6.9 | / 10 |
Users | 4.0 | |
Reviewer | 4.0 | |
Overall | 4.0 |
In a remote Icelandic farming valley, two brothers who haven't spoken in 40 years have to come together in order to save what's dearest to them - their sheep.
Starring: Sigurđur Sigurjónsson, Theodór Júlíusson, Charlotte Břving, Gunnar Jónsson, Sveinn Ólafur GunnarssonForeign | 100% |
Drama | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.38:1
Original aspect ratio: 2.39:1
Icelandic: DTS-HD Master Audio 5.1
English
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
Movie | 4.0 | |
Video | 4.0 | |
Audio | 4.0 | |
Extras | 2.0 | |
Overall | 4.0 |
There’s a whole subgenre of risque jokes involving farmers and sheep, and on one level, Rams might be thought as trafficking in some of the same general ambience, especially since at least some of the farmers shown in the film are downright entranced with their animals, going so far as to hug and/or kiss them. Rams is a slow, intimate film with the unusual setting of Iceland, and the at least somewhat “exotic” context of shepherding, but it ultimately is about something virtually everyone everywhere will be acquainted with: family dysfunctions, notably that old bugaboo, sibling rivalry. The film’s two main characters are brothers Gummi (Sigurđur Sigurjónsson), a quiet, introspective type, and Kiddi (Theodór Júlíusson), more of a rabble rouser who has at best a “drinking problem”, and perhaps at worst incipient alcoholism. The two brothers have been estranged for decades, though in one of the cruel ironies of the film’s setting, that disruption in the family dynamic only increases an already established isolation, despite the fact that the brothers are in actuality neighbors. When a ravaging disease called scrapie (kind of the sheep equivalent of mad cow disease) infects herds across the Icelandic valley where the two brothers live, the authorities decree that all sheep (who haven’t already succumbed to the disease) must be euthanized. That leads to some unexpected developments in a film that is weirdly whimsical but which is also grounded in some very authentic feeling human emotions. Rams won the 2015 Un Certain Regard prize at Cannes, though it did not qualify for the final list of Academy Award nominees for Best Foreign Language Film.
Rams is presented on Blu-ray courtesy of Cohen Media Group with an AVC encoded 1080p transfer in 2.38:1. The IMDb lists this as having been digitally shot with the Arri Alexa, and the film has the generally sharp but smooth appearance that this technology typically affords. The palette is intentionally subdued virtually the entire running time of the film, with only slight pops of elements like (not very) green trees offering a respite from what is in essence an almost monochromatic landscape. Despite the lack of any really vivid hues for the bulk of the film, detail is often quite striking, especially in "little" aspects like the fine hairs sticking out of long used sweaters or even the fluff of the sheeps' coats. I personally wished for a bit more contrast, especially in some of the murkier interior moments, where things can look relatively flat and less detailed. As tends to be the case with Cohen releases, there are no compression or authoring anomalies to warrant concern.
And. . .we're back, ladies and gentlemen! After a series of perplexing releases where Cohen took a step backward into lossy audio, Rams delivers an elegant and understated sonic experience courtesy of a DTS-HD Master Audio 5.1 track (in Icelandic with optional English subtitles). This is a sound mix that is deliberately spacious, one that creates immersion subtly with well placed ambient environmental effects, as well as offering a nice spill in the side and rear channels when Atli Örvarsson's elegiac score plays. Dialogue, score and sound effects are all rendered cleanly and clearly, with smart prioritization and no problems of any kind.
Though they're manifestly different in style, content and even tone, some aspects of Rams reminded me of another film from the far north, Sweden's The 100 Year-Old Man Who Climbed Out the Window and Disappeared, if only due to an odd combination of pathos and humor and an emphasis on character and locale that defy traditional ideas of a three act structure. Rams is an intentionally quiet, intimate affair that creates substantial emotional impact as it moves slowly but inexorably toward its bittersweet conclusion. The film is remarkable both for its finely tuned depiction of a place most people are unfamiliar with, as well as for the impeccable performances of its two lead actors. Technical merits are generally strong, and Rams comes Highly recommended.
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