery is distinct, along with the concrete feel of the city. Skin tones are natural. Delineation is satisfactory. Periodic banding is found during the viewing experience.

The 5.1 DTS-HD MA mix offers crisp dialogue exchanges, handling accents and dramatic emphasis with clarity. Scoring delivers defined dramatic and suspense support with sharp instrumentation. Soundtrack selections maintain fresh vocals. Surrounds provide a feel for city life with active atmospherics, and sound effects are alert, playing with the tapping of keys and vehicle movement. Low-end perks up with more violent actions and explosions.

There is no supplementary material on this release.

Piasecki concentrates on Ash's professional system, and he makes time to better understand the man, who's struggling with guilt and a battle with the bottle, trying to be of service to those who need it. Escalation is excellent, and Mackenzie nails a few misdirections, but once "Relay" enters its final act, the picture unfortunately falls apart. It goes from tautness to slack physical action, and Piasecki gets too grabby with his plotting, attempting to be clever instead of staying smart, ignoring what's worked so well for the feature with a ridiculous conclusion. The ending of "Relay" is a wipeout, but it doesn't destroy the viewing experience in full. There's still outstanding uneasiness to enjoy as Ash and Sarah get to know each other, entering into an agreement that's hit from all sides, making for the development of a nightmare that's successfully carried for most of the movie.