7.1 | / 10 |
| Users | 4.5 | |
| Reviewer | 4.5 | |
| Overall | 4.5 |
The story of one young man, Cru Jones, who has the intensity and desire to win a BMX race called Helltrack.
Starring: Marta Kober, Bill Allen (I), Lori Loughlin, Talia Shire, Ray Walston| Sport | Uncertain |
| Drama | Uncertain |
Video codec: HEVC / H.265
Video resolution: 4K (2160p)
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English: Dolby Digital 2.0 (448 kbps)
BDInfo
English SDH
Blu-ray Disc
Two-disc set (2 BDs)
4K Ultra HD
Slipcover in original pressing
Region free
| Movie | 4.0 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 5.0 | |
| Overall | 4.5 |
(The following review is for the Blu-ray release of "Rad," not the 4K version)
It was a box office bomb during its initial theatrical release in 1986, but something has happened to “Rad” over the decades. The movie hit right when
BMX culture was growing and landed on VHS when rentals were all the rage, soon becoming a cable staple, developing its cult appeal. Due to many
reasons, “Rad” hasn’t been available on disc until now, with the feature suddenly cleaned up and reissued to a rabid fan base that’s been waiting a
long time to see the endeavor in near-pristine condition. It’s a glorious development for a picture that’s often ridiculous but always fun to watch,
especially when it bathes in a time period that treasured the coolness of dancing bikes and primal emotions from teenage characters.


The AVC encoded image (1.85:1 aspect ratio) presentation marks the big disc debut for "Rad," which was caught in rights purgatory for decades, never ever showing up on DVD. A new 4K scan has been created for the movie, bringing it to HD life with tremendous film-like texture, offering heavier grain and excellent detail throughout. BMX particulars are distinct, with bikes and gear displayed in full, along with costuming in general, which retains fibrous qualities. Facial surfaces are consistent, highlighting varying ages. Small town life is dimensional, as are Helltrack sequences, with all the riders and obstacles in view. Colors are lush, with deep reds on Rad Racer clothing. Period hues are balanced, enjoying bright yellows and blues. Skintones are natural. Delineation runs into a few moments of solidification during evening events. Source is in strong shape, with some mild speckling, and the "bicycle boogie" sequence offers a few jumpy frames inherent to the original cinematography.

A 5.1 DTS-HD MA mix is the default selection for the "Rad" disc, and it's a loud, clear listening event. Dialogue exchanges are crisp, preserving performances as they range from cartoon broadness to more subtle emotionality. Nothing is lost with group activity as well. Surrounds offer compelling atmospherics, doing well with crowd reactions during the race sequences, and room tone is appealing. Low-end isn't challenged. Scoring enjoys sharp instrumentation, but soundtrack selections are a bit stranger. For the two John Farnham tunes, vocals are isolated in the center channel, creating a "sound booth" experience for the songs, separating the voice from the music. Other soundtrack selections dial down the divide, retaining a more natural blend of elements. The 2.0 Dolby Digital mix, while not built for bigness, does a better job with musical consistency and balance.


"Rad" isn't particularly strong with storytelling, and Needham has never been a nuanced filmmaker, preferring his scenes thickly sliced for mass audience appreciation. There's nothing here that hasn't been explored in dozens, possibly hundreds of teen-centric movies, but the feature contains a special screen energy as it deals with races, flips, and broad villainy. It works today as time capsule entertainment, and everyone in the cast seems committed to the project in their own special ways. It's taken a long time to reach a disc release, but "Rad" is finally here, providing viewers with a cool reminder of better days when conflicts were settled with BMX showdowns and nothing brought two lovers closer together than an afternoon of ass sliding.

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Slipcover in Original Pressing
1977

1986

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1987

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1985

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1983

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1989

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1987

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1980

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