| Users | 0.0 | |
| Reviewer | 3.0 | |
| Overall | 3.0 |
In bizarre, unrelated turns of events, Ray and Helen each happen upon large sums of money which give them the chance to re-invent themselves.
Starring: Keith Carradine, Keith David, Sondra Locke, Samantha Mathis, Jennifer Tilly| Drama | Insignificant |
| Fantasy | Insignificant |
| Romance | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1
English: LPCM 2.0
None
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 3.0 |
Note: This film is available on Blu-ray as part of Afterglow / Ray Meets Helen.
Despite a long career that has seen at least some success in both critical circles and box office returns, Alan Rudolph hasn’t really seemed
to become a
significantly recognized name for much of the filmgoing public at large. Rudolph’s oeuvre is rather wide and varied, but for anyone
unfamiliar with him and needing
a probably inherently inadequate summary of his approach, it may be salient to note that Rudolph was an acolyte of Robert Altman, with Rudolph
lending a hand
in a number of capacities on such well remembered Altman efforts as The Long Goodbye, California Split, Nashville, Buffalo Bill and the Indians, or Sitting Bull's History Lesson and The Player, and with Altman returning the favor by co-
producing
a number of films directed by Rudolph, including one included in this new double feature from MVD’s Marquee Collection imprint, Afterglow.


Ray Meets Helen is presented on Blu-ray courtesy of the MVD Marquee Collection, an imprint of MVD Visual, with an AVC encoded 1080p transfer in 1.85:1. The closing credits feature a Panasonic Varicam credit, though this film's vintage means I'm frankly not sure what the source resolution of the capture was, nor at what resolution the DI was finished. One way or the other, this is a very sharp and well detailed looking presentation, though it's kind of flat and textureless a lot of the time. Fine detail on things like fabrics or even the weathered faces of Carradine and Locke is typically great. There are a number of stylistic conceits, including increasing desaturation as one character loses a lot of blood, but detail levels remain generally consistent throughout. There are some very minor flirtations with banding.

Ray Meets Helen features DTS-HD Master Audio 5.1 and LPCM 2.0 tracks. The surround track opens up some of the outdoor material, albeit kind of subtly at times, as well as providing a bit more amplitude generally and definitely noticeably more "oomph" in the mid and lower ranges. Dialogue is rendered cleanly and clearly throughout the presentation, which may help to take the sting out of the fact that this film, unlike Afterglow, does not offer any subtitles for some reason.


As different as they are, Ray Meets Helen and Afterglow arguably both suffer from "third act trouble", and this film's wind up is really kind of peculiar given all that goes before it. However, also as with Afterglow, some really winning performances help the film to overcome some of its less successful aspects. Technical merits are solid for those who are considering a purchase.
(Still not reliable for this title)

Vinegar Syndrome Labs / Slipcover in Original Pressing
1972

1943

1979

1978

1984

Captive Hearts
1986

1966

1968

2022

2007

1985

1987

1978

2021

2020

1989

2018-2019

1944

2018

1995