6.4 | / 10 |
Users | 5.0 | |
Reviewer | 2.5 | |
Overall | 2.8 |
Vietnam War veteran John Rambo crosses the U.S.-Mexican border looking for the daughter of a friend and quickly finds himself up against one of Mexico’s most violent cartels.
Starring: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette MonrealAction | 100% |
Thriller | 42% |
Adventure | 21% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1 (448 kbps)
English: Dolby Digital 2.0 (320 kbps)
English SDH, Spanish
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
Digital copy
DVD copy
Slipcover in original pressing
Region A (locked)
Movie | 2.5 | |
Video | 4.5 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 2.5 |
Let’s face it: if anyone has a “particular set of skills”, it’s John Rambo (Sylvester Stallone). Who else could have almost magically helped
the United States find its mojo again after the Vietnam War, and then gone on to what some might argue were at least occasionally jingoistic
activities in such far
flung sites as Afghanistan and
Burma? Still, it’s almost shocking in a way to see Rambo: Last Blood trafficking in a plot which, initially at least, seems “ripped from the
headlines” — of a story about Taken. Now
over
ten years after Rambo seemed to be trying to reboot the
venerable franchise which, along with Rocky, helped to solidify
Sylvester Stallone’s status as one of the crowning action* stars of his era, Rambo: Last Blood seems like a pretty decided step
backward,
or
least sideways, both in terms of plot dynamics but also perhaps due to the same kind of graphic violence that some found objectionable
about the 2008 film. There's not really a "wartime" subtext here, other than John's occasional PTSD-like flashbacks, or perhaps at best a "war on
drugs" since vicious Mexican cartels play into the plot proceedings. But this is a film that telegraphs its major plot points at virtually every step of
the
way (Stallone co-wrote this enterprise), while also indulging in some pretty gruesome imagery at times.
*In the production diary included on this disc as a supplement, Stallone mentions his hatred of the term "action film", though it's notable that later
in the same diary he lauds this film's "action".
Rambo: Last Blood is presented on Blu-ray courtesy of Lionsgate Films with an AVC encoded 1080p transfer in 2.39:1. The IMDb lists RED cameras as having been utilized, with a 4K DI. I'm on record as personally preferring RED captures to Arri Alexa captures at least some of the time, and while this is often a very sharp and well detailed looking presentation, it also has some pretty rough looking moments, especially in some of its (many) darker scenes, some of which have either been lit or graded to some kind of nightmarish, garish tones (yellows in particular), something that may add to a noisy, chunky look at times (see screenshots 17 through 19 for a few examples). If you can overlook those passing anomalies, a lot of this transfer is extremely well detailed, especially considering how dark so many scenes are. A prevalence of close-ups helps to elevate fine detail (sometimes to stomach churning effect, considering the horrifying wounds several people suffer). When grading and/or lighting don't alter things, the palette looks really beautifully warm and nicely suffused, as in some of the more pastoral moments that take place on the Rambo farm.
Rambo: Last Blood features a nicely immersive Dolby Atmos track, a listening experience that delivers jolts of surround activity in some of the kill scenes, but which may not rise (no pun intended) to the heights fans of the more traditionally wartime centered early Rambo films may have expected. There are continual engagements of the surround channels courtesy of both a glut of ambient environmental effects and Brian Tyler's score, but I frankly wasn't ever completely wowed by any real overhead effects, other than in some of the aforementioned action sequences. Dialogue, effects and score are all presented without any problems whatsoever, and with nicely wide dynamic range.
I frankly kind of wish this franchise had ended in 2008 with Rambo, a film which seemed to capture what the character of John Rambo had stood for and moved into an appropriately elegiac, maybe even geriatric, space. Perhaps because this story is centered more on personal revenge than any of the previous Rambo outings, it really should have built to more of a catharsis, something the completely over the top violence may ironically end up undercutting. Fans of Stallone and/or Rambo will probably want to check this out in any case, and other than a few passing issues with video, technical merits are generally solid for those considering a purchase.
1985
1988
2017
2018
2016
Rambo
1982
2017
2013
2011
2019
2019
2007
2018
2014
2016
2014
2-Disc Extended Cut
2008
2008
Unrated
2015
2018