7.2 | / 10 |
| Users | 0.0 | |
| Reviewer | 3.5 | |
| Overall | 3.5 |
From his childhood in Poland to his adolescence in Nice to his years as a student in Paris and his tough training as a pilot during World War II, this tragi-comedy tells the romantic story of Romain Gary, one of the most famous French novelists and sole writer to have won the Goncourt Prize for French literature two times.
Starring: Pierre Niney, Charlotte Gainsbourg, Didier Bourdon, Jean-Pierre Darroussin, Finnegan Oldfield| Foreign | 100% |
| Biography | 25% |
| Romance | 16% |
| Drama | 4% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.39:1
Original aspect ratio: 2.39:1
French: DTS-HD Master Audio 5.1
French: DTS-HD Master Audio 2.0
English SDH
Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 3.5 | |
| Video | 4.5 | |
| Audio | 4.0 | |
| Extras | 0.5 | |
| Overall | 3.5 |
Romain Gary is one of those names which might ring a faint bell with many, even if a complete biography associated with it never fully congeals. Perhaps some will remember that Gary was married for some time to Jean Seberg, and in fact had a child with her, writer Alexandre Diego Gary (Alexandre’s parentage was kept secret for a while since Romain Gary and Jean Seberg were not married at the time of his birth in 1962). Others may recall that (also in 1962) Romain Gary contributed some vignettes to The Longest Day, including one culled from his own war experiences which is repeated in this film to visceral effect. Gary’s writing gave birth to several films through the years, including the 1958 environmentally tinged drama The Roots of Heaven, 1977's La vie devant soi (also known as Madame Rosa, the title under which it won that year’s Academy Award for Best Foreign Language Film), and even a previous adaptation of the autobiographical tome that inspired this film, a 1970 version of Promise at Dawn starring Melina Mercouri and directed by her husband Jules Dassin. If Gary is something of a cult item (if even that) on this side of the pond, he’s one of the most celebrated literary figures of the 20th century in his adopted homeland of France. Aside from his protean writing achievements, Gary entered the annals of French legend when he became the only author in that nation's history to win the coveted Prix Goncourt on two occasions. That legend arose because the Prix Goncourt is only supposed to awarded once to any given individual (kind of like one of those "life achievement" Oscars). Gary won under his own name for Les racines du ciel, the novel that gave birth to The Roots of Heaven, but then almost two decades later, he won again under the pseudonym of Émile Ajar for La vie devant soi, which obviously inspired Madame Rosa. Gary actually had to hire an imposter (a relative of his) to accept that second Prix Goncourt, and it was ultimately only after both his suicide note and a posthumously published "confessional" got into this scheme that his subterfuge was revealed.


Promise at Dawn is presented on Blu-ray courtesy of Menemsha Films with an AVC encoded 1080p transfer in 2.39:1. This is another film of relatively recent vintage where the IMDb is of virtually no help in the technical department (other than its listing for a "DCP" for this film), but I was able to find this rather interesting interview with the film's cinematographer Glynn Speeckaert which gets into both the use of the Arri Alexa XT as well as some of the special lenses that were utilized. The result is an often ravishing looking film, albeit one that deliberately tamps down the palette quite a bit of the time to the point that things can almost look monochrome, or slightly sepia toned. That probably only helps to establish contrast to some of the more vividly saturated moments, as in some outdoor scenes at beaches or scenes ostensibly taking place in Africa (Morocco was evidently one of the locations for the shoot). Detail levels are typically excellent throughout, though there is a lot of dimly lit interior footage where murk can slightly deflate fine detail. Some of the CGI, notably during the big bombing raid somewhat late in the film, can look just a trifle soft and ill defined at times.

Promise at Dawn features DTS-HD Master Audio 5.1 and DTS-HD Master Audio 2.0 tracks in the original French, with optional English subtitles available. The surround track nicely opens up the film's bounteous ambient environmental effects courtesy of the frequent outdoor material, something that's probably unsurprisingly most noticeable in some of the battle sequences or other scenes featuring airplanes. Effects can be placed in discrete channels or, as in the case of some of the flight scenes, panned accurately to mimic directionality of on screen action. Dialogue, including quite a bit of voiceover by "Romain", is always clear and problem free, with good prioritization.


Promise at Dawn will probably serve as a decent introduction to anyone who, as mentioned above, may slightly recognize Romain Gary's name without actually knowing all that much about him. The dynamic between mother and son in this film may strike some as off putting, and as such elements in this story may come off as overwrought, but both Gainsbourg and Niney do very fine work here, and the film features an expressive and handsome production design. Technical merits are solid, and Promise at Dawn comes Recommended.
(Still not reliable for this title)

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