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| Reviewer | 5.0 | |
| Overall | 5.0 |
The Ramones' first four albums are offered with new Atmos mixes.
Starring: Joey Ramone, The Ramones| Music | 100% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.78:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English: DTS-HD Master Audio 2.0
None
Blu-ray Disc
Four-disc set (4 BDs)
Region A (B, C untested)
| Movie | 5.0 | |
| Video | 0.0 | |
| Audio | 5.0 | |
| Extras | 0.0 | |
| Overall | 5.0 |
Judging by the "traditional" metric of analyzing the success of musical artists by their album and/or single sales as documented by various trade
publication charts like those found in Billboard, The Ramones never really made a huge impact. Of their fourteen studio
albums,
none managed to climb higher than the mid-40s on the Billboard 200 (though some at least did quite a bit better in other places like the
UK). Their (sorry, pun incoming) track record with regard to single releases is perhaps even less impressive, with none of their releases
getting any higher than the mid-60s on the "mainstream" Billboard singles chart, which, considering the band's somewhat provocative
ambience, probably isn't that surprising. What may be at least a bit unexpected, though, is that the band didn't even manage to make
much an impact on the Alternative singles chart from Billboard, not even being listed at all until 1989 when a little film called Pet Sematary helped bring the band greater renown. Aside
from their eponymous single tied to the film, their only other Alternative chart performance was three years later with Poison Heart.
While
their first album (included here) went Gold according to the RIAA, and their third album (also included here) was one of those aforementioned
efforts
which managed to claw its way into the forties of the album chart, to quote the inimitable Paul Harvey, "the. . .rest of the story" easily proves that
judging a band's impact solely on album and single chart performance (and/or sales figures) is, at least in this case, inadequate.
And it's actually there (that very inadequacy) where fans may be somewhat divided about this release. The Ramones' legacy is one that
is unabashedly lo-fi and, well, punked out, and a high tech Atmos rendering of their music may strike some as positively anachronistic. Let the
debates begin!


All four Blu-ray discs in this set offer static menus reproducing the original album cover art and a tracklist. I've offered examples in screenshots 5 through 10 of how the colors of the tracks change as you scroll through them, for those interested in such picayune arcana. Kind of weirdly, the first album is the only one in this set where you can't use the colored buttons on your remote to toggle between audio codecs. That slight weirdness on the first album also means that switching codecs starts the song over. On the three discs where the colored buttons offer a way to toggle, the song continues playing (perhaps after a brief HDMI handshake).

All four albums are offered with either Dolby Atmos or DTS-HD Master Audio 2.0 options. I'm probably going to invite the umbrage of some punk purists, but I didn't really have any problems with the Atmos mixes for the most part, and when you hear the force of, yes, isolated things like the drums at the beginning of Pinhead and any number of those famous "three chord guitar" openings on the Atmos track when compared to the stereo version, to my ears anyway the pluses of the track far outweigh any perceived "loss" of, say, a Ronnie Spector-ized wall of sound or even the at times (again, to my ears) overly brash and bright original stereo mixes. There were numerous examples where I actually felt the Atmos versions help to clarify the overall sound (which again may not sit well with "originalists"), as in Don't Come Close. The one exception might be Rocket to Russia, where I actually found the stereo track to be as enjoyable and listenable as the Atmos, though in an obviously less showy way. In terms of that perceived "wall of sound", the Atmos mix may obviously offer a more "three dimensional" accounting of the onslaught of instruments and voices, but I'd still argue it can be a very powerful sonic "edifice", even if it's considerably more widely imaged than the stereo versions, offering what might be jokingly referred to as walls of sound. It's probably salient to mention that according to Rhino's website "Ed Stasium — who originally engineered three of the albums — created the Atmos mixes for Leave Home, Rocket to Russia, and Road to Ruin. Craig Leon, who produced the band's 1976 debut, contributed the Atmos mix for Ramones. The Atmos versions catch a number of countoffs that either are missing from the final album versions or aren't anywhere near as prominently featured.

There are no supplements offered with this set. All four discs come in mini LP gatefolds reproducing the original album art, with lyrics and the like on the inside. All four discs are housed in a sturdy slipbox.

I actually had a gas re-listening to these albums after so many years. There's an infectious "hey, we have a bunch of instruments, let's form a band" quality to the music which, yes, can be roughshod and harmonically and melodically not exactly innovative (as if punk ever needed those particular blandishments). For those reticent to experience the Ramones in Atmos, the DTS-HD Master Audio 2.0 mixes should suffice, but for the adventurous, the Atmos versions really significantly open up the sound, with improved amplitude and clarity. Highly recommended.