6.3 | / 10 |
Users | 4.3 | |
Reviewer | 2.5 | |
Overall | 2.6 |
Primatologist Davis Okoye, a man who keeps people at a distance, shares an unshakable bond with George, the extraordinarily intelligent silverback gorilla who has been in his care since birth. But a rogue genetic experiment mutates this gentle ape into a raging creature of enormous size. To make matters worse, it’s soon discovered there are other similarly altered animals. As these newly created alpha predators tear across North America, destroying everything in their path, Okoye teams with a discredited genetic engineer to secure an antidote, fighting his way through an ever-changing battlefield, not only to halt a global catastrophe but also to save the fearsome creature who was once his friend.
Starring: Dwayne Johnson, Naomie Harris, Malin Akerman, Jeffrey Dean Morgan, Jake LacyAction | 100% |
Adventure | 72% |
Sci-Fi | 63% |
Video codec: MPEG-4 MVC
Video resolution: 1080p
Aspect ratio: 2.40:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 16-bit)
French: Dolby Digital 5.1 (448 kbps)
Mandarin: Dolby Digital 5.1
Spanish: Dolby Digital 5.1 (448 kbps)
Portuguese: Dolby Digital 5.1
Hindi: Dolby Digital 5.1
Russian: Dolby Digital 5.1
Tamil: Dolby Digital 5.1
Telugu: Dolby Digital 5.1
Thai: Dolby Digital 5.1
Turkish: Dolby Digital 5.1
Japanese: Dolby Digital 5.1
English: Dolby Digital 5.1 (448 kbps)
English: Dolby Digital 5.1 (448 kbps)
English DD=U.S. & U.K. narrative descriptive; Japanese is hidden
English SDH, French, Japanese, Portuguese, Spanish, Arabic, Cantonese, Hebrew, Icelandic, Korean, Mandarin (Simplified), Mandarin (Traditional), Russian, Thai, Turkish
Blu-ray Disc
Two-disc set (2 BDs)
Digital copy
Blu-ray 3D
Region free
Movie | 3.0 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 2.5 | |
Overall | 2.5 |
Warner continues its inexplicable effort to give 3D the appearance of support while doing
everything in its power to sink the drowning format for good. The studio's latest stunt involves a
collusion with Amazon to deny 3D purchasers the standard 2D Blu-ray that typically
accompanies a 3D disc and contains all of the special features (and, as discussed below, a much
better soundtrack). So let me add this warning in bold and italics: I cannot be certain that the
two-disc package of Rampage reviewed here is what you will receive if you click on the
Amazon link above. Nor can I be sure what you will get if you use the alternate Amazon link
listed here, which commands an even higher price. You may get
two discs; you may get only one.
A combination of Amazon's greed and Warner's cowardice has allowed the giant e-tailer to offer
a stripped-down, retailer-exclusive edition of the studio's 3D titles—and Amazon isn't selling
them at bargain prices. I strongly advise anyone interested in acquiring a Warner 3D title to look
to other sources, whether WBShop, Amazon UK or Best Buy, if they happen to stock a particular
disc. Buy Warner 3D from Amazon at your own risk.
Moreover, in the case of Rampage, I don't think the effort is worth your time. The 3D post-conversion is uninspired, and as Warner has
done with every 3D disc after Suicide
Squad, the superior Dolby Atmos track has been dropped in favor of a good, but still inferior, DTS-HD MA
5.1 version. I cover this in more detail in the "Audio" section below.
(Screenshots accompanying this review are captures from the 2D standard Blu-ray. Additional
screenshots can be found here.)
Just as studios are phasing out, or entirely eliminating, 3D Blu-rays; just as hardware
manufacturers have stopped making displays that support 3D; and just as theater owners are
reducing the number of scheduled 3D showings (except for IMAX, where they can charge a
fortune)—so are filmmakers leaving 3D considerations out of their shot composition and CG
artists omitting them from their pixel creations. If you compare films like Prometheus and Life of
Pi, which were shot in native 3D, or even Pan,
where the 3D was created in post-production, but
director Joe Wright clearly framed his shots with 3D in mind, it's obvious watching
Rampage that 3D conversion was an afterthought, ignored during production and indifferently
performed in post. Scenes that present obvious opportunities for multi-dimensional composition
have been overlooked, and the result is a 3D presentation that often looks nearly as flat as its 2D
counterpart.
Admittedly, there are a few moments where the extra dimensionality offers meaningful
enhancements. A notable example is the opening in the damaged space station, where artificial
gravity has failed, and the frame is filled with floating objects (including body parts) that appear
to be on the verge of separating from the screen. A similar effect enhances the midair airplane
disaster, when the giant gorilla, George, breaks free of his restraints and wrecks the craft from
inside, scattering floating debris in all directions. Overhead shots of the soaring antenna in
downtown Chicago, which serves as a homing beacon to the film's genetically mutated creatures,
reveal a sharp extension that juts from the screen. So do the barrels of the automatic weapons
wielded by the mercenaries sent to track the mutated wolf. The hybrid Florida crocodile that
swims into the Chicago river gets an occasional 3D boost in closeups of its massive jaws and
enormous teeth.
In general, though, the 3D conversion does no favors to the effects work, both motion-captured
and pure CG. Particularly in long shots, it makes the CG creatures look more artificial and
dampens the illusion of their integration into the surrounding landscape, particularly in the
Chicago scenes. There's also a noticeable softening of the otherwise crisp digital photography, no
doubt a result of the post-conversion. Accordingly, my video score is slightly lower than Marty's,
and my 3D score matches what I previously gave Tomb Raider, another film where 3D added little to the experience.
After dealing with Warner Brothers for a number of years, I have come to the sad conclusion that
many (far too many) of the technical decisions regarding its Blu-ray product have been entrusted
to an informally federated group of executives, primarily in the theatrical and retail marketing
divisions, who I have come to think of as "the Ignorati". I'm sure they're all decent people, but
they seem to be thoroughly ignorant of the technology over which they hold sway. To the
Ignorati, issues like bitrates, codecs and soundtrack formats—concerns to which hardcore Blu-ray fans pay strict attention—are mere abstractions,
little more than features to be mentioned in a
press release or line items on a mastering facility's bill. I envision the Ignorati watching their
movies on tablets and phones and listening to sophisticated, multi-layered soundtracks through a
pair of ear buds. If put on the spot, they probably couldn't explain the difference between Dolby
Atmos and a cassette tape.
But it's the Ignorati, however blithely and blissfully ignorant, who are making the ultimate
decisions about what does—and more importantly, what doesn't—appear on Warner's Blu-ray
discs. They're the ones who have allowed Amazon to sell single-disc versions of Warner's 3D
titles (see above), and it's this same gang of techno-philistines that has decided to drop Dolby
Atmos soundtracks from 3D discs. The Ignorati are the reason why the "rip-roaring Dolby Atmos
soundtrack" eloquently described in Marty Liebman's reviews of the standard Blu-ray and UHD
of Rampage is nowhere to be found on the 3D Blu-ray. Instead, 3D fans are relegated to a
lossless DTS-HD MA 5.1 track, which, on its own terms, is admittedly quite good. The volume
is high, the bass extension is deep, and the five fixed channels do their best to reproduce the
mix's sophisticated layering of sounds, which achieves its greatest complexity in sequences of
disaster and destruction but is equally effective in rendering quieter environments like the San
Diego wildlife preserve or the villains' humming corporate headquarters. The lossless DTS track
has the same sounds, but it can't place them as precisely or separate them as cleanly as the Atmos
mix.
Ten years ago, when the Blu-ray format was still new, this lossless DTS track might have been
considered reference, but the world has moved on, and so has the technology for movie sound.
Today, the DTS-HD MA track is a poor cousin to the multi-dimensional Dolby Atmos
presentation on Blu-ray and UHD. If you want to hear Rampage at its best, get one of these other
versions. Perhaps that is the result the Ignorati secretly desire, as they give the 3D format one last
kick into its grave.
The 3D disc contains no extras. The accompanying standard Blu-ray disc has the extras listed in Marty's review. Let me repeat, however, that if you order from Amazon, you may not receive that accompanying standard Blu-ray.
Rampage on 3D is a waste of time and money. The soundtrack is weaker, the visuals are
indifferent, and, thanks to the conspiracy between Amazon and Warner Brothers, some buyers
won't even get the full package containing the superior 2D version with extras and Dolby Atmos.
Even more than with most products, the appropriate slogan for Rampage 3D is "caveat
emptor"—or maybe "beware the Ignorati!"
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