4.7 | / 10 |
| Users | 0.0 | |
| Reviewer | 1.5 | |
| Overall | 1.5 |
Robotic Officer Tactical Operation Research. A prototype robot intended for crime combat escapes from the development lab and goes on a killing rampage.
Starring: Margaret Trigg, Richard Gesswein, Jayne Smith, James Cole, Clark Moore (IV)| Sci-Fi | Uncertain |
| Action | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: LPCM Mono
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 1.5 | |
| Video | 3.5 | |
| Audio | 3.5 | |
| Extras | 3.5 | |
| Overall | 1.5 |
Note: This version of this film is available on Blu-ray as part of the Enter the Video Store: Video Vengeance set from Arrow Video.
Arrow is back with another Enter the Video Store collection, after having released Enter the Video Store: Empire of Screams a few years ago. That previous
collection
focused on the producing efforts of Charles Band and Empire Pictures, and offered a number of titles that had already had at least one prior release
on
1080 disc. This new aggregation offers mostly new to 1080 disc offerings in a collection that doesn't promote an individual like Band, but
instead a "direct to video" set of titles that may not exactly (to co-opt a word from the previous collection's title) scream "classic", but which can
offer
some at least intermittent entertainment value along the way. The DTV ambience of these of course means pretty low budgets, but even so the
collection offers an assortment of well known names, some in more than one feature, with folks like George Kennedy, David Hasselhoff, Jan-Michael
Vincent, Bo Hopkins,
Dolph Lundren, James Tolkan, Yaphet Kotto and John Schneider picking up paychecks. It probably goes without saying that in true DTV tradition,
many (all?) of these films show signs of having been, um, inspired by mainstream box office successes in the, you know, "real" film
industry.


R.O.T.O.R. is presented on Blu-ray courtesy of Arrow Video with an AVC encoded 1080p transfer in 1.85:1. Arrow's insert booklet lumps all of the films in the set together on the page offering information about the presentations:
Ministry of Vengeance is presented in its original 1.85:1 aspect ratio with mono audio. The 35mm interpositive was scanned in 2K resolution at Fotokem. The film was graded and restored in 2K resolution at Dragon Post Production.While this shares the same somewhat flushed look that I've mentioned in reviews of Ministry of Vengeance and The Final Alliance, in this case it may actually be due at least in part to an emphasis on reds throughout the production design, including lighting regimens. There's some nice suffusion on hand in any case, and it remains largely consistent through both interior and exterior locations. As with The Final Alliance in particular, some of the outdoor material has some incredibly vivid bright blue skies backing things. Detail levels are generally great, though some scenes as the early nighttime showdown between the, well, Robocop and an unfortunate couple can have slight deficits in shadow detail.
The Final Alliance is presented in its original 1.85:1 aspect ratio with stereo audio. The 35mm interpositive was scanned in 2K resolution at Fotokem. The film was graded and restored in 2K resolution at R3Store Studios.
R.O.T.O.R. is presented in its original 1.85:1 aspect ratio with mono audio. A high definition feature master was supplied by MGM via Park Circus. Additional grading and picture restoration was completed by R3Store Studios.
Hangfire is presented in its original 1.85:1 aspect ratio with stereo audio. The 35mm interpositive was scanned in 2K resolution at Fotokem. The film was graded and restored in 2K resolution at R3Store Studios.
Joshua Tree / Army of One is presented in its original 2.35:1 aspect ratio with stereo audio. The original 35mm camera negative was scanned in 4K resolution at Fotokem. A 35mm interpositive element was scanned for the sections unique to the Army of One version. The film was graded and restored in 2K resolution at Dragon Post Production.The original magnetic audio reels were transferred at Deluxe Audio Services. The soundtracks were restored by Bad Princess Productions. All materials sourced from MGM.

R.O.T.O.R. features an LPCM Mono track that capably reproduces the entire spectrum of frequencies without any issues, as evidenced by the opening score and effects which feature both a high glockenspiel type bell tone and lower whooshing synth effects and drums, though that said, the score is mixed incredibly high at times, to the point that everything else (including some spoken material) can retreat. There's both narration and dialogue utilized at various times, and all spoken material unfettered by mix issues is presented cleanly and clearly, though as with The Final Alliance in particular, this was evidently looped in post and so there's the same kind of static dynamic range with regard to spoken material that I noted in the review of the Hasselhoff film. Optional English subtitles are available.


R.O.T.O.R. is such an unabashed ripoff that its sheer audacity may be impressive. Unfortunately that's about the only impressive thing in a film that has less than convincing special effects and some not quite ready for prime time performances. Technical merits are generally solid and as usual Arrow has aggregated some appealing supplements, for anyone who may be considering making a purchase.
(Still not reliable for this title)

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1964