7 | / 10 |
Users | 0.0 | |
Reviewer | 4.5 | |
Overall | 4.5 |
A group of desperate men are conscripted into indentured labor on a treacherous, disease-ridden yerba maté plantation under the control of the brutal foreman Köhner—a situation that boils over in an explosive act of rebellion led by the defiant Podeley, and made all the more tense by the fact that Köhner and Podeley love the same woman: Andrea, the sweet-spirited daughter of the camp’s doctor.
Director: Mario SofficiForeign | 100% |
Drama | 70% |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 1.37:1
Original aspect ratio: 1.37:1
Spanish: LPCM Mono
English
Blu-ray Disc
Two-disc set (1 BD, 1 DVD)
DVD copy
Region A (locked)
Movie | 4.5 | |
Video | 4.0 | |
Audio | 3.5 | |
Extras | 2.0 | |
Overall | 4.5 |
Note: This film is available on Blu-ray as part of the Criterion release of Martin Scorsese's World Cinema Project, No. 4.
Criterion is often described as the very paradigm of a "niche" collector label, and in that regard, there may be nothing Criterion has offered over the
years that is more "niche" than their series of World Cinema Project offerings, all bearing the rather notable imprimatur of one
Martin Scorsese. This fourth volume follows in the footsteps of the previous three collections and offers another often bracing aggregation of little
or at least
lesser known films, some from rather unusual places and also at times addressing subjects that are not regular fodder for big budget Hollywood
extravaganzas.
Reviews of the previous three volumes in this series, all of which offer some really interesting and worthwhile films, are accessible by clicking on the
following links:
Martin Scorsese's World
Cinema Project, No. 1 Blu-ray review
Martin Scorsese's World
Cinema Project, No. 2 Blu-ray review
Martin Scorsese's World
Cinema Project, No. 3 Blu-ray review
Prisioneros de la Tierra is presented on Blu-ray courtesy of The Criterion Collection with an AVC encoded 1080p transfer in 1.37:1. Some introductory text before the main feature provides the following information on the restoration:
Restored by The Film Foundation's World Cinema Proejct and Cineteca di Bologna a L'Immagine Ritrovata in association with the Museo del Cine Pablo Ducrós Hicken.Even more detailed information is imparted in Criterion's insert booket:
Restoration funded by the George Lucas Family Foundation.
Prisioneros de la tierra was restored using the best existing elements: a first generation 35mm positive print held at La Cinémathèque française and a recently rediscovered third generation 35mm positive print preserved by the Narodni Filmovy Archiv.
For its overall completeness and photographic quality, the first generation 35mm positive print was used to restore the image, while the third generation 35mm positive print was the primary source for sound restoration.
A 16mm dupe negative, provided by the Museo del Cine, has also been studied and compared as a reference.
Color grading was supervised by Paula Félix Didier, director the Museo del Cine Pablo Ducrós Hicken.
Prisioneros de la tierra is presented in its original aspect ratio of 1.37:1. This digital transfer was created in 4K resolution on an Arriscan film scanner from the best elements available: a first generation 35 mm print held that the C f and a recently rediscovered third generation 35 mm print preserved by the National Film Archive in Prague, which was the primary source for the sound restoration. . .The film was restored in 2018 by The Film Foundation's World Cinema Project and Cineteca di Bologna at L'Immagine Ritrovata, in association with the Museu del Cine.Kind of amazingly as the main supplement associated with this film gets into, many Argentinians were only acquainted with this film courtesy of a faded, badly damaged 16mm print which was at one point rather incredibly deemed suitable for broadcast. As outlined above, thankfully better elements were discovered, and the restoration of this feature is in my estimation undeniably remarkable, though there are still some noticeable variances in clarity and grain structure at various points. Detail levels are consistently pleasing, perhaps arguably a bit more consistently in some of the assumedly more controllable environs of indoor sets than some of the location work. Contrast is also very good to excellent, offering nice gray scale and some good black levels. There is still some age related wear and tear that can be spotted, but nothing very significant.
Prisioneros de la tierra features an LPCM Mono track in the original Spanish. The main supplement associated with this film gets into some of the restoration process, and one brief clip segues from a print soundtrack to what is ostensibly the "gussied up" track offered here, and while there is noticeable improvement, there's also no denying that there's a rather recurrent level of background hiss throughout this offering. Any major defects have either been removed or ameliorated, and dialogue is presented relatively cleanly and clearly, though again with some limitations in dynamic range in particular. Optional English subtitles are available.
Criterion has packaged Sambizanga and Prisioneros de la Tierra together on one disc. After selecting an individual film, supplements exclusive to that film are then accessible, as follows:
Prisioneros de la tierra is probably going to be one of the highlights for cineastes checking out this set, and the good news is the restoration offered here is by and large very impressive. The accompanying supplement is also enjoyable. Highly recommended.
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