7.2 | / 10 |
Users | 0.0 | |
Reviewer | 3.5 | |
Overall | 3.5 |
An underworld enforcer sent to Kansas City to collect money from a mysterious mobster who has no intention of paying up.
Starring: Lee Marvin, Gene Hackman, Angel Tompkins, Gregory Walcott, Sissy SpacekThriller | Insignificant |
Crime | Insignificant |
Drama | Insignificant |
Action | Insignificant |
Video codec: MPEG-4 AVC
Video resolution: 1080p
Aspect ratio: 2.36:1
Original aspect ratio: 2.39:1
English: LPCM 2.0 (48kHz, 16-bit)
German: LPCM 2.0
German: LPCM 2.0 (48kHz, 16-bit)
None
25GB Blu-ray Disc
Single disc (1 BD)
Region free
Movie | 4.0 | |
Video | 3.5 | |
Audio | 4.5 | |
Extras | 2.0 | |
Overall | 3.5 |
Michael Ritchie's "Prime Cut" (1972) arrives on Blu-ray courtesy of Swiss label Explosive Media. The supplemental features on the disc include an original trailer for the film; promotional (posters, lobby cards, stills, photos); and original trailers for other Explosive Media releases. In English or German, without optional subtitles for the main feature. Region-Free.
Yeah, I like eating guts.
Presented in an aspect ratio of 2.36:1, encoded with MPEG-4 AVC and granted a 1080p transfer, Michael Ritchie's Pirme Cut arrives on Blu-ray courtesy of Swiss label Explosive Media.
The high-definition transfer has been struck from a dated source, but the film looks quite good in high-definition. Most close-ups boast pleasing depth and despite some minor fluctuations clarity never disappoints. During the darker indoor scenes light noise occasionally sneaks in, but it never becomes overly distracting (see screencaptures #17 and 18). There are a couple of scenes where traces of light fading are also present (see screencapture #10). Generally speaking, colors are stable and natural, but they can be rebalanced. The best news is that no attempts have been made to digitally re-polish the film. In other words, the grain that was present on the master has been retained. There are some very minor fluctuations causing sporadic softness, but none of them are distracting. There are no traces of new and problematic sharpening corrections. Lastly, a few specks and dirt occasionally pop up, but the film looks clean and stable. All in all, even though there is some room for improvements Prime Cut does have a good organic appearance. (Note: This is a Region-Free Blu-ray release. Therefore, you will be able to play it on your player regardless of your geographical location. For the record, there is no problematic PAL or 1080/50i content preceding the disc's main menu).
There are two standard audio tracks on this Blu-ray release: English LPCM 2.0 and German LPCM 2.0. For the record, Explosive Media have not provided optional subtitles for the main feature.
Prime Cut would not have been as charming as it is without Lalo Schifrin's score. It is deceivingly simple but very elegant, reminding of the great scores legendary Italian composers such as Piero Piccioni and Armando Trovajoli created for various genre films. Fortunately, the lossless English track allows it to shine in all the right places. Overall dynamic intensity is somewhat limited, but during the shootouts the sound has plenty of depth. Clarity is very good. The dialog is crisp, stable, and easy to follow. Also, there is no problematic background hiss, crackle, audio dropouts or distortions to report in this review.
Completed three years after Downhill Racer, Michael Ritchie's Prime Cut is a cracking gangster film that has all the right ingredients to be considered a minor classic. I thought that it was as quirky as Robert Altman's Nashville, but a lot darker and a lot funnier. Prime Cut has been released on Blu-ray by Explosive Media, a terrific Swiss label that is bringing classic cult westerns and gangster films to the European market with the same enthusiasm Scream Factory releases horror gems in the United States. It looks lovely on Blu-ray. HIGHLY RECOMMENDED.
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