7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 4.0 | |
| Overall | 4.0 |
An immensely powerful and nuanced portrayal of a family torn apart over a little Muslim boy's future.
Starring: Lubna Azabal, Ala Riani, Aboubakr Bensaihi, Tara Abboud, Younes Bouab| Foreign | 100% |
| Drama | 57% |
| War | 20% |
| Action | Insignificant |
| Thriller | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby TrueHD 7.1
English: DTS-HD Master Audio 5.1
English: Dolby Digital 2.0
Multiple languages are spoken in the film
English, English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 4.5 | |
| Video | 3.5 | |
| Audio | 4.0 | |
| Extras | 3.0 | |
| Overall | 4.0 |
A directing duo, Adil El Arbi and Bilall Fallah were once Belgium-born filmmakers making small movies for local audiences. They were eventually brought to Hollywood, tasked to do something with “Bad Boys for Life” after the troubled production had difficulty getting off the ground. The pair created a hit, and the industry asked for more, with El Arbi and Fallah soon put in charge of the superhero picture, “Batgirl,” which was eventually shelved due to reasons that will probably never be crystal clear. The helmers are back in business with another “Bad Boys” sequel for this summer, but before they return to big-budget extravaganzas, they revive their indie spirit with “Rebel.” Taking on the psychological and physical destruction of Syrian warfare, El Arbi and Fallah (who also co-script with Kevin Meul and Jan van Dyck) make a deeply personal feature that explores the horrors of Islamic State and the influence of radicalization in Europe, mixing raw emotions with unexpected blasts of artful expression that keeps viewers invested in material that would otherwise be extraordinarily difficult to watch.


The AVC encoded image (1.85:1 aspect ratio) presentation delivers a decent sense of detail throughout the viewing experience. The physical decline for the characters is easily understood, and costuming remains textured as casual wear turns into military uniforms. Locations are dimensional, preserving the isolation of the Syrian stops, and interiors are open for inspection, visiting living spaces and Islamic State buildings. Colors are clear, with a satisfying sense of golden locations and sun-blasted encounters. Clothing favors blacks and browns, while time in Belgium offers livelier primaries on style choices, vehicles, and signage. Skin tones are natural. Delineation is acceptable, inching close to solidification at times. Compression is an issue with this release, with banding a common sight, joined by brief glimpses of posterization.

The two primary sound options for "Rebel" are DolbyTrueHD 7.1 and 5.1 DTS-HD MA, with the film exploring multiple language. The tracks aren't all that far apart in design, with the 5.1 a bit more immediate, with a louder presence. Dialogue exchanges maintain clarity throughout the listening experience, capturing hushed emotionality and more aggressive confrontations without distortive extremes. Scoring cues deliver crisp orchestral support, joined by performance numbers, which offer sharp vocals and instrumentation. Surrounds are often subtle but effective, examining atmospherics as the story moves from city events to desert happenings. Violent activity carries some panning effects and channel separation. Musical moods also deliver fullness. Sound effects are crisp. Low-end explores beats and explosions.


"Rebel" ultimately provides three stories of survival, as Kamal experiences Islamic State brutality in his home country, and Nassim is slowly polluted by predators hunting for recruits. Leila's efforts to make sense of it all is also followed in the final act, presenting a motherly perspective that's necessary for a rounded understanding of all that's been lost. The writing presents a potent study of radicalization, but "Rebel" is invested in family as well, following the characters as they make mistakes and fight to protect loved ones, struggling through impossible situations of submission. There's brutality here, but also beauty, and El Arbi and Fallah capably move from anguish to unreality, preserving the artfulness of this torturous journey.

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