9 | / 10 |
Users | 4.8 | |
Reviewer | 4.5 | |
Overall | 4.8 |
The lives of two mob hitmen, a boxer, a gangster and his wife, and a pair of diner bandits intertwine in four tales of violence and redemption.
Starring: John Travolta, Samuel L. Jackson, Uma Thurman, Harvey Keitel, Tim RothCrime | 100% |
Dark humor | 87% |
Thriller | 74% |
Drama | 62% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.35:1
Original aspect ratio: 2.39:1
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
English, English SDH, Spanish
50GB Blu-ray Disc
Single disc (1 BD)
Slipcover in original pressing
Region A (locked)
Movie | 4.5 | |
Video | 4.5 | |
Audio | 5.0 | |
Extras | 4.0 | |
Overall | 4.5 |
Perhaps understandably a lot of film lovers insist that the greatest era of film was whatever era they grew up with, or at least whatever era it was that they started really paying attention to films. People who frequented movie houses during the Golden Age will argue that fine films pretty much ended shortly after World War II. Baby boomers will insist that nothing post-1970’s has any merit. And younger audiences just now getting their sea legs in terms of wide film going experiences would probably be hard pressed to name anything they consider a classic that was released pre-1990. Such are the vagaries of time, and such are the vagaries of proclaiming any given film an “all time classic,” especially if that “all time” phrase only accounts for a few years or even a couple of decades. Films need to age (like fine wine in those ads of yesteryear) in order to really LATCH ONTO something akin to a lasting reputation, no matter what the initial response to their theatrical exhibition may have been. In fact the perspective that comes with passing time, not to mention hindsight, can work both for a film’s benefit or toward its detriment. There are any number of films which were pilloried upon their original release which are now considered at the very least minor classics. On the other hand, films which were the flavor du jour are now looked at with decidedly more cynical eyes. So where does Pulp Fiction reside in this rather vast spectrum? Rarely has a film been greeted with such unanimous acclaim as Pulp Fiction was in 1994. Winner of the Palme d’Or at Cannes that year, and later nominated for seven Academy Awards (winning for the original screenplay by director Quentin Tarantino and collaborator Roger Avary), the film was lionized for doing everything from resurrecting John Travolta’s then pretty moribund career to injecting new life (no pun intended, considering the famous syringe scene in the film) into the whole crime thriller neo-noir genre. But even in 1994 there were a few quibbling naysayers in the bunch, those who found the film’s overarch dialogue risible and who had issues with what they perceived was the film’s too self conscious attempts to be innovative. These people argued that Tarantino was simply too aware of his own brilliance, and thereby deprived Pulp Fiction of a more organic, up from the roots originality, and instead the film had a sort of pre-fab, neomodern aesthetic imposed from without that hobbled the film’s inherent sensibility. What does all of this look like now from the vantage point of coming on twenty years since the film’s original release?
It probably won't come as any surprise to regular Blu-ray.com readers that we reviewers are second guessed on our assessment of video and audio quality roughly 200% of the time. (I jest, but only slightly). So it's with some slight gloating that I forewarn any naysayers that this AVC encoded 1080p transfer in 2.35:1 was personally supervised and approved by Mr. Quentin Tarantino himself, so please aim your barbed comments his way. . .if you dare. From the first cafeteria scene, where Roth and Plummer sit in front of horizontal shades that could be a frenzy of aliasing in a less than spectacular transfer, it was obvious this was going to be a stellar effort every step of the way. While I'm sure there are going to be the usual questioners who will, for example, wonder why contrast is pushed in that selfsame opening sequence or why some shadow detail in the Jack Rabbit Slim's sequence disappears into the background blackness, this is one of the most filmically accurate transfers in recent memory, with beautifully variegated color, more than abundant fine detail (take a look at Travolta's puffy-weathered face for some great examples), excellent (if, yes, played with) contrast and solid black levels. There is some minor (as in minor) edge enhancement noticeable in a few extremely transitory moments, but it seems churlish to complain about that (though I have a feeling some will) since it is so incredibly minor.
Pulp Fiction is a riot of sonic activity, all of it perfectly presented in this boisterous and raucous DTS-HD Master Audio 5.1 track. It's hard to know where to begin in discussing the sonic delights available to the listener in this exceedingly well rendered track, so let's just start with the gunfire. It erupts from perfectly positioned discrete channels and simply zings every which way, much like the semi-crazy shooters themselves. Screeching cars' wheels pan appropriately from side to side and some wonderful sound effects (adrenaline shots and their aftermath, anyone?) fill the speakers with really fulsome low frequency and spot on midrange and high end. The dance contest sequence is also a standout for some great immersion, as all of the sound of Jack Rabbit Slim's surround the listener, creating a wonderful party ambience. Tarantino's great use of source cues and underscore also erupt from the speakers with a lot of panache. What's ultimately so impressive about this track is despite it being so busy so much of the time, it's extremely well prioritized and what we're supposed to hone in is never hard to discern.
Revisiting Pulp Fiction for the purposes of this review was like getting back in touch with a dysfunctional family whose quirks are only too recognizable, but who you end up loving anyway. This film is so stuffed with great performances and great bits of dialogue that it's almost useless to try to single one or two moments out. Fans of the film are going to be very pleased with the video and audio components of this release, as well as a couple of new supplements appended to previously released extras. Anyone new to the film is in for one of the thrill rides of their film-loving lives. Highly recommended.
30th Anniversary Limited Edition
1994
1994
1994
1994
1994
1994
Limited Edition
1993
Uncut Version
2000
1997
30th Anniversary Edition
1992
2012
2011
2012
2005
2014
Grindhouse Presents Death Proof | Extended and Unrated
2007
2006
1971
2008-2013
2000
1993
Seven 4K | 30th Anniversary Edition
1995
2011
2013
10th Anniversary Edition
1999
2006