7.4 | / 10 |
| Users | 0.0 | |
| Reviewer | 2.5 | |
| Overall | 2.5 |
Famous wrestlers are pitted against hordes of undead when they unknowingly walk into a death trap.
Starring: Roddy Piper, Adrienne Fischer, Jim Duggan, Matt Hardy, Kurt Angle| Horror | 100% |
| Comedy | 11% |
| Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.78:1
Original aspect ratio: 1.85:1
English: Dolby Digital 2.0
None
25GB Blu-ray Disc
Single disc (1 BD)
Region A (B, C untested)
| Movie | 2.5 | |
| Video | 2.5 | |
| Audio | 2.0 | |
| Extras | 2.5 | |
| Overall | 2.5 |
There are unavoidable expectations in place when sitting down to watch a movie titled “Pro-Wrestlers vs. Zombies.” Obviously, material like this isn’t looking for respectability, but basic functionality is always welcome. Writer/director Cody Knotts looks to summon a mood of horror and sports entertainment with his picture, hiring some well-known wrestlers to appear in a no-budget genre film that’s largely shot inside an abandoned prison and in the deep woods. The helmer depends on established personalities to lead the way, along with a healthy dose of gore, keeping the feature regular with bursts of violence and meaty, troubled acting. What “Pro-Wrestlers vs. Zombies” is missing is fun, with Knotts overseeing a depressing vibe of survival and vaguely defined evil, managing to fatigue the effort long before it has a chance to truly kick back and enjoy its ridiculousness.


The AVC encoded image (1.78:1 aspect ratio) presentation certainly doesn't have the foundation for an encouraging viewing experience, with commercial-grade cameras used to capture chaotic action. The feature looks dismal all around, with drained colors leading the charge, offering a colder palette that periodically emphasizes red. Hues aren't secure, but they aren't radically off either. Delineation isn't a priority, with most evening and dimly lit sequences lost to solidification, but detail isn't completely gone, with most stabilized close-ups grasping facial textures and gore highlights. Banding, pixelation, and general noise issues follow the presentation wherever it goes, while inherent cinematographic limitations are easily spotted.

The 2.0 Dolby Digital sound mix also struggles with no-budget production issues, finding the mix jarring with edits and levels, failing to find a cohesive rhythm that defines the performances and violence. Dialogue exchanges are primarily dubbed, leaving synch a pipe dream at times, but even the post-production boost can't erase muddiness, finding a few lines completely lost. Music also fights to be heard, keeping scoring supportive but unremarkable while the metal soundtrack erupts without warning, often overpowering the mix. Instrumentation is there, but balance doesn't arrive. Atmospherics are thick and often disorganized, while sound effects are emphasized without flair, keeping goopy and wet.


"Pro-Wrestling vs. Zombies" is filled with tuneless metal, iffy performances, and cheap locations, emphasizing its budget limitation whenever possible. Knotts also make a key mistake by killing off a child, trying to find place of emotional gravity in the midst of stupidity. Because genre pictures are always a laugh riot when they kill off little kids. However, the death of an innocent is far from only mistake "Pro-Wrestlers vs. Zombies" makes as it goes about its business of bloody bites, disembowelments, and body slams. The fact that the effort never manages to catch fire is an unpardonable sin, wasting an opportunity to create a gonzo environment of extreme violence and showmanship. Knotts manages to lure a few famous faces into the production, but ultimately doesn't offer them much to do. By the time the grand finale has arrives, the movie is already out of gas, turning feverish survival into white noise.

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