5.9 | / 10 |
Users | 3.0 | |
Reviewer | 2.5 | |
Overall | 2.5 |
An intelligent pulse of electricity is moving from house to house. It terrorizes the occupants by taking control of the appliances, either killing them or causing them to wreck the house in an effort to destroy it. Then it travels along the power lines to the next house, and the terror restarts. Having thus wrecked one household in a quiet neighbourhood, the pulse finds itself in the home of a boy's divorced father whom he is visiting. It gradually takes control of everything, badly injures the stepmother, and traps father and son, who must fight their way out.
Starring: Joey Lawrence, Cliff De Young, Charles Tyner, Robert Romanus, Dennis RedfieldHorror | 100% |
Thriller | 7% |
Sci-Fi | Insignificant |
Video codec: MPEG-2
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: LPCM 2.0 (48kHz, 16-bit)
English
Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 2.5 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 0.0 | |
Overall | 2.5 |
The best Horror movies usually take something familiar, something that's part of everyday life, something that people take for granted, and make it unnatural, scary, murderous. Sometimes it's something a little more abstract like dreams or the boogeyman and sometimes it's more tangible things like birds or dolls. Pulse falls somewhere in the middle. A film in which the bad guy is essentially a current of electricity means it's abstract in that it's not usually something someone literally sees -- a current running through wherever they happen to be -- but it's not something completely physical or regularly tangible in nature, either. It just sort of is, at least in terms of common perception. Assuming everything is in working order, flip the light switch or start up the microwave and voilą! It's just there. That makes it more unpredictable when it's somehow alive or aware and with a wanton desire to kill, when it courses through the wiring and only the occasional spark or a glow gives its presence away, at least outside of its moments of mayhem. Pulse doesn't accomplish everything it might have with the concept, but it's still a relatively good, mindless movie that, if nothing else, thinks a bit outside of the (electrical) box.
Pulse isn't going to win "catalogue transfer of the year" or anything like that, but Mill Creek's 1080p, MPEG-2 encoded presentation more or less satisfies, despite a few warts. Print wear is heaviest during the opening title sequence but settles down to a more manageable smattering of pops and speckles for the duration. The opening and closing nighttime shots are depressingly desaturated and smooth, but the image picks up momentum in all of its brightly lit scenes. Grain hovers and yields a rather pleasant filmic veneer. Detailing is fine. Facial and clothing textures are reliable, but it's in some of the background and environmental textures where the transfer proves most enjoyable. Odds and ends in the bedroom or kitchen look nice but it's in the garage where more diverse textures and various unkempt or grimy surfaces prove nicely revealing. Many of the film's intimate shots of circuits and wires and whatnot are appropriately sharp, too. Color saturation is pleasant beyond those nighttime shots. Natural greens, a flashy sports car, various shades on attire, red blood, and blue electricity bring some spice to the presentation. Flesh tones appear fairly straightforward if not a touch pasty. For a budget catalogue release of a nearly 30-year-old film, there's not a ton of room for complaint.
Pulse features an LPCM 2.0 uncompressed soundtrack. It's fairly impressive for what it is and with its channel limitations. The 80s style electronic music track to open is a little sharp, but the track seems faithful to the sound design. Musical width along the front is impressive, and the track proves ever willing and able to push the front stage's boundaries. Various industrial and electrical sounds creep and flow along the front near film's start to positive effect. There's a strong, weighty whirring sound when a garbage disposal is flipped on, the sound startling David and reinforcing a story he had heard from one of his friends. Some of the wavy in-and-out sounds the "malfunctioning" TV makes are impressively detailed and spaced. A ringing phone offers a piercing charge into the soundstage. Some of the most boisterous effects come at the climax and are forceful enough to fool the listener into believing the track is playing with some level of surround depth. Dialogue is clear and presents with a naturally center-imaged presence.
This Blu-ray release of Pulse contains no supplemental content. The main menu screen offers only "Play" and "Subtitles On / Off" buttons.
Pulse isn't "pulse-pounding!" or any of those other excited quote fodder lines that would have worked exceedingly well with this title. It's just a midlevel Horror picture that's more concept than execution, more an interesting (in hindsight) mishmash of ideas that can be seen in other films, some that would release before it, some that would come after. Its pacing is sluggish but there are some interesting hints throughout that do just enough to keep the audience interested, not necessarily involved, until the end. Mill Creek's Blu-ray contains no supplemental content, but the video and audio presentations are fine for the product, which at time of writing is selling for around $5-$7 new. Recommended at that price.
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