6.3 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
A womanizing CIA agent and an insecure insurance agent are paired together to make sure a deal goes through with aliens for the future of mankind.
Starring: Jim Belushi, John Ritter, Barbara Barrie, Bill MoreyComedy | 100% |
Sci-Fi | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 2.0 | |
Video | 3.5 | |
Audio | 3.0 | |
Extras | 1.0 | |
Overall | 3.5 |
Two goofy actors such as James Belushi and John Ritter seem like a natural fit for a buddy comedy. 1987’s “Real Men” pairs the men as opposites on the run, giving them time to create idiosyncratic character business and engage in physical antics that play to their individual strengths, creating a playground for silly business to take shape. Writer/director Dennis Feldman (who scripted “Species” and “The Golden Child”) has rough ideas for humor, action, and oddity, but no real game plan to pull anything off. “Real Men” is an awkward misfire that’s determined to be entertaining, but frequently carries on with its shoelaces tied together, wasting time on deadly banter and scripted inanity while Belushi and Ritter struggle to locate consistent performances. It’s loud and madcap, but the feature is weirdly sloppy, resembling a movie that was torn apart and built up again in the editing room, leaving only remnants of ideas, not entire scenes.
The AVC encoded image (1.85:1 aspect ratio) presentation holds up a little better than most catalog titles. Sharpness isn't a priority here, working with softer cinematography and periods of glamour lighting, but detail isn't completely washed away. Textures remain with facial particulars and set decoration, and costuming retains fibrous qualities. Colors are adequate, looking slightly muted, delivering snap with more outlandish visuals, including the C.I.A. clowns and rural greenery. Skintones are stable. Grain is modest but available, while delineation is consistent, losing little during dark scenes. Speckling is detected, along with a few blasts of debris.
The 2.0 DTS-HD MA sound mix doesn't flex much of a sonic muscle, delivering some crispiness in the high end. Dialogue exchanges are passable but never remarkable, and while intelligibility remains, there's flatness here that doesn't bring comedic intent to life. Scoring is big, periodically threatening to smother dramatics, but instrumentation is accurate. Atmospherics aren't distinct, but they manage to convey locations and violent encounters. Hiss is present throughout, varying in intensity.
An enormous score by Miles Goodman struggles to inflate "Real Men," backing misadventures with musical emphasis. There are a few Spielbergian touches as well, including an alien pen in Nick's possession that doubles as a flying probe, stopping the effort to observe some special effects. All would be forgiven here if there were laughs, but Feldman can't get the feature out of neutral, struggling to find funny business for Nick and Bob as they endure a scattered road trip. "Real Men" arrives with enough talent to make an impression, but the overall work feels constipated and rethought post-filming, sent through an editorial process that pares the brief picture (which comes in under 90 minutes) down to random stabs at absurdity and slapstick. Connective tissue has been removed, which maroons the actors on a feature that gives the impression it was more substantial, more cohesive at one point, and not just a vague sketch of a chase movie interrupted by unclear sci-fi touches.
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1987