6.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
While adjusting to a new life in a quiet suburban community, a recently divorced mother and her two teens receive mysterious red letters instructing them each to kill or be killed. As the bloodshed begins, they find themselves in a race against time to protect the ones they love from the people they thought they knew.
Starring: Dawn Van de Schoot, Kaeleb Zain Gartner, Hailey Foss, Ari Rombough, Michael Tan| Thriller | Insignificant |
| Comedy | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Digital 5.1
English: Dolby Digital 2.0
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.0 | |
| Video | 4.0 | |
| Audio | 4.0 | |
| Extras | 5.0 | |
| Overall | 4.0 |
While it gives off “Purge” fumes, there’s potential in the premise of “Red Letter Day.” It’s a story about a suburban community infiltrated by a digital terrorist group working to arrange a special day where residents are forced to kill their neighbors. Clocking in at 76 minutes, one would expect writer/director Cameron Macgowan to establish his characters and go full speed ahead into excessive violence and mild social commentary, managing B-movie expectations. Unfortunately, Macgowan wants to sit awhile before the bloodshed begins.


The AVC encoded image (2.39:1 aspect ratio) presentation wrestles with compression issues, as banding is common throughout. Sharpness for the HD- shot feature is excellent, with precise facial surfaces and fibrous costumes, while gore zone visits are clearly defined, providing a chance to examine bodily harm. Colors are bright and appealing, with distinct primaries to set the suburban mood, including greenery and blue skies. Skintones are accurate. Delineation is acceptable, preserving frame information.

The 5.1 Dolby Digital mix is standard, with fresh dialogue exchanges, making dramatic interplay and horror panic easy to follow. Scoring is supportive with acceptable position and volume, often finding its way into the surrounds. Atmospherics are basic, opening up outdoor attacks and exploring room tone. Sound effects are distinct. Low-end isn't challenged.


"Red Letter Day" has promise and an interest in splatter when the killing finally begins. It's such an oddly managed movie, finding Macgowan unwilling or unable to kick out the jams and deliver ugliness the plot promises. He keeps holding the effort back, determined to craft a character study instead of a snowballing nightmare.
(Still not reliable for this title)

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