7 | / 10 |
Users | 0.0 | |
Reviewer | 3.0 | |
Overall | 3.0 |
A headstrong young woman defies the wishes of her father by ignoring the romantic advances of a powerful local landowner, instead deciding to run her own ranch with the help of a recovering alcoholic and his friend.
Starring: Joel McCrea, Veronica Lake, Don DeFore, Donald Crisp, Preston FosterWestern | 100% |
Romance | 17% |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.34:1
Original aspect ratio: 1.37:1
English: LPCM Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 3.0 | |
Video | 3.5 | |
Audio | 3.5 | |
Extras | 4.0 | |
Overall | 3.0 |
Due to the vagaries of international licensing, Arrow Academy has recently released two films for the UK market that I reviewed quite some time ago when Olive released the pair for the United States market, Ramrod and Magnificent Doll. Making those vagaries even more interesting is the fact that of the two I had no problem playing Arrow’s Ramrod in my Region A players, while Magnificent Doll would only boot in my Region B players. Neither film is exactly an undiscovered masterpiece, but they each have their midlevel pleasures, including performances by some of their era’s most noteworthy stars.
Ramrod is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.34:1. Arrow's insert booklet contains the following fairly generic verbiage about the transfer:
Ramrod was remastered by Ignite Films from original film elements and delivered to Arrow Films in High Definition. Additional work to minimise dirt and debris was carried out at R3store Studios in London. The film is presented in the original aspect ratio of 1.37:1 [sic] with original mono audio.Those who have already perused my review of the Olive release will note that the aspect ratio here is slightly wider, suggesting a new or different master, and that I've upped my video score to 3.5. That said, I would caution interested consumers about having overly high expectations, as at least some of the anomalies I mentioned in the review of the United States release persist on this one, though some have in fact been ameliorated. There is still occasional warping to be seen (as early as the MGM masthead), and numerous (admittedly pretty small at times) nicks, scratches and other blemishes dot the image with fair regularity. While contrast isn't perfect here, the rather large variances seen on the Olive release have been at least improved if not completely eliminated, as has some of the recurrent damage on the left side of the frame on the Olive release. Clarity and sharpness look about the same, frankly, as does the at times pretty heavy looking grain field. My score is 3.25.
I frankly didn't hear much if any difference between the audio presentation in DTS-HD Master Audio Mono on the Olive disc and the LPCM Mono presentation on this Arrow release. There are still some minor ambient differences in location and studio set scenes, but Adolph Deutsch's rather impressive score resonates clearly throughout the film.
Unlike the bare bones Olive release, Arrow (as is their typical custom) has lined up some excellent supplements for their version.
I have to say I have a new appreciation for Ramrod after having gotten through the supplements on Arrow's release of the film. While I'm perhaps not at the "admiration" stage that either commentator Adrian Martin or de Toth interviewer Patrick Francis seem to be, I recognize that some of the film's more provocative elements are rather subtle. Technical merits are still a bit uneven, but Arrow has provided some really excellent supplements on this release. Recommended.
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