6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Caroline likes to give blood because she is broke and it is easy money. Everything is great until one day the doctor injects her with a serum that gives her a need for blood. Caroline is slaugtering people with her new teeth until she falls in love with Lisa and doesn't want to drink her.
Starring: Ghetty Chasun, Michelle Bauer, Carie Haley, Lorissa McComas, Kitten Natividad| Horror | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.31:1
Original aspect ratio: 1.37:1
English: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A, B (C untested)
| Movie | 2.0 | |
| Video | 3.0 | |
| Audio | 3.0 | |
| Extras | 4.0 | |
| Overall | 3.5 |
1995’s “Red Lips” is a 76-minute-long movie, and the opening five minutes of the endeavor are devoted to a sex scene between two women that establishes a dual meaning for the title. Writer/director Donald Farmer is in no hurry to get the film moving along, introducing viewers to softcore material before gradually moving things over to horror, and another change, to melodrama, follows. “Red Lips” is a $5,000 effort that has a lot of things it wants to accomplish, but no significant resources or imagination to do so, with Farmer believing some bloodshed and plenty of sexuality is enough to keep viewers interested in what becomes an aggressively repetitive picture.


The AVC encoded image (1.31:1 aspect ratio) presentation identifies the shot-on-video limitations of "Red Lips," which doesn't allow for fine detail. Only a broad sense of skin particulars and locations are provided, with blockiness and age dominant. Color is also restrained by age and the format, with some sense of red blood available, along with period fashion. Source contains a few missing seconds due to damage, and wear and tear is common.

The 2.0 DTS-HD mix doesn't have much to work with, managing dialogue exchanges, which are mostly intelligible, save for a few outdoor adventures with serious equipment issues. Music supports with decent instrumentation, offering a metal edge, and scoring is simplistic.


Being a shot-on-video endeavor, "Red Lips" isn't cinematic. It's blunt with sexploitation interests and a tad ridiculous with storytelling ambition, giving little to viewers to help them believe in Caroline and Lisa's grand affair, which is soon tested by violence. Farmer gets points for the bleak ending, but he's not attentive to tonal consistency, and that five grand doesn't exactly pay for varied locations and more incident. "Red Lips" wants to be a few things, but it falls short of its limited creative goals, leaving it for the most forgiving of SOV enthusiasts and fans of B-movie actresses trying to give their all for a low-tech production.

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