6.1 | / 10 |
Users | 3.2 | |
Reviewer | 3.0 | |
Overall | 3.2 |
The Division, a shadowy government agency, is genetically transforming citizens into an army of psychic warriors--and brutally disposing of those unwilling to participate. Nick Gant, a second-generation telekinetic or "mover," has been in hiding since the Division murdered his father more than a decade earlier. He has found sanctuary in densely populated Hong Kong--the last safe place on earth for fugitive psychics like him--but only if he can keep his gift a secret. Nick is forced out of hiding when Cassie Holmes, a 13-year-old clairvoyant or "watcher," seeks his help in finding Kira, an escaped "pusher" who may hold the key to ending the Division's program. Pushers possess the most dangerous of all psychic powers: the ability to influence others' actions by implanting thoughts in their minds. But Cassie's presence soon attracts the attention of the Division's human bloodhounds, forcing Nick and Cassie to flee for their lives. But they find themselves square in the crosshairs of Division Agent Henry Carver, a pusher who will stop at nothing to keep them from achieving their goal.
Starring: Chris Evans, Dakota Fanning, Camilla Belle, Cliff Curtis, Djimon HounsouThriller | 100% |
Sci-Fi | 86% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Spanish: Dolby Digital 5.1 (640 kbps)
English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 2.0 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 1.5 | |
Overall | 3.0 |
Didn’t see that one coming, did you?
The rear-end numbing, groan-inducing, watch-checking, "when will this be over?" movie event of
the year, Push is like the kid on the elevator in a 50-story building that, pardon the pun,
pushes all the buttons on the ground floor when everyone else just wants to get to the top without
any added drama and misery. Push delivers, eventually, but in between a few nifty ideas
and interesting action sequences are plenty of unnecessary stops along the way that slow down the
experience considerably and, ultimately, make it a pain in the neck at best and a completely
worthless trip at worst. Even more aggravating is that the idea behind Push is only a fair
one, the movie just another in an ever-growing list of films that incorporate "people with special
powers" and "shady government operatives" chasing each other with destructive and
special-effects-laden results. Finally, the film plays out as far too convoluted for its own good,
throwing characters, abilities, and elaborate counters to those abilities all over the place. It's hard
to
get a grasp on exactly what is going on, let alone follow the micro-details of the story.
Looks like push is about to come to shove.
Push features an impressive 1080p, 2.40:1-framed Blu-ray transfer. The image delivers strong details far and wide, both in close-up and distance shots. The small tiles that make up the wall in Nick's apartment as seen in the beginning of the movie, the many beaten and worn locations around Hong Kong, facial hairs and pores, clothing, and most every other object in the film takes on a lifelike appearance with palpable textures that make them seem to jump off the screen. The transfer also features a noticeable depth of field that allows background images, particularly pedestrians far off in the distance, to appear well-defined, sharp, and realistic. Combined with a fair amount of nicely-rendered film grain, Push delivers a wonderful cinematic appearance throughout. The film features a rougher, noisier, sometimes brighter, sometimes darker, appearance during flashback scenes. Colors appear warm throughout and flesh tones therefore look rather red in most instances, but like the moderate amount of grain and the varied-in-appearance flashbacks scenes, this represents the natural, intended look of the film. Still, the myriad of colors seen in many places throughout the movie impress, particularly the nighttime Hong Kong shots that features a wide array of neon signs that display most every color imaginable. Also featuring dark and rich blacks, Push delivers a high quality 1080p visual treat for the eyes.
Push arrives on Blu-ray with a reference-quality DTS-HD MA 5.1 lossless soundtrack. Time and again throughout the movie the soundtrack impresses with an engaging and amazingly active and complete sound field. Music, dialogue, action sound effects, and environmental ambience all come through the entire soundstage to positively delightful effect. Music flows through the speakers and invades the listening area with lifelike precision, volume, and presence; whether a hard rock guitar riff, elevator music heard as a character walks past an open door, or the bass-heavy beats inside a night club, every note heard throughout Push sounds as crisp and lively as the real thing. Several scenes deliver action that devastates the aural senses; a scene in chapter three featuring screaming characters with the ability to shatter glass, pop fish, and blast out human dear drums, punishes the listening area with a devastating high pitch akin to a certain scene in perhaps Blu-ray's reigning reference-quality disc for audio, The Incredible Hulk. This scene, and several others throughout, serve as true reference points for powerful audio delivery. Also included are several instances of foundation-rattling bass, particularly heard during the film's climactic action sequence. Push's lossless soundtrack also handles subtler audio with ease; the crowded streets of Hong Kong come alive with all sorts of wonderful background noises that flow from each speaker and envelop the listening area. Whether chatter amongst the hundreds of people in the background, bells, or passing cars, the track effortlessly places listeners in the middle of the bustling city. Push is a contender for soundtrack of the year.
Push shoves its way onto Blu-ray with but a few supplements. First up is a commentary track with Director Paul McGuigan and Actors Chris Evans and Dakota Fanning. Each participant's voice plays in a separate speaker, the director in the middle, Fanning in the right, and Evans in the left. The director admits up-front, but more in a joking manner, that the film is hard to explain, and he proceeds to do his best. He also speaks of the filmmaking techniques employed, set design, the acting, and more, while the actors speak on what drew them to the roles, stories from the set, and other odds and ends. This giggly track is for fans only. The Science Behind the Fiction (1080p, 9:17) is a brief piece that looks at the history and range of differing psychic powers and how they play into the film. Finally, a collection of four deleted scenes (1080p, 3:19) with optional director commentary concludes the supplements.
Partially clever, partially coherent, and partially entertaining, Push has a few things going for it but the film never comes even close to putting it all together. Too kinetic, too complicated, and too cumbersome, the negatives outweigh the positives throughout making Push an experience that isn't worth the effort, especially considering a runtime that pushes two hours. Even a top-notch Blu-ray experience cannot save the film. Summit Entertainment has released Push with stunning picture quality and a system-selling soundtrack. Both do manage to make the movie a bit more tolerable, but with the plethora of Blu-ray discs currently available that offer a better movie alongside the marvelous technical presentations, this one is hard to recommend even as a rental, particularly considering only the smattering of extras that accompany the film. Just take the stairs instead, or better yet, leave the building.
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