6.8 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
Lee is an insecure man afflicted with heroin withdrawal who is driven to pursue a young man named Allerton.
Starring: Daniel Craig, Drew Starkey, Jason Schwartzman, Henrique Zaga, Drew Droege| Drama | Uncertain |
| Romance | Uncertain |
| Period | Uncertain |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.85:1
Original aspect ratio: 1.85:1
English: Dolby Atmos
English: Dolby TrueHD 7.1 (48kHz, 24-bit)
English SDH, Spanish
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.0 | |
| Video | 5.0 | |
| Audio | 5.0 | |
| Extras | 3.0 | |
| Overall | 3.5 |
Note: For readers who contacted me asking why no review of this disc had posted before or at least by street date, this is one
of several Blu-rays and/or 4K UHD discs I
ordered directly from the A24 shop that were weirdly delayed, per some previous notes I've added to A24 reviews. Despite numerous emails to the
A24 Shop, I received no response about when the shipment would be processed. I'm therefore cautioning people considering purchasing A24
releases, and frankly advising that those
interested wait for discs to show up on Amazon or some other online source, which this one has.
One of the probably unintentional ironies Queer offers, aside from the intentional irony of an erstwhile James Bond playing a drug addled gay man, is how it may reinforce
perceptions of just how spectacularly right David Cronenberg got things in his celebrated adaptation of another work by William S. Burroughs,
Naked Lunch*. Queer kinda sorta attempts to do a "
Naked Lunch" in terms of offering a "first person" point of view of an obviously troubled psyche that ultimately gives way to drug induced
hallucinations, if not outright psychosis and which actually overtly mirrors Naked Lunch by offering a lead character named Bill Lee
(Daniel
Craig), an obvious stand in for Burroughs himself. However, the "Interzone" in this particular case is not Tangier but instead Mexico City in the early
fifties (albeit with a soundtrack offering some anachronistically modern source cues). Bill is frankly on the hunt for gay sex, though there's an
underlying melancholy that suggests what he's really after is (of course) "true love". Additionally, that "first person" perspective gives
way to hallucinatory vignettes where any perceived line between reality and drug induced visions has most definitely been erased.
*The link points to the Region B release from Arrow I reviewed, though Arrow also released a region free Naked Lunch 4K package.


Queer is presented on Blu-ray courtesy of A24 with an AVC encoded 1080p transfer in 1.85:1. While this was shot on film, as of the writing of this review the IMDb is not specifying the resolution of the DI. This is a gorgeous looking presentation for the most part, though as my colleague Brian Orndorf alluded to in his review of Queer during its theatrical exhibition vis a vis sweat being a supporting player, the ostensibly fetid atmosphere of both the Mexico City and Ecuadorian segments can offer various grading choices that are almost drenched (speaking of sweat) in either burnished golden or deep blue tones, choices which can intermittently affect fine detail levels. Fine detail on props and costumes is excellent, whereas a lot of the green screened backgrounds have an intentionally soft and diffused look a lot of the time. Grain resolves naturally throughout the presentation.

Queer features a nicely immersive Dolby Atmos track, though as mentioned above, alert listeners will probably instantly be thrown for a loop (no sequencing pun intended) by the use of several relatively modern tunes (including some Kurt Cobain material) in addition to another pulsing score from Trent Reznor and Atticus Ross. All of the music, whether diagetic, underscore or source cue, sounds fantastic and is typically nicely widely splayed into the side and rear channels. There's a glut of ambient environmental sounds in all of the surround channels, maybe especially in some of the jungle sequences later in the film. Dialogue is rendered cleanly and clearly throughout. Optional English and Spanish subtitles are available.

- Diverso: The Making of Queer (HD; 34:20) offers some interesting interviews and behind the scenes footage.
- Scene Breakdown (HD; 5:28) actually looks at more than one scene and has more interviews with Guadagnino.
- VFX Breakdown (HD; 3:12) is an interesting "time lapse" look at the rendering stages of various moments in the film, playing to some of the film's score.
- Miniatures BTS (HD; 3:05) looks at some of the cool miniatures utilized.

I may be a bit more positively disposed toward Queer than Brian was in his review I linked to above, but I share his awareness of some of this film's narrative deficiencies. One way or the other, this would obviously make for an interesting "compare and contrast" with Naked Lunch, with maybe a quick (?) follow up with 2001: A Space Odyssey. Technical merits are first rate, and the supplements very interesting. With caveats duly noted, Recommended.

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